The injustice Within Tess of the D’Urbervilles and in Robert Frost's Poetry

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The injustice within Tess of the D’Urbervilles (1881) and Robert Frost’s poetry is unjustified and causes major suffering to those illustrated in both the novel and the poetry. Numerous variations of injustice are portrayed within these works such as; social injustice, religious injustice and moral injustice. These injustices often combine together to form an upsurge of ill-treatment within the characters’ lives. Furthermore, Frost’s poems often address heavy topic matters such as suicide, child morality and human morality. Harriet Monroe supports this argument by stating ‘Such art passes local boundaries as lightly as an aeroplane and swings out into wider circles of space and time.’(Monroe: 1924:149). Hardy’s ‘Tess’ addresses problems such as the unjust treatment of women in society by their own peers, which leads to the eventual downfall of Tess in a tragic tale of cruelty and its consequences. Moreover, Wuthering Heights (1847) displays a tragic, injustice and complex world for those who suffer the infortunes of being born into this isolated microcosm.
Throughout ‘Tess’, she believes that she is punished for her immoral action, however even to Tess a simple country girl, the injustice treatment for her mistakes does not seem justifiable, these punishments are due to Tess’s central injustice of being raped/seduced by Alec - ‘whatever her sins they were not sins of intention…why should she have been punished so persistently’ (pp.313). Furthering this argument, in Hardy’s ‘Tess’ the moral code of ‘no sex before marriage’ is broken by the protagonist herself and sets in motion her fate eventually leading Tess to becoming a fallen woman. In Victorian society, women were expected to practice sexual resistance if this was not conduct...

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...s that have a much defined rhyme scheme. Therefore, the poem becomes a more serious and personal epilogue to seal the past behind him, perhaps, having therapeutic aspects for Frost himself in retelling the grief they (Frost and his wife) went through. The title of the poem ‘Home Burial’ itself could be read as a double-entendre; these being the death and the burial of a child and the symbolic death of a marriage. An alternative narrative line has been concluded by Benjamin West saying ‘The true subject of the poem – from a biographical perspective – is the death of Frost’s nephew, child of his sister-in-law Leona White Harvey, in 1895. It was her relationship with her husband that inspired the poem.’ (West:2011). This alternative opinion conveys that ‘Home Burial’ is not about Frost’s own life although many other critics conceive it is about the death of his son.

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