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Essays on poetry analysis
Essays on poetry analysis
Introduction to poetry analysis
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Home Burial
Robert Frost’s “Home Burial” is a very well written poem about a husband’s and a wife’s loss. Their first born child has died recently. Amy and her husband deal with their loss in two very different ways, which cause problems. Amy seems like she confines their child to the grave. She never seems to le go of the fact she has lost her first child. Amy’s husband buried their child himself. This allowed him to let go and live a normal life. Amy does not understand how he could do what he did. Therefore, she wants to have nothing to do with him, especially talk to him. He doesn’t understand why she can’t let go, and why she won’t talk to him. He tries to get her to tell him why, but she just wants to go to someone else. She will not talk to him or let him talk to her because he always speaks offensively. This lack of communication was there before the death, which I think will be the downfall of their marriage. Frost’s use of imagery and tone allow the reader to see and feel what Amy and her husband are going through.
Frost uses a lot of imagery in “Home Burial” to give the reader a look at what is going on. The first line, “He saw her from the bottom of the stairs / Before she saw him,” lets the reader know Amy is at the top of the stairs, and her husband is at the bottom. He uses imagery to show many things such as facial expressions, movement from one place to another, and to describe a scene. He shows expressions in line eight “And her face changed from terrified to dull,” line forty-three “He sat and fixed his chin between his fists,” and line one-hundred and thirteen “…You’re crying.” By “seeing” these expressions, the reader can almost feel what is going on in Amy’s and her husband’s head. Line eight lets ...
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...ad at Amy for being so negative toward him. The fact that he buried their child with his own two hands, and goes on each day like nothing ever happened makes Amy very mad. He also stays mad at
her for always going to someone else to talk to. This anger goes back and forth throughout the whole poem. The negative tone lets the reader almost feel what Amy and her husband are going through.
In Conclusion, imagery and tone work together to give the reader a sense of feeling what Amy and her husband are going through. Robert Frost wrote this poem shortly after his own son died, which could have been the central purpose of the poem. I believe one of the main themes of the poem is that communication is a very important thing in a relationship. Amy’s and her husband’s relationship might have been all right if they had just been able to communicate with each other.
By using easy to comprehend language Millay convinces her readers to go along with turbulent and sometimes unrealistic action to convey common feelings for all people. No matter what theme the reader applies to this poem it is important in some way to every reader and has meaning in many situations.
This blues poem discusses an incredibly sensitive topic: the death of Trethewey’s mother, who was murdered by her ex-husband when Trethewey was nineteen. Many of her poetry was inspired by the emotions following this event, and recounting memories made thereafter. “Graveyard Blues” details the funeral for Trethewey’s mother, a somber scene. The flowing words and repetition in the poem allow the reader to move quickly, the three-line stanzas grouping together moments. The poem begins with heavy lament, and the immediate movement of the dead away from the living, “Death stops the body’s work, the soul’s a journeyman [author emphasis]” (Tretheway 8, line 6). Like the epitaph from Wayfaring Stranger, Trethewey indicates that the dead depart the world of the living to some place mysterious, undefined. The living remain, and undertake a different journey, “The road going home was pocked with holes,/ That home-going road’s always full of holes” (Trethewey 8, line 10-11). Trethewey indicates that the mourning is incredibly difficult or “full of holes”, as she leaves the funeral and her mother to return home. ‘Home’ in this poem has become indicative of that which is not Trethewey’s mother, or that which is familiar and comfortable, in vast contrast to the definition of home implied in the
...s that have a much defined rhyme scheme. Therefore, the poem becomes a more serious and personal epilogue to seal the past behind him, perhaps, having therapeutic aspects for Frost himself in retelling the grief they (Frost and his wife) went through. The title of the poem ‘Home Burial’ itself could be read as a double-entendre; these being the death and the burial of a child and the symbolic death of a marriage. An alternative narrative line has been concluded by Benjamin West saying ‘The true subject of the poem – from a biographical perspective – is the death of Frost’s nephew, child of his sister-in-law Leona White Harvey, in 1895. It was her relationship with her husband that inspired the poem.’ (West:2011). This alternative opinion conveys that ‘Home Burial’ is not about Frost’s own life although many other critics conceive it is about the death of his son.
to the Pet cemetary. Louis answers her honestly and later Rachel and him have an
Robert Frost is undoubtedly gifted when it comes to his poetry, but not all aspects of his life were so easy. One of the most troubling areas in Frost’s life was his family. He held a long term engagement to his wife Elinor, whom he pleaded to marry. Also, his children were plagued with birth defects, terminal illness, and emotional instability. The Frosts lost four of their children at an early age, including daughter Elinor Bettina who died three days after birth. In 1938, after months of deteriorating health, Frost’s wife Elinor died of heart failure. Frost was so shaken that he collapsed and could not attend the memorial services. Later, in 1940, Frost was utterly disturbed by his son Carol’s suicide.
Frost begins the poem by describing a young boy cutting some wood using a "buzz-saw." The setting is Vermont and the time is late afternoon. The sun is setting and the boy's sister calls he and the other workers to come for "Supper." As the boy hears its dinnertime, he gets excited and cuts his hand on accident. Immediately realizing that the doctor might amputate his hand, he asks his sister to make sure that it does not happen. By the time the doctor arrives, it is too late and the boy's hand is already lost. When the doctor gives him anaesthetic, he falls asleep and never wakes up again. The last sentence of the poem, "since they (the boys family and the doctor) were not the one dead, turned to their affairs" shows how although the boys death is tragic, people move on with their life in a way conveying the idea that people only care for themselves.
Although death seems to be a theme for many literary poems, it also appears to be the most difficult to express clearly. Webster’s Dictionary defines the word “death” as, “A permanent cessation of all vital function: end of life.” While this definition sounds simple enough, a writer’s definition goes way beyond the literal meaning. Edwin Arlington Robinson and Robert Frost are just two examples of poetic writers who have used death successfully as the main theme of their works. Robinson, in the poem “Richard Cory,” and Frost in his poem, “Home Burial,” present death in different ways in order to invoke different feelings and emotions from their readers.
Frost is far more than the simple agrarian writer some claim him to be. He is deceptively simple at first glance, writing poetry that is easy to understand on an immediate, superficial level. Closer examination of his texts, however, reveal his thoughts on deeply troubling psychological states of living in a modern world. As bombs exploded and bodies piled up in the World Wars, people were forced to consider not only death, but the aspects of human nature that could allow such atrocities to occur. By using natural themes and images to present modernist concerns, Frost creates poetry that both soothes his readers and asks them to consider the true nature of the world and themselves.
In the last two lines of the poem, the family does nothing after the boy dies. They do not grieve and merely “turned to their affairs”. A little understated, but simple to understand why. To readers, it seems disbelieving because we imagine the mother and sister breaking down into violent sobs and begging for the boy to come back to life. We also imagine the father blaming himself for allowing his son to handle such a dangerous tool at that age. But if we think about it, all of those things are meaningless. There is nothing the family could have done to save their boy. Therefore, Frost is straightforward with the fact that the family promptly moves
In his narrative poem, Frost starts a tense conversation between the man and the wife whose first child had died recently. Not only is there dissonance between the couple,but also a major communication conflict between the husband and the wife. As the poem opens, the wife is standing at the top of a staircase looking at her child’s grave through the window. Her husband is at the bottom of the stairs (“He saw her from the bottom of the stairs” l.1), and he does not understand what she is looking at or why she has suddenly become so distressed. The wife resents her husband’s obliviousness and attempts to leave the house. The husband begs her to stay and talk to him about what she feels. Husband does not understand why the wife is angry with him for manifesting his grief in a different way. Inconsolable, the wife lashes out at him, convinced of his indifference toward their dead child. The husband accepts her anger, but the separation between them remains. The wife leaves the house as husband angrily threatens to drag her back by force.
The loss of a loved one is an emotional and personal experience, and everyone grieves in their own way. Before the healing process can begin, the deceased must be laid to rest and this is usually accomplished with a funeral service. Many people choose a piece to be read at these ceremonies, such as W.H. Auden’s “Funeral Blues” and Mary Elizabeth Frye’s “Do Not Stand at My Grave and Weep.” It is quite thought-provoking to compare the poems, since the subject matter is the same, however each of these works views death from a different perspective, one negative and the other positive.
Both poets, in these works and many others, display a fascination with the death of themselves as well as the death of peers, and loved ones. Both Frost and Dickinson experienced a great deal of death throughout each of their lives. Frost’s greatest loss was the death of his son, which is greatly depicted in his poem “Home Burial.” Dickinson suffered the loss of many friends and family. She spent a lot of her time in her room looking out upon the headstones of these people.
Frost uses symbolism throughout all his works. In A Patch of Old Snow the narrator notices the patch of snow and assumes that it is something else instead straightaway. The snow was a symbol of the winter season while it was new and white but after a few weeks on the ground it is dirty and not cared about anymore like an old newspaper, which Frost compares it to. The narrator feels at fault about the misidentification and believes that he should have been able to acknowledge the snow right away and he should have recognized the beauty of winter as well. Then the narrator says the dirt on the snow looks like the print of a newspapers so it was not his fault for making the mistake and he should not have to take responsibility for the mistake. The narrator says the beauty of winter is only present in the perfect white and n...
Life and death are two things that we as humans must all face. The road from one to the other, from life to death, is a long and at times, both joyous and painful one. Robert Frost’s poems are a prime example of these times and trials. The poems I chose for this paper highlight them, and with Frost’s allegory, they present a sort of silver lining to the string of dark and dreary words he’s pieced together for these poems. The depressing tone to the poems “Acquainted with the Night”, “Nothing Gold Can Stay”, and “Stopping by the Woods on a Snowing Evening” could be attributed to the death of many of Frost’s family members, and how despite this he overcame it all, and at the end of his life, was a successful writer. These poems to not go into great explanation of the details of Frost’s life, however, I believe that they are representations of the things path that he’s walked, and how he viewed his actions and death in general.
After learning about Robert Frost personally, I can understand his inspiration and appreciate the meaning behind his poetry. Following his technique throughout his pieces, it’s clear that his origin and relationships greatly influenced his style and the themes portrayed in his poetry. From landscape, to human nature, Frost creates everlasting feelings within his audience that by the enable them to learn a hidden message. Also, his common New England lingo and conversational speech, personalize the poem. From late nineteenth to mid-twentieth century, Robert Frost has shared his works with the entire world and his influence and impact on today’s society will never be forgotten.