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Interpretive Lit. Analysis of Hamlet
Effects of mass media on the individual
Mass media influence on the individual
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Recommended: Interpretive Lit. Analysis of Hamlet
Technology and communication are equally critiqued in Michael Almereyda 's Hamlet. Telephones in Almereyda 's Hamlet act as a means of interruption and represents Hamlet 's isolation from his environment. Hamlet 's inability to communicate and connect are explored through the use of telephones in the film. The use of telephones mirrors reality and provides a new way of communicating while producing a new form of isolation. Media and technology are frequently featured throughout the film. Almereyda’s depiction of Hamlet is centered around an intellectual youth who 's disillusioned with his life and the values that the contemporary world forcefully pressures everyone to adapt to. Hamlet would rather reflect on his memories and create films than …show more content…
Hamlet and Ophelia rarely speak to one another, favoring to communicate with visual imagery instead. The only occurrence when their conversation is heard is when Ophelia is forced to talk to him with the hidden mic attached to her. Both Hamlet and Ophelia seem to lack genuine communication skills, implying that conversations seldom have depth. Hamlet attempts to connect to Ophelia after listening to a Buddhist monk discussing the idea of inter-being and connecting with things outside of yourself. Hamlet is inspired by what the Buddhist monk says and attempts connecting with Ophelia through writing and art, which implies that works of art express a deeper level of connection and are perhaps more profound than anything he could say in conversation. Claudius uses phone call conversations as a way of spying on Hamlet. The conversation between Claudius, Gertrude, Guildenstern, and Rosencrantz demonstrates both public and private space. At once the conversation impedes the intimacy between Claudius and Gertrude and exploits it through the sense of surveillance, which is developed by the high angle shot looking down on the bed. This scene shows that the power of corporations permeates every part of life and that power gives a sense of sexual pleasure to those who have …show more content…
Throughout the conversation, a phone rings in the background several times. The characters catch notice of the incessant ringing but attempt to ignore it. This scene implies that technology impedes communication and demonstrates how technology permeates everyday life. Hamlet 's fax to Claudius shows how little interpersonal relation skills he has but is also conducted in a business-like manner. Hamlet is using the very form of communication that he despises. In the same scene, Gertrude tells Laertes of Ophelia 's death in a fairly news like fashion. The ability for news to spread so quickly shows how technology allows people to connect quickly while also indicating that most news that travels fast is bad news and often becomes a public spectacle. The use of telephones in the film show a lack of interpersonal communication, especially with Hamlet. Hamlet internalizes the majority of his thoughts and rarely speaks to other characters in the film. This allows for the film to critique the kinds of conversations that the characters take part of as vapid. The kinds of communication represented in the film lack substance and is over-saturated by mass media. Isolation and alienation are prevalent themes scattered throughout the film. Almereyda 's Hamlet is a poignant depiction of a fragmented postmodern world that culturally devalues
While Hamlet may still be feeling depressed Hamlet moves into the stage of denial and isolation. Hamlet feels the effects of denial and isolation mostly due to his love, Ophelia. Both Hamlet’s grief and his task constrain him from realizing this love, but Ophelia’s own behavior clearly intensifies his frustration and anguish. By keeping the worldly and disbelieving advice of her brother and father as “watchmen” to her “heart” (I.iii.46), she denies the heart’s affection not only in Hamlet, but in herself; and both denials add immeasurably to Hamlet’s sense of loneliness and loss—and anger. Her rejection of him echoes his mother’s inconstancy and denies him the possibility even of imagining the experience of loving an...
Manning, John. "Symbola and Emblemata in Hamlet." New Essays on Hamlet. Ed. Mark Thornton Burnett and John Manning. New York: AMS Press, 1994. 11-18.
Even though Hamlet is a prince, he has little control over the course of his life. In that time many things were decided for the princes and princesses such as their education and even who they married. This was more or less the normal way of life for a child of the monarch. But in the case of Hamlet, any of the control he thought he had, fell away with the murder of his father. Having his father, the king, be killed by his own brother, sent Hamlet into a state of feeling helpless and out of control. Cooped up in a palace with no real outlet, he tries to control at least one aspect of his life. Hamlet deliberately toys with Ophelia's emotions in order to feel in control of something since he cannot control the situation with Claudius.
Zeffirelli’s filmic Hamlet evidently interprets the original play especially considering Mel Gibson’s performance making it easy for the audience to understand Shakespearean dialect. Shakespeare’s Hamlet is a man with friends who proves to be much more reserved, and manipulative than someone might imagine today. His hamlet is considerate in his plans, but with no tact interpersonally. Zeffirelli’s audience is required to focus on the troubles, and character of Hamlet, who is nonstop, and unfriendly, but a sensitive loner when the time is right. Zeffirelli accomplishes this mixture while staying faithful to his starting place my maintaining solid screenplay with a constant flow supporting his own take on the story. Concisely, Zeffirelli’s Hamlet is both a free and a loyal understanding of its source, which is, for today’s viewers, a Hamlet in its own right.
To stay in control, the men in Hamlet taught Ophelia to fear her every day, natural thoughts causing her not to think for herself. Gabrielle Dane's article, "Reading Ophelia's Madness," discusses Polonius and Laertes retarding Ophelia's identity. Dane writes, "Both brother and father smother Ophelia in an incestuous strangle-hold, each the self-appointed tutor of her moral, intellectual, even psychological development" (407). Ophelia's father and brother telling her what to think only hurts her development instead of helping it in the long run. In Shakespeare's Hamlet, Ophelia looks to others for answers because she does not possess her own thoughts. Shakespeare shows how Polonius responds to Ophelia when she says she does not know what to think:
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
Claudius is the king of Denmark, who is a very powerful and assertive man. He is the type of person that will do anything to get what he wants and everything in his power to stay king. He will do what it takes to get his way, even if that means betraying the person he is supposed to be committed to and love, his wife Gertrude. Gertrude is the mother of Hamlet, who she deeply cares for and loves. She is convinced that Claudius does as well. In order for Claudius to stay as king he must keep Gertrude happy and pleased. He accomplishes this by pretending to love Hamlet in front of Gertrude when in reality he wants to kill Hamlet. Claudius faces the truth that his secret got out and Hamlet knows he killed King Hamlet. Not wanting to ruin his reputation and of course stay king he plans to have Hamlet killed. He lets Gertrude believe...
Franco Zefferelli’s film, Hamlet, adapted from Shakespeare’s text, Mel Gibson’s Hamlet, struts and frets his life in Denmark, convincing almost everyone that he is “mad.” The film bases the question of whether or not Hamlet is actually insane almost solely on Gibson’s acting interpretations, but Zefferelli’s editing choices assist in making the point that Hamlet is not insane, but either in a fog of confusion and anger from his grief, or pretending to be mad to manipulate others.
Because of William Shakespeare’s play Hamlet, I am more aware of my surroundings. Throughout Hamlet, the theme of surveillance reveals the true motives of characters. For instance, when Claudius and Gertrude are in Elsinore Castle’s Great Hall talking about Hamlet, Claudius pleads Rosencrantz and Guildenstern to “draw him on to pleasures, and to gather / So much as from occasion you may glean”(II.ii.15-16). The arrival of Guildenstern and Rosencrantz not only symbolizes the introduction to the theme of surveillance, but also highlights Claudius suspicion with Hamlet. Claudius’ true intentions are revealed, because he is worried that Hamlet may be uneasy with the sudden death of his father. Hamlet is unaware of what is going on behind his
Shakespeare’s Hamlet is arguably one of the best plays known to English literature. It presents the protagonist, Hamlet, and his increasingly complex path through self discovery. His character is of an abnormally complex nature, the likes of which not often found in plays, and many different theses have been put forward about Hamlet's dynamic disposition. One such thesis is that Hamlet is a young man with an identity crisis living in a world of conflicting values.
Different adaptations of William Shakespeare’s works have taken various forms. Through the creative license that artists, directors, and actors take, diverse incarnations of his classic works continue to arise. Gregory Doran’s Hamlet and Kenneth Branagh’s Hamlet bring William Shakespeare’s work by the same title to the screen. These two film adaptations take different approaches in presenting the turmoil of Hamlet. From the diverging takes on atmosphere to the characterization of the characters themselves, the many possible readings of Hamlet create the ability for the modification of the presentation and the meaning of the play itself. Doran presents David Tenant as Hamlet in a dark, eerie, and minimal setting; his direction highlighting the
There have been numerous remarks of William Shakespeare’s most celebrated drama Hamlet. Almereyda managed to make Hamlet a theoretical play, into an intense, action-driven movie without losing much of the initial tragic atmosphere of the original play. The play Hamlet focuses strictly on the state of Denmark on the original Elsinore castle, however Michael Almereyda was able to modernize the movie to New York City. In many ways I think that the modernized version of Hamlet is easier to appreciate but in review that diminishes the play’s “greatness,” in my personal opinion.
It is without question that William Shakespeare’s Hamlet teaches us the truth about power and social status and how it can destroy one’s character and current status on the social scale. People are in constant battle and competition with each other, aiming to reach the highest of the highest. In Shakespeare’s Hamlet, there are many scandals that happen all at once. One scandal that happens in Hamlet is the unexpected and rapid marriage of King Claudius and Queen Gertrude.
Michael Almereyda’s movie adaptation of Shakespeare’s Hamlet brings about a new perspective through its performance. The movie adaptation, Hamlet (2000), retells the original play in a modernized setting, bringing out various different elements of characters, which highlights a new reading of these characters as individuals, and a newfangled reading of the play as well. Throughout the movie, Ophelia and Gertrude, the woman-leads, are advanced in a progressive manner compared to the original play. In particular, Gertrude from Hamlet (2000) is noticeably altered from Hamlet, the play. This new interpretation of Gertrude and the play created by the movie adaptation advances the position of Gertrude as a woman, as well as motifs of incest, misogyny,
Through the elements of technique portrayed in this essay, it is clear to see that Shakespeare is able to influence the reader through soliloquies, imagery, and dual understanding. This overall influence being both the communication of a deeper meaning, and a more complex understanding of the events and statements within Hamlet.