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How can culture affect identity
Impacts of culture on development of identity
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A story has the power to influence someone’s emotional state. Funny stories can make people laugh. Tragic stories can break the readers’ hearts. And romantic stories can cause someone’s heart to pound, making him or her to fall in love with an imaginative character. These effects are due to the atmosphere or mood created by the author, using different ways. The author generates the mood through his or her tone. The diction or choice of words also develops the mood in writing. Furthermore, themes, which specify the author’s perspective, cultivate the mood of the story. In these essays: “Fat Acceptance: A Basic Primer” (“Acceptance”) by Cynara Geissler and “The Culture of Overwork” (“Overwork”) by Judy Rebick, the authors both desire for change, so whoever reads one of these written pieces will be able to sense the author’s feelings. Geissler wants to convince the reader that being fat is not bad. A person must accept himself or herself no matter what their body figure looks like. Rebick, on the other hand, wants to persuade the reader to raise the issue of overwork in Canada. Geissler …show more content…
and Rebick both deliver inspiring messages; however, the mood of Rebick’s story is better than Geissler’s. The reader observes the attitude of the author towards the subject being discussed, so the author’s tone may change the reader’s interest. For instance, in “Acceptance”, Geissler says, “Pervasive rhetoric – capitalist, religious, economic – tells us that suffering and self-sacrifice pave the way to success, and allow us to explain away injustice, to believe that swallowing a daily dose of shit is acceptable, part of the game” (331). Her tone creates an angry feeling. This helps the reader to feel the personal situation that she has been through and understand the purpose of her story. Conversely, Rebick’s tone in “Overwork” creates a serious tone. She talks about facts and current events to support her topic. Rebick mentions, “A Statistics Canada report from November 1999 says that one-third of those aged 25 to 44 describe themselves as workaholics” (427). An information like this alerts the reader that there is a severe issue, and it needs to be addressed. Another factor that builds the mood is the choice of words.
Because Geissler expresses anger in “Acceptance”, she uses informal, combined and complex words such as “shit”, “lazy-science-and-blanket-judgment”, “cacophonous” and “panopticon” (330-332). Using these kinds of words are acceptable as long as they are limited. Nevertheless, “Acceptance” contains too many difficult and perplexing words – that can be compared to a code that cannot be deciphered. In “Overwork”, Rebick uses formal and simple words which help the reader to completely understand the main idea. Reading “Overwork” is like reading a news report; the details are clearly stated. For example, Rebick writes, “But Ontario is going in the opposite direction with the proposal to extend the workweek to 60 hours if the employee and the employer agree” (428). This statement obviously implies Rebick’s opinion about the
issue. Finally, the way the theme is presented contributes to the overall atmosphere of the story. Both Geissler and Rebick introduce their themes starting at the essay’s title. In “Acceptance”, the title gives the reader the idea that the essay will tell an important lesson about being physically overweight. While in “Overwork”, the title provides a hint that there is a problem in people’s belief regarding overwork. Additionally, both authors’ essays are based on their personal experiences, and that is an effective way to connect the story to the reader’s imagination. In “Acceptance”, Geissler reveal her past when she says, “Back when I was punishing my body with four-hour workouts…” (332). Telling her own experience, she explains the subject well and impresses the reader. Similarly, Rebick’s way of telling her own experience is remarkable. She tells her story in the introduction with this ending sentence: “…I had decided to break from the workaholic behaviour that was driving my life” (426). Geissler and Rebick are respectable professional writers. Their writings bring inspiration to the reader. But because of the difference in their styles, they show a variety of moods that affect the reader’s interest. As a reader of their works, I am impressed and inspired with their messages. In “Acceptance”, I have learned that each person’s body and figure are unique, and the comments of other people about it should not provoke a person to start abusing his or her own body. In “Overwork”, I have learned the importance of knowing employment rights. Every person must ensure that their rights are being respected in the workplace. Both Geissler and Rebick successfully delivered their message to me. Rebick’s ideas in “Overwork” flow smoothly from the beginning to the end, and I felt comfortable reading it. On the contrary, I had to spend a long time understanding “Acceptance” because of the large number of difficult words included in the story. I felt tired reading it couple of times. This makes Rebick’s “Overwork” better than Geissler’s “Acceptance”.
... methods that all rely on pathos. Nikiforuk’s article successfully grabs the reader’s attention and emotion from the beginning and maintains it throughout the text by his skillful use of rhetorical strategies.
Such appeal can be presented by either figurative language or pathos. Furthermore, Mike Rose presented various appeals in his article by including personal narratives of his hard working relatives. He begins his argument by introducing his mother and proceeds by describing his childhood (272). This valuable information intrigues the audience and conveys some form of connection to the author and the article. In addition, Rose speaks on behalf of his uncle by providing details about his uncle’s experience while working in a paint factory. Mike Rose recalls a tour of the factory “The floor was loud---in some cases deafening---and when I turned a corner or opened a door, the smell of chemicals knocked my head back” This vivid imagery not only describes a setting, it also persuades readers to feel sorrow but most of all respect towards hard workers such as those who work in
One of the biggest determinants for the success of a writer is engaging and maintaining the interest of a variety of readers. While there are endless approaches to telling a story, as well as many writing styles, the most effective writings are the ones that successfully impress a diverse audience. The essays Eating Chili Peppers and Conforming to Stand Out: A Look at American Beauty are two different styles of essays that unveil a similar search for self-gratification. While the essays cover different topics and the authors use different writing styles and approaches to engage the reader, they both unveil a similar underlying message of a search for self-gratification.
Everyday we observe people’s contrasting opinions. Whether it be in politics, school, or in one’s personal life, emotions are often a major factor when it comes to expressing one’s ideas. In writing, an audience must be aware this, and decide for themselves if an author is being bias or equally representing all sides to a situation. In both Into the Wild and In Cold Blood, the authors form distinct opinions about their main characters and believe family structure heavily influenced their future.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
George Saunders is a New York Times bestselling American writer of short stories, essays, novellas and children's books. His short story “The 400 Pound CEO” appeared in Harper's magazine. Jeffrey is a very unique character who was very engaging as a 1st person narrator. Saunders achieved the sympathy factor for this protagonist. The concept was 100% original and interesting, and even the minor characters had clear personalities. It is especially depressing to consider that hatred like this can continue into adulthood. George Saunders “The 400 Pound CEO” relates to postmodernism because the main character been bullied, ostracized, and verbally abused because of his weight by his workers who are average weight.
Cheryl Peck’s essay, “Fatso” and David Sedaris’, “Remembering My Childhood on the Continent of Africa” both express some sort of emotion. However, the emotions that are shown between the two essays are quite different. In “Fatso”, you can see emotions such as anger and pain due to the discrimination against heavier people and Peck’s personal experience with her size. In Sedaris’ essay, you see mainly a reveal of being jealous of his partner Hugh, but later on you understand the appreciation he has of his own life. Because of the emotions used while writing the two essays, the writers have the ability of making us feel a certain way towards the subject of each.
The article “Rethinking Weight” was written by Amanda Spake, and is about the hardships of losing weight and keeping it off. She makes note of the fact that healthy weight loss (medically supervised, slow and gradual weight loss) is in a completely unfair playing field against fast weight loss. She also talks about whether obesity should be classified as a disease so that it will get better treatment in the medical field. The article “Fat and Happy: In Defense of Fat Acceptance” was written by Mary Ray Worley, and is about learning to live in a “new world” as the author, Worley, describes it. This new world is one she experienced while at a NAAFA (National Association to Advance Fat Acceptance) convention. The articles are really about addiction
Obesity is a complex topic with many different branches. With things like weight loss pills, workout programs, and thousands of diet plans each claiming they 're the best, it can become overwhelming to decipher what the best option is without a tremendous amount of tedious research. This being said, it is often easier to put taking action towards obesity on the back burner with our increasingly busy lives. It is much easier to think "I 'll worry about it tomorrow" while chomping down on a greasy burger than it is to take the time to manage our schedules in an attempt to make time for the research hoping to produce change. With that being said, whose fault is obesity? Is it the companies producing the foods with little to
On December 10, 1950, in Stockholm, Sweden, one of the greatest literary minds of the twentieth century, William Faulkner, presented his acceptance speech for the Nobel Prize. If one reads in between the lines of this acceptance speech, they can detect a certain message – more of a cry or plead – aimed directly to adolescent authors and writers, and that message is to be the voice of your own generation; write about things with true importance. This also means that authors should include heart, soul, spirit, and raw, truthful emotion into their writing. “Love and honor and pity and pride and compassion and sacrifice” (Faulkner) should all be frequently embraced – it is the duty of authors to do so. If these young and adolescent authors ignore this message and duty, the already endangered state of literature will continue to diminish until its unfortunate extinction.
Roxane Gay, an American feminist writer and author of “My Body is Wildly Undisciplined” writes about a reality television show of people making sacrifices to reduce their body weight. Roxane Gay is successful in persuading her audience due to the evidence and persuasive personal anecdotes. Roxane focuses on “The Biggest Loser” too much in her article. She uses many examples to explain her argument which were “The Biggest Loser” and “Weight Watchers”, and herself. Roxane understands the tension between desire and denial, between self-comfort and self-care. She only talks about the issues that may have a negative effect of these television shows to persuasive her audience to agree with her. For an example, she uses “The Biggest Loser” to confirm her opinion to explain to her audience that harming your body to feel better is not okay at all. There are other suggestions to reduce your body weight, instead of harming your body. Additional, she gives vivid description on how she felt which made a connection between the author and her audience. The summary of the overall text was satisfying because her audience had better understanding on how she
Narratives are an important part of an essay as they create a sense of tone needed to describe a story or situation with ease. If the narrative is not correct, it can leave a false impact on the readers or viewers because it lacks the main tone of the story. Having a perfect narrative can not only enhance a story, but it can also prove evidence. In her essay, “An Army of One: Me”, Jean Twenge provides some of the best examples of how narratives enhance a story and she also emphasizes on how the tone of storytelling matters on the impact that the story would have on its readers or listeners. Apart from Twenge, Tim O’Brien also focuses on how the narrative of the story can help in understanding the truth and falsity of the story in his essay, “How to Tell a True War Story.” In addition to O’Brien, Ethan Watters also emphasizes on the narrative of cultural progress in his essay, “The Mega-Marketing of Depression in Japan”, when he talks about the anti-depressants to be sold in Japan. All three authors agree to the fact that narrative, the art of telling a story or explaining a situation, has a major impact on the story and on how it is taken by the audience.
Owens and Sawhill use pathos to evoke the feelings of their readers. This method establishes
Haygood, Wil. "Kentucky Town of Manchester Illustrates National Obesity Crisis." "They Say/I Say": The Moves That Matter in Academic Writing: With Readings. By Gerald Graff, Cathy Birkenstein, and Russel K. Durst. Vol. 2e. New York: W.W. Norton &, 2012. 406-15. Print.
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.