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Analysis of psycho hitchcock
Analysis of psycho hitchcock
Analysis of psycho hitchcock
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Tension In the Shower Scene in Hitchcock’s Film Psycho
‘Psycho’ is a 1960’s thriller that has been voted as one of the top 15
scariest movies of all time. It was Alfred Hitchcock’s greatest work
and contains one of film histories nastiest killers, the infamous
Norman Bates, whom a lot of serial killers are now based upon.
The film is at first glance a story about a woman, Marion, on the run
with $40,000 of stolen money, but it soon develops into a heated
thriller during which Marion is killed and unexpected twists keep you
on the edge of your seat. The globally known Shower Scene is the most
memorable of the film, as it is then that Marion is killed and the
film takes a different route from the path everyone is expecting.
Tension is a type of atmosphere that makes you, the audience, nervous
and expectant of a tragedy. This essay will explain how camera shots,
sounds and monochrome make the film, particularly the shower scene,
full of tension and one of the greatest films of all time.
The shower scene in ‘Psycho’ was one that shocked and horrified
audiences, making some of them appalled that they fled from cinemas.
The tension in the scene is so nerve – wracking that when the attack
does actually come you are so worked up with anticipation yet are
still appalled by Bates’ brutal attack.
One of the main ways tension is created is by making the viewer so
calm and relaxed before the attack that although the fantastic score
does make you edgy you still feel an air of relaxation as Marion is
doing normal, everyday things.
[IMAGE] Marion starts the scene by working out some sums to calculate
how much money she has left of the $40,000 she has stolen. When
finished, she flushes the paper down the toilet so not to reveal who
she really is and begins to undress for her shower. The scene here
uses dramatic irony as, in the previous scene, we saw Norman Bates
looking through a peep hole at Marion, so we know something is wrong,
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
to the film. Psycho is a fifteen in England to buy on video these days
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Alfred Hitchcock manipulates the camera to draw the attention of the audience, in the 1960’s thriller, Psycho. The credits abruptly appear on the screen, as though the lines are stabbing at something. The words are white text against a plain black background. This symbolises the dark being the dominant colour, but still creates a visual binary opposition. The word ‘Psycho’ is contorted and indecipherable, having been displayed over more than one of the horizontal lines foreshadowing the confusion later on in the film. They accentuate that something extreme will happen and sub-consciously raise the viewer’s awareness of events that could proceed to happen.
The 1960 horror film Psycho, directed by Alfred Hitchcock, explores the idea of duality and conflicting sides of human nature. The characters are conflicted in several ways and as the narrative unfolds are faced with decisions which ultimately uncover the predominant side to their contrasting personalities. Immediately, the opening credits and scene foreshadows the idea of duality, presenting Marion Crane as the first conflicted character. Hitchcock cleverly utilizes images and mirrors, to explore the characters dualities - establishing a difference between their moral and immoral behaviour. Furthermore, showing the audience two sides of the characters, perhaps the most obvious is the character Norman Bates.
lored, there have been hundreds more, and hence 'Psycho' is considered to be the beginning of a new genre. Many of the techniques were either new or not even considered to be used in that context. Even before the film was released, the audience were in suspense as to what it was about. There were no previews, no launch campaigns or reviews. When the film was finally released, people were only allowed to watch it from the very beginning.
The 1960s brought about what some have argued is the first slasher film Alfred Hitchcock’s Psycho. Hitchcock was able to cast major Hollywood stars to actor in his thriller. He cast a young, handsome Anthony Perkins in the lead and a major star in Janet Leigh, whom Hitchcock kills in the beginning of the movie. In that day it was unheard of now it’s done in movies such as Wes Cravens 1996 movie Scream killing off a major star such as Drew Barrymore. According to FilmmakerIQ.com Psycho “shocked audiences into believing horror could be more than B-Film Fare (14)”.
bank. Marion went home there was a close up shot on the money then on
The great director clouded his intent and motives by reportedly stating that the entire film was nothing more than one huge joke. No one laughed. Instead they cringed in their seats, waiting for the next assault on their senses. The violence and bloodletting of PSYCHO may look tame to those who have grown up on Jason and Freddy Krueger, but no one had ever seen anything like it in 1960.
PSYCHO is a unique film because it is a black and white film in the
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
In Hitchcock's Psycho Marion's depicted as a sex symbol and weak victim. Everything related to her is sexual, h...
The film Psycho (Alfred Hitchcock, 1960) is an interesting film with many small details that help shape the film in to award winning masterpiece it is. The mise-en-scène is something that can go overlooked, but is very vital in understanding the meaning of the film. According to the book Film Art, mise-en-scène is all of the elements in front of the camera to be photographed, and because of that, this film technique is one that viewers notice most (p. 112). So this includes things like characters, props, nature and even behavior. Motifs and symbolism are prominent throughout the entire movie. They both help develop the plot either by continuously appearing throughout the film or by having a specific meaning that is a lot deeper than what it looks like on the surface. The mise-en-scène, especially motifs and symbolism, of Psycho plays a huge role in helping convey the meaning of the film.
The movie Psycho, is one of the most influential movie in Cinema history to date. The director Alfred Hitchcock, wanted to test many of the conventions of movie making that was common at that time. Alfred Hitchcock movie broke many cultural taboos and challenged the censors. Alfred Hitchcock showed a whole bunch of at the time absurd scene, for example: Marion Crane (Janet Leigh) dying naked while taking a shower, Norman Bates with split personality disorder, and the first ever flushing toilet shown in a movie. Because from the late 1920's to the late 1950's, movies were made usually go around the story, and usually with a lot dialogue. This movie gives the audience an experience that was much more emotional and intuitive. The viewers were caught up in a roller coaster of shock, surprise and suspense based on image, editing and sound.
In the world of cinema, there’s almost always a discussion regarding what scenes would be suitable for the grasping imagination of any audience, young or old. Alfred Hitchcock’s 1960 film, Psycho, sparked a plug for the movie industry as it was the first movie of its kind to display such graphic scenes of sex and violence to a worldwide audience.