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Analytical essay the hunger games
Impacts of media in society
Impacts of media in society
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In a political cartoon that is displaying a message for Americans needing a reality check, Dave Granlund juxtaposes the playing of The Hunger Games film against the starving, homeless people who are in need. Through his juxtaposition, Granlund suggests that the Americans are more prone to satisfy their own needs before helping the poor and hungry Americans who are looking for help. The exigency of the political cartoon stems from the United States’ failure to help the people that are starving and homeless while The Hunger Games film is making immense profit. Granlund illustrates this by showing the film, The Hunger Games is now playing, with two impoverished men outside. The throng trying to burst and fight their way into the door shows the deindividuation from the loss of their own morals, self-awareness, and responsibility. The crowd of people looking straight at the door ahead of them aren’t even taking notice the two destitute men standing on …show more content…
He illustrates his intriguing diction with the man who is holding the sign. The man says, “After they see the fantasy, maybe they’ll come see the reality!” Granlund uses the words fantasy vs. reality. These two words have opposite denotations but similar connotations. Fantasy has a negative connotation with a hint of sarcasm because imagining a fantasy is an immature way to think since it isn’t real. Reality also has a negative connotation. In this context, the reality is horrible because of how poorly the less fortunate individuals are treated. He is shameful that the self-centered attitude of Americans has evolved this way with caring for one’s own enjoyment rather than helping others around them. He also shows his irritation with the man saying how “maybe” they will come see the reality. Maybe is the key word on the man’s statement because it has the two men thinking how they aren’t good enough to receive assistance and to be treated as a human
In both books they share some traits, even though they may not look anything alike they are. both of these novels are dystopian novels and many characters share similarity’s.
The book The Hunger Games is full of critical scenes. A critical scene is a type of scene that is necessary for the book to have a story. One very important critical scene is when Prim was chosen at the reaping. When she was chosen Katniss decided to take her place as a tribute. Why did Katniss take her place? What could have happened if she didn't take her place?
In Janet Poppendieck's “Want Amid Plenty: From Hunger To Inequality” she argues that America puts excessive focus upon hunger issues among the poor when there are many other important issues that go unnoticed. Poppendieck believes that it is time to find a way to shift the discourse from undernutrition to unfairness, from hunger to inequality. In today's society, there are many food banks, food drives, soup kitchens, etc. Food is extremely abundant in America, therefore Poppendieck's statement is proven true when she states that there is too much focus on hunger. Throughout this text, she strongly supports her claims about hunger, equality, and poverty in general.
The Hunger Games are basically the embodiment of society's off sense of entertainment. It combines the oddities that are violence and reality TV. However, what is it that insinuates the tones for this type of movie? Initially, there's a scene that addresses the fact that the society of this movie is conducting the games as though it was a standardized athletic tournament. In the movie, Haymitch Abernathy brings up how there are sponsors who deliver supplies to the “contestants”. Basically, sponsors influence the who will live or die, incidentally affecting the course of the games. During this scene, he claims, “And to get sponsors, you have to make people like you.” This scene mentions the thought on how people living in societies today work
The article also talks about how the hunger games draws the children. Rea, Steven. A. A. Rea. “The Hunger Games: A fantasy film reflecting reality”. Inquirer Movie Critic.
The Australian philosopher Peter Singer, believes that when we refuse to help end world hunger, we become murderers. He believes that it is a moral obligation as Americans who live comfortable lives, to help “the worlds poor” (Singer 1). It is wrong to continue to live a luxurious life, when we know that others are fighting for the mere chance to survive. In Peter Singer’s “The Singer Solution to World Poverty,” he compares us Americans to two fictitious characters Dora and Bob, due to the fact that we as Dora and Bob chose luxuries over the chance to help people suffering from life-threatening poverty. Peter Singer compares us to a fictitious character from a Brazilian film called “Central Stations.”
The saga continues when Kutniss Everdeen, the “Mockingjay,” and District 13 wager war against the autocratic Capitol.
The hero’s journey is a useful tool in analyzing narratives of all kinds, from myths to movies to everyday life. One of the most iconic stages in the Hero’s Journey is the ordeal, otherwise known as the belly of the whale or the cave, in which the protagonist has reached their darkest and most hopeless point – things cannot get worse. Once the hero gets through the main ordeal, their journey home is much more sedated. This can be paralleled to the encompassing plot structure, in which there is a climax, and then the intensity of the story winds down again. This stage is one of the most universal in the hero’s journey, because without conflict and climax, there is no drive or reward within the story. Popular movies such as The Hunger Games,
In the essay “Spare Change”, the author, Teresa Zsuaffa, illustrates how the wealthy don’t treat people facing poverty with kindness and generosity, but in turn pass demeaning glares and degrading gestures, when not busy avoiding eye contact. She does so by writing an emotional experience, using imagery and personification whenever possible to get to the reader’s heart. Quite similarly, Nick Saul writes, in the essay “The Hunger Game”, about how the wealthy and people of social and political power such as “[the community’s] elected representatives” (Saul, 2013, p. 357) leave the problem of hunger on the shoulders of the foodbanks because they believe “feeding the hungry is already checked off [the government’s] collective to-do list” (Saul,
One of the strongest themes in The Hunger Games is its condemnation of imperialism, which is represented by the Capitol of Panem. Throughout its pages, the novel invites readers to denounce the oppressive socioeconomic forces and repressive ideologies of the Capitol and its representatives. The Hunger Games certainly has a Marxist agenda as it reveals the crippling effects of the oppression of the people by the elite few. Citizens of the Capitol are living lives of luxury and ease while the hard-working and impoverished citizens of the other districts struggle to get by. These are “men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces” (Collins 4). They are the perfect representation of the Marxist proletariat, “the majority of the global population who live in substandard conditions and who have always performed the manual labor that fills the coffers of the rich” (Tyson 54). They have lost hope and merely toil under the domination of the privileged elite, the bourgeoisie who control the world’s natural, economic, and human resources. This domination pervades every aspect of their lives – they are constantly watched by “Peacekeepers” who ensure that there is no hint of rebellion among the people. Katniss and her best friend Gale (a boy who also lost his father at a young age) have nothing but disdain for the Orwellian “big brother” intrusiveness of the Capitol. “District Twelve. Where you can starve to death in safety,” Katniss mutters. Then she glances quickly over her shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you” (Collins 4). ...
Entertainment can come and be enjoyed in many different forms. Television shows and movies are some of the different forms of entertainment can be in. The lives of famous actors from shows or movies are constantly scrutinized on and off screen. Within the world of The Hunger Games by Suzanne Collins a version of reality entertainment is the televised murder of innocent children. Those who are chosen to be within the Hunger Games become a scrutinized celebrity. Katniss and other tributes that are forced to fight and kill show how human identity can become lost as they become objectified for the people of Panem. The Hunger Games helps represent the harm that reality television can have by using the glorification of death with the objectification
The discussion of hunger in places within the America is not surprising. They opened the film with images of a food deserted small Colorado town with no visible minorities for the public to be aware of the reality. It’s the reality that even the richest country has its own population full of people that are starving and food insecure without the knowledge of where they will get their next meal. They also opened this to show the world and compare the uptown, high society of the America to those who travel miles to get the groceries that
I unwilllingly walked through the entrance of regret and guilt. With teary eyes from what happened the night before, I didn’t know what I could say. All I thought was ‘It was an accident’ but that didn’t matter anymore.
The novel Anthem by Ayn Rand and the movie The Hunger Games directed by Francis Lawrence and Gary Ross are popular among teens because they can relate to them by the high expectations put upon them. In a dystopian novel or movie, there is a dystopian protagonist. A dystopian protagonist is someone who often feels trapped, struggles to escape, questions existing systems, believes or feels as if something is wrong in the place they live in, and then helps the audience realize the effects of dystopian worlds. These are both good examples because it takes us on a walk through the protagonist's life and only then do we see what dystopian really is.
The Hunger Games, a film based off of a novel written by Susan Collins, was released in March of 2012. The film, and the book it was based on, chronicles the struggles of a girl named Katniss Everdeen, a girl who lives in a poverty stricken province or “District”, until untimely circumstances forces her to play in the Hunger Games, a gladiatorial like contest where children between the ages of 12 and 18 are forced to fight to the death. A contest that was set up by an oppressive and authoritarian government, and has thus far been sustained via the forced obedience of the rebellious Districts, the brainwashing and conditioning of Districts 1 and 2, and the conditioning of the residents of its Capitol. The movie has a variety of messages, most especially in regards toward social control and social conditioning. With these ideas in mind, a case could very well be made that The Hunger Games, throughout its two hour long run time, shows a very realistic look at a socially conditioned society and what humanity can become with the right amount of conditioning and control by an authoritarian force.