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Essay on Sexuality in Literature
Tragic elements in the novel Tess of d'urbervilles
Tess of the d'urbervilles summary 800
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In Thomas Hardy’s classic novel, Tess of the d’Urbervilles, there are many complex and intriguing characters that emerge from it. Two such characters are the two young men who tried to win Tess over, Alec d’Urberville and Angel Clare. These two characters are distinctly different from one another in many ways, but in other, more subtle ways, they possess some similarities.
Their physical appearances are noticeably different though it is noted that they are both especially handsome young men. Alec has “touches of barbarism”(32) in his face while Angel’s has “grown more thoughtful” (112). They also seem to have the opposite colors of hair. Alec’s hair being “black” (35) while Angel has the “palest straw colour” that “deepens to a warm brown”(112). Furthermore, their mouths have variations as well. The “badly molded”, but “smooth”, “full”(35) lips of Alec are much different than the “small” and “delicately lined”(114) ones of Angel. Even more, their eyes are described with opposing adjectives. The difference in the Alec’s “bold rolling eye” and Angel’s “fixed, abstracted eyes”(114) are quite present. The variety in their faces are most definitely there.
The descriptions of their general features relate to their actions. Alec is a womanizer who jumps from woman to woman without regard to their feelings, carelessly flinging around their hearts and virginity. Barbaric. His hair, the darkest possible color, can be associated to a dark personality related to sin and other negative aspects of life. His mouth, which is shaped roughly, like his actions and character, can sometimes be overlooked because of the smoothness of them. Like the smooth trait of his lips, Alec can use trickery to disguise his real motives with people, which include his us of sly words. He certainly has a bold personality, like his eyes, having the audacity to steal a “cursory kiss”(70) from Tess when he can. The rolling part of his eyes can be taken literally. Because he cannot keep his eyes still, his eyes are forever roaming. It shows his unwillingness to commit to one woman because they are always wondering to others.
Angel who is described with reserved, quieter adjectives, is in fact more so Alec. His reservedness often leads many women to fall for his as well because humans, for the most part, naturally want what they cannot have. And Angel who is “too much taken up with’ his own thoughts to notice girls”(113) fills these requirements.
The color and temperature of a person’s eyes comprise the first layer of his identity. Welcoming, smiling eyes identify their owner as a friend, while angry, bitter eyes warn of a comparably biting personality. A person’s eyes show much at a first glance. In literature, they perform a more significant job, reflecting the character of the soul they guard. In developing the famously complex characters of his novel East of Eden, John Steinbeck heartily subscribed to this literary symbolism by giving special meaning to the eyes of his characters as ‘windows to the soul.’ This can be seen especially in the characters of Adam and Cathy Trask.
Hardy describes her as 'a fine and handsome girl, with a mobile peony. mouth and large innocent eyes (Chapter II), a small minority would. look long at her casually passing and grow momentarily fascinated. by her freshness' (ChapterII).This description of pure beauty and Innocence captures the imagination of the readers and we begin to build a relationship with the character. The beauty and goodness that we see in Tess draws us to her, and engenders a feeling of affection.
While both novels show women embodying traditional male roles and characteristics, the chivalric trait of honour in a woman is most prominent in Tess of the D’Urbervilles. While males are dominantly seen as the providers in Western society, Marlow’s aunt secures his position with The Company. Comparably, Tess takes on her inebriated father’s responsibility as a caretaker and provider when she attempts to deliver the wagonload of beehives for
Throughout ‘Tess’, she believes that she is punished for her immoral action, however even to Tess a simple country girl, the injustice treatment for her mistakes does not seem justifiable, these punishments are due to Tess’s central injustice of being raped/seduced by Alec - ‘whatever her sins they were not sins of intention…why should she have been punished so persistently’ (pp.313). Furthering this argument, in Hardy’s ‘Tess’ the moral code of ‘no sex before marriage’ is broken by the protagonist herself and sets in motion her fate eventually leading Tess to becoming a fallen woman. In Victorian society, women were expected to practice sexual resistance if this was not conduct...
Hound Of The Baskervilles & nbsp; & nbsp; Setting - About 1884-85, most of the story takes place at Baskerville. Hall in Devonshire, England. The introduction and the conclusion of this classic mystery occurs in Sherlock. Holmes' residence on Baker Street in London. Plot- We begin our story on Baker Street where Holmes and Watson talk to James.
The two boys are similar for many reasons, in fact they have the same age and stature and they also live in the same house. These two boys are living a parallel situation because they both have no siblings and lost a parent, Edmund his mother and Charles his father, and the parents they have left don’t care about them, they have no love or affection from the last members of their families. They are also very comparable when we are talking about their character. They both are very aggressive towards each other; the two preteen boys are very lonely and we can notice it when the boys go to their secret rooms because they want to stay alone, they are also very lonely because none of them has friends. Their lone...
Tess, the protagonist and heroine of Hardy's novel, becomes a victim of rape and in turn, her life grows to become degraded, humiliating and depressing; of which none of these things she deserves. Although initially striving to be heroic and providing for her family, (after she was responsible for the death of Prince) the position she takes on at the d'Urbervilles' ultimately leads to her death as she is raped and then pursued by her seducer Alec d'Urberville until she must murder him. This courageous yet dangerous decision to murder Alec epitomises her character as a heroine as she is brave enough to perform such a malicious act in order to kill her suffering at the root rather than being passive and perhaps choosing to take her own life instead.
Tess' two "choices" as her husband, Alec d'Urberville and Angel Clare, hold many of the patriarchal stereotypes of the Victorian Age, chasing Tess as more of a metaphorical piece of meat than a passionate lover. As their secrets are revealed on their wedding night, it becomes harder and harder for Angel to love Tess, seeing her as "another woman in your shape" (Hardy 192). The author, at this point in the relationship between Tess and Angel, perfectly exemplifies the values and culture of the Victorian age. Though both Angel and Tess are guilty of the same misbehaviors in their pasts, Angel believes that "forgiveness does not apply to [Tess'] case" (Hardy 191). Under the reign of Queen Victoria, the role of men in sexual relations was strictly reproductive, and the sex act was considered a release of helpless energies, basically holding no sins of love or conjugal travesties. For women, however, it was a softer, more passionate act, meaning more of the love than the fertilization, and emotionally pulling the sex partner too close to just scoff the happening off and move on with life (Lee 1). Such conflicting views in the perspective of sexual intercourse make it nearly impossible for Angel to "forgive [Tess] as you are forgiven! I forgive you, Angel" (Hardy 191). Jeremy Ross also believes that Hardy "abandoned his devout faith in God, based on the scientific advances of his contemporaries" (Ross, Jeremy 1).
The names of characters often suggest something about their personalities, either straightforwardly or ironically. Garcia Marquez’s One Hundred Years of Solitude, Prudencio Aguilar is neither "prudent" nor "eagle-like" (aguila means "eagle" in Spanish). Repetition of names and behaviors is another technique of characterization. Certain character types, e.g., the contemplative, stubborn man, or the impetuous, forceful man, the patient and nurturing woman, and so on, are represented by more than one individual in the several generations of the Buendia family. All the Jose Arcadios, for example, are assumed to have at least some of the traits of the original Jose Arcadio Buendia (impetuous and forceful), and all the Aurelianos have something in common with Colonel Aureliano Buendia (tendency toward solitude and contemplation). The repetitions are not exact, but the use of similar names is one way to suggest more about a character than is actually said. There are also repetitions of particular behaviors, for example, secluding oneself in a room for experiments or study.
Tess is no stranger to casual wrong. Throughout her life indifferent nature has occurred. Her parents were not the greatest of parents. She had a tough life, she was poor. When she met Alec d'Urberville, she was considerate and kind, but later on Alec took advantage of her and seduced her in a forest called the Chase, "He knelt and bent lower, till her breath warmed his face, and in a moment his cheek was in contact with hers.
In The Hound of the Baskervilles, various factors of Arthur Conan Doyle’s early life, popularity, perspective, and status were all expressed in multiple ways. Spiritualism played an crucial role in his life, greatly impacting his work, specifically “The Hound.” Additionally, his birthplace and upbringing, along with the time period, inveigled his writing. Furthermore, Doyle characterized the people in the story in along with real life scenarios.
The focus of this seminar paper will be on a theoretical approach called aesthetic of character, with examples from a novel Little Women by Louisa May Alcott. Various terms, coined up by theoreticians of this approach, will be explained through some of the examples taken out of the above mentioned novel.
Although both authors claim their stories are true, and thereby that their characters are realistic, there seems to be a gap between the authors' claims and the "reality" of the characterization. This question is closely connected to the fact that both novels belong to the earliest English novels. There was no fixed tradition that the authors worked in; instead the novel was in the process of being established. The question arises whether the two works lack a certain roundness in their narrators.
...cept her. ?Unadvisable? gives the impression that Angel does not really care one way or another. All of this is unfair to Tess, as Alec?s decision to rape her was not her fault in any way. Also, Angel?s sexual history is more promiscuous than Tess?s, and yet he sees only her flaws. Hardy uses specific word choices and diction to thoroughly inform the reader of the injustice of Tess?s circumstances.
Hardy’s novels are ultimately permeated upon his own examination of the contemporary world surrounding him, Tess’s life battles are ultimately foreshadowed by the condemnation of her working class background, which is uniquely explored throughout the text. The class struggles of her time are explored throughout her life in Marlott and the preconception of middle class ideals are challenged throughout Hardy’s exploration of the rural class. Tess of the D’Urbervilles revolves around Hardy’s views of Victorian social taboos and continues to be a greatly influential piece from a novelist who did not conform to the Victorian bourgeois standards of literature.