Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literary devices in two kinds
Literary devices quizlet
Essays on symbolism in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
That Lean and Hungry Look A good author is always conscious of being too sarcastic. In the short story “That Lean and Hungry Look” written by Suzanne Britt; the author point of views are drowned out by sarcasm. Suzanne Britt probably wrote this comical literary story while sitting in a coffee shop, drinking a fat-free cappuccino as she watched “thin and fat” people walk by. She may have wondered to herself what her life would have been like if she was thin. At some point, envy caused her point of views to be too sarcastic. Also, the sarcasm had inadvertently affected the mechanics of her story. The story was well written and has some unique pointers. However, the author message is muddled by her usage literary allusions, exaggerated usage of figurative language, and over usage of alliterations. …show more content…
A good author knows when to use literary allusions.
Most authors wouldn’t allude to classic literary work comically. However, Suzanne Britt did just that when she referred to “Julius Caesar” a play written by William Shakespeare in paragraph one. Suzanne took the meaning of Julius Caesar words out of context. When Julius Caesar stated he wanted “fat, sleek-headed men” around him. He was referring to men who are content and wouldn’t bite the hand that fed them. According to paragraph one, the author makes a misguided attempt to quote Emily Dickinson’s poem “Snakes” to point out that thin people are overly creepy. If Suzanne Britt would have alluded to a more modern literary story, then maybe her point of view would have come across more
clearer. A sensible author knows what line to draw in reference to figurative language. Suzanne went outside the bounds of her creative writing. For instance, the author usage of onomatopoeia in paragraph ten really shows the reader how personal the subject of size is to her. When the author states that fat people are slapping their thighs, whooping it up; she is really painting a negative picture of herself. Also, the author usage of similes in paragraph four are over exaggerated and shows her jealousy towards “thin” people. For example, when the author states that a “thin person personality is like carrots because they’re dull and crunchy”. It is the responsibility of a sensible author to know when to put the pen down and save the integrity of the story. A good author knows when enough is enough. Suzanne Britt has passed the line of comical reason in this story. Her own self-hatred has appeared through the tone of every line in this short story. For instance, the author usage of alliterations is full of hidden hatred, and not comical context. In paragraph eleven, when the author refers to a “thin” person’s responsible attitude as prognose, probe, and prick. The author is really expressing her desire to be disciplined. The author shows the reader what she really thinks about her body image in paragraph twelve. In paragraph twelve Suzanne uses words link galumph, gyrate, gossip, gallant, and gluttonous to describe herself and other fat people. Here the reader finally sees the comical mask that Suzanne tries to hid behind, slowly come off. Also, behind her mask is a lot passive self-hatred. Suzanne Britt’s short story is interesting. However, the author’s message is muddled by her usage of literary allusions, exaggerated usage of figurative language, and over usage of alliterations. It is true, an author has the right to write however and whatever they believe is acceptable to get their point across. A good author would respect the truth of classic literary work. Also, a sensible author would not go out of their creative walls. It is important for authors to be reasonable and considerate of their various readers.
“Fat Girl” by Megan Falley is one of my top ten poems. At the beginning of the poem, she starts off with a tone that seems very ashamed, but then with the line “Fat girl’s certain soul food taste better than being thin feels.” it changes into more of an unabashed tone. This poem means a lot to me, as I have always struggled with my body image and weight. When I was younger, I was constantly teased and called fat.
However, with this transition, some questions come up: What is the difference between being ridiculed and being pitied for? Is it really that much better to be pitied for? Answers to these questions would have made the transformation process of the term “fat” clearer. Though there is no doubt that Carver is making a statement here with the waitress’s pity, it is more than just pity for the fat man and more than just the presence of “the grotesque” (Kurkjian 2). It is seeing the fat man beyond his fat, someone who is mannerly and also shameful of his weight. When the waitress interacts with him, he thanks her for the food, forgives her for spilling his water, and frequently says that “they” (himself) do not eat so much all the time (Carver 67). The waitress realizes the kind-hearted and self-critical man he truly is and stands up for him when her fellow employees mock him. Carver does not change the term “fat.” In reality, he emphasizes the perception of what is beyond being fat, that there is more under the surface of what he or she looks like. Here, Carver is, in fact, using the Freudian idea of superego, which “concentrates on the mind of morals and ethics” (Abrams
In “Cruelty, Civility, and Other Weighty Matters” by Ann Marie Paulin, she was trying to get across a very important message: skinny doesn’t mean happy. The main idea was about how our culture in America encourages obesity because of the food choices they offer, how expensive weight loss pills and exercise bikes is, and etc., yet the culture also is prejudice against these same fat people that they encourage. It’s a constant back and forth in America between what is convenient with the little time we have in between everything we have to do each day and working out to be skinny enough for everyone to not judge you. Ms. Paulin wrote this article for literally everyone, this article was for skinny people to show them like hey, you’re not all
The essay Four Menus by Sheila Squillante challenges mainstream pieces of writing in various ways. This essay closely resembles poetry with its metaphors and symbolism. This similarity is not a surprise given that Squillante is also a poet. Most essays explain an idea in a structured format which is greatly different from this piece. Four Menus jumps from scenes starting at a Korean restaurant and later at a house. Within the essay she tells flashbacks of times with her friends. These flashbacks are rather random and there seems to be scattered ideas. While pondering all of these aspects of her work I came the conclusion that an essay does not have to be black and white; as long as a main idea is covered it can be left as is. Most of us grew
In Dave Barry's story, Lost in the Kitchen, he's shows a humorous story about two men's ineptness at helping to prepare for their Thanksgiving dinner. However, as you look closer at the essay you find that the actual message the author is trying to convey is one of stereotypes, and how they appear everyday in our lives, even during the preparations for a simple Thanksgiving dinner. In order to convey this message he uses several strategies and techniques to draw our attention to the use of stereotypes in our lives and to help us better understand the point that he is trying to get across. We find Dave Barry using is that of figurative language, which is imaginative language that compares one thing to another in ways that are not necessarily logical but that are nevertheless striking, original, and "true."
MacClancy states, “Wrenched out of normal routines by the continuing assault on their mouths, they concentrate on the sensation and ignore almost everything else” (287-288). On the topic of body art, Ruggia states, “The skinny obsession is spiraling out of control as more people risk death to be thin through diet pills and gastric bypass surgery” (318). These statements support that the essays both unveil an underlying message of the endless human search for self-gratification. Using diferent writing styles, the authors similarly impress their person opinion on the
Perfect: adj. ˈpər-fikt 1. Entirely without any flaws, defects, or shortcomings, is the first definition you find on dictionary.com for the word (perfect). Is this actually possible to attain? Has anyone actually ever been perfect? Or is it all in the eye of the beholder? These questions are asked by almost every girl, as we dream to one day reach the unattainable. This is especially true at the tender age of fifteen, where nothing seems to be going right with our bodies and everything is changing in us. This poem stresses the fact that as everyone realizes how unrealistic this dream is, the knowledge makes no difference to the wish. Marisa de los Santos comments on this in her poem “Perfect Dress”. The use of verbose imagery, metaphors, and the simplistic approach are very effective in portraying the awkward adolescent stage of a young woman and the unrealistic dream of being perfect.
The author brings in the mental health aspect and talks about the ridicule that is a part of a heavy person’s life regularly. She notes that people will make rude comments, or comment about what they have in their grocery cart at the store. She states that people are not that into getting medical help by reason of a doctor almost always attributing health issues to the fact a person is fat. She talks about how she has tried so many times to lose weight, but she realized that she needed to just make peace with her body. Spake and Worley disagree on how people should handle their addiction.
This country places great value on achieving the perfect body. Americans strive to achieve thinness, but is that really necessary? In his article written in 1986 entitled “Fat and Happy?,” Hillel Schwartz claims that people who are obese are considered failures in life by fellow Americans. More specifically, he contends that those individuals with a less than perfect physique suffer not only disrespect, but they are also marginalized as a group. Just putting people on a diet to solve a serious weight problem is simply not enough, as they are more than likely to fail. Schwartz wants to convey to his audience that people who are in shape are the ones who make obese people feel horrible about themselves. Schwartz was compelled to write this essay,
“It is estimated that 8 million Americans have an eating disorder - seven million women, and one million men.” (“South Carolina Department of Mental Health”). Skinny by Ibi Kaslik is about two sisters, Holly and Giselle, whose lives and relationship are impacted by the others’ state of condition. Giselle is a medical student who wanted to see what would happen if she stopped eating, and because of this she developed anorexia. Holly is an eighth grader who was born deaf in her left ear. The story jumps back and forth, changing every chapter, from Giselle’s point of view to Holly’s. This helps show the reader how one sister affects the others life. Skinny by Ibi Kaslik shows how family problems can have a great effect on the lives of the people within the family.
However, one day Tony Robbins, understanding Hal’s situation, hypnotizes him into seeing people’s inner beauty and not their external selves. And after that incident, he fell in love with Rosemary, woman who appears to him to look beautiful due to her kind, generous nature, but is, in actuality, morbidly obese. This proved people should not be judged by their looks because every person is unique and everyone possesses special qualities. Furthermore, obese people aren’t always happy and they remain melancholic to feel normal and this can also be related to what Jennifer A. Coleman said in her article Discrimination at Large “Fat people aren’t jolly. Sometimes we act that way so you will leave us alone.” Everyone can be changed through consistency so there is no point in mocking a fat person. A strict regimen of exercise can change the shape of a person and he can become the next model. However, Americans think fat people will always remain fat despite their hard work. Neil Steinberg stated in the article O.K., So I’m Fat “Others assume that thinness is forever beyond my grasp.” Maybe, it will be hard for the obese people to get into the right shape but with time he/she can get the body he
The irony is the fact that a majority of Americans are fat by national standards. Over 90 percent of women don't conform to the diet standards developed by insurance companies in the 60s. The media create a need to lose weight because they realize most Americans aren't statistically thin. By creating a standard of what is "normal" and then creating a need to achieve this normality, an industry of dependence is born - dependence upon diet pr...
A story has the power to influence someone’s emotional state. Funny stories can make people laugh. Tragic stories can break the readers’ hearts. And romantic stories can cause someone’s heart to pound, making him or her to fall in love with an imaginative character. These effects are due to the atmosphere or mood created by the author, using different ways. The author generates the mood through his or her tone. The diction or choice of words also develops the mood in writing. Furthermore, themes, which specify the author’s perspective, cultivate the mood of the story. In these essays: “Fat Acceptance: A Basic Primer” (“Acceptance”) by Cynara Geissler and “The Culture of Overwork” (“Overwork”) by Judy Rebick, the authors both desire for change, so whoever reads one of these written pieces will be able to sense the author’s feelings. Geissler wants to convince the reader that being fat is not bad. A person must accept himself or herself no matter what their body figure looks like. Rebick, on the other hand, wants to persuade the reader to raise the issue of overwork in Canada. Geissler
William Shakespeare was a jack of all trades. He could do it all – histories, tragedies, comedies, romances. While some people may say that Shakespeare’s tragedies are the most popular, his comedies are as popular as the tragedies, if not more. However, comedies of Shakespeare’s time are not what people of the twentieth century perceive to be “comedy.” Some of the elements of Shakespearean comedy are similar to today’s comedy, such as physical comedy. People of Shakespeare’s time found the fall Kate took from her horse in Taming of the Shrew, and surely people of our time would find that amusing as well. A large part of Shakespeare’s comedy was disguises. The use of disguise was a key part of Shakespearean comedy; his plays Much Ado About Nothing, The Merchant of Venice, and Twelfth Night all use the element of disguise as part of their plot, some more than others.
To conclude, I learned something very important thanks to this task. In order for a writer to portray something that he despises, he does not have to use a dark and angry tone to convey the message. He can simply use humor which will allow the reader to get entertained and also understand exactly what the author is trying to