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Introduction for an essay on taming of the shrew
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Parenting is a challenge if you have to adapt and change to accommodate your child's needs. You may need to change what has worked before and the only way you know how from watching how your parents raise you. A father may have expectations for his daughter that she is not able to fulfill. In William Shakespeare's The Taming of the Shrew, Baptista is and impulsive, biased and uncaring father because he wanted Katherina and he also takes part in a bet at the end of the play.
At the beginning of the play, Baptista has a pushy attitude and makes many rushed decisions. Baptista is not caring and is very rushed so he chooses for Katherina without second thought. STOPPED HERE ON 12/05/16 - N.Tsui This is shown when Petruchio says, “Signor Baptista, my business asketh haste, /And every day I cannot come to woo. ” (2.1.113-15) to Baptista when they
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He allows for bets to be placed on her daughter’s behaviours. When Petruchio says, “Let’s each one send unto his wife / And he whose wife most obedient… shall win the wager which we will propose” (5.2.66-69). He says this to Hortensio and Lucientio with Baptista listening. Husbands should not be betting on their wives and Baptista allows for this to happen. Baptista does not show fatherly traits. He is also trying to make Petruchio look good by increasing the amount of money Lucientio and Hortensio owes to him. In the quote, “The wager thou hast won, and I will add / Unto their losses twenty thousand crowns… For she is chang’d, as she had never been” (5.2.113-15) said by Baptista to Lucientio, Hortensio and Petruchio, this happens after Katherina obeys and Petruchio wins the bet. He is making it seem like Petruchio accomplished something great. Readers can also infer that Baptista sees Petruchio as a really good person. Baptista is a character who is narrow-minded and he sees what he wants to see in
Baptista is looking for suitors to marry his daughters and views the marriage as a monetary transaction: "After my death the one half of my lands, and in possession twenty thousand crowns." (2.1 122-123). In this quote, Shakespeare is using the characterization of Baptista to demonstrate how women were viewed as nothing more than objects that could be sold. Baptista told this to Petruchio when he asked how much Kate was worth. In addition, Baptista was attempting to appeal to suitors: "Proceed in practise with my younger daughter; she 's apt to learn and thankful for good turns. Signior Petruchio, will you go with us, or shall I send my daughter Kate to you?" (2.1 165-168). Shakespeare uses Baptista to demonstrate how poorly women were viewed. Baptista is practically selling his daughters and attempting to make them more appealing to suitors, so much as offering to bring Kate to Petruchio. Throughout most of the play, Baptista is looking to marry off his daughters. "Faith, gentlemen, now I play a merchant 's part, and venture madly on a desperate mart." (2.1 345-346). Shakespeare uses Baptista to demonstrate once again the little value women have and how they are viewed as objects. Baptista is acting as a "merchant" when he is selling his
This results in Luke and Cameron creating a plan to get Patrick Verona, who is known as Kat’s equal, to attempt and date Kat. When Petruchio arrives in Padua and visits Hortensio he states he is looking for a wife, Hortensio mentions Katerina and her father’s wealth and immediately Petruchio wants to meet Katerina’s father to talk about the dowry and wedding. In this scene Petruchio says, “I come to live wealthily in Padua; If wealthily, then happily in Padua” (Shakespeare, Act 1 Scene 2 Lines 72-73), which shows Petruchio only wants the money and doesn’t care as much for true love. In 10 Things I Hate About You, Patrick is offered money to date Kat, in which he accepts the deal.
Men over power any ladies opinion if they belong to them. Petruchio finds out about the opportunity to marry Katherine and decides he will be the one to wed her since no one else will. He says to Baptista, “Am bold to show myself a forward guest. Within your house, to make mine eye the witness. Of that report which I so oft have heard” (Shakespeare II.i. 54-56). Men have so much power even over their daughters. They decide who they could marry
The concept that ‘things are not always as they seem’ is quite evident in the events surrounding, and including, Petruchio’s wedding ceremony. This particular scene in the play demonstrates how the use of false realities (a real situation falsely presented in order to deliberately deceive) can be used to create humour. Biondello describes Petruchio’s appearance to Baptista, and by doing so sets up the expectations of the audience. He says that Petruchio comes wearing:
The play revolves around Bassanio's love for Portia. Bassanio needs money to play the suitor to Portia in "style". His friend who loves him, Antonio, agrees to give him the money, but, because all of his money is invested in his merchant ships he must take a loan from the greedy Jew Shylock. Shylock loans him the money in exchange for a pound of his flesh if he does not pay the loan back on time. Bassanio wins Portia's hand, but, before they are joined together, Portia will disguise herself in order to win the freedom of Antonio when his ships meet with ruin and he cannot repay Shylock. Shylock ends up losing half his wealth and must convert before Portia is through with him. Antonio is a fascinating character study when it comes to psychology because he is such a sad but noble character. He is world-weary and life's material things do not bring him joy. He is also confused about his sadness. As he says in the opening speech of the play, "In sooth, I know not why I an so sad:/It wearies me; you say it wearies you;/But how I caught it, found it, or came by it,/What stuff 'tis made of, whereof it is born, I am to learn;/And such a want-wit sadness makes of me/That I have much ado to know myself" (Shakespeare 203).
We see how she is manipulated by men through her father, who though dead, still manages to control who she marries from his will. He states in his will that from three different caskets the suitors will have to chose, in each of which will contain either a letter to the suitor or a picture of Portia. In one of the three caskets, either the lead, silver or gold casket, there will be a picture of Portia the suitor picking the casket containing the picture will be the suitor who will get to marry Portia. ‘I may neither choose who I would, nor refuse who I dislike, so is the will of living daughter curbed by the will of a dead father’ this shows that Portia would rather have a say as to who she gets to choose rather than being told who she has to marry. She overcomes that after two suitors who she wishes not to marry choose the wrong casket letting her know which casket contains her picture, so that when Bassanio becomes a suitor and she falls for him she is able to hint to him which casket to choose:
It develops the character of Portia as being someone madly in love with another person. It is clear to me that she is in love with Bassiano. She talks about how she could teach Bassiano how to choose right, but she can’t because of her father’s will. To me, she is really sick. It advances the plot so that the love Portia has for Bassiano, and the love that Bassiano has for Portia, can be more looked at.
Throughout the Merchant of Venice, while Portia is being courted. the reader can see that she does not like any of the suitors, except Bassanio. She finds a flaw in all the suitors and readers, as well, can see. the flaws in each as they present themselves to her. Her true love however, is for Bassanio
Let us look at the marriage plot. Already in I,i Bassanio reveals his plans of wooing Portia. He describes his undertaking as a quest; "her sunny locks/ Hang on her temples like a golden fleece/ Which makes her seat of Belmont Colchos' strond,/ And many Jasons come in quest of her."(I, i, 169-172). We might notice how he describes Portia's looks in an almost petrarchan manner. He is describing a single feature of her (her hair), and thereby objectifying her. More importantly, Bassanio's words tell us that he is aware of the economic gains that he can achieve through the bond of marriage. This makes us ask an essential question: What does Bassanio want to achieve through wooing Portia?
Bassanio was so grateful towards Balthazar that he was able to place Balthazar of above importance to Portia his wife. Portia then compares Bassanio giving up her beloved ring to if she were to give her body to the doctor as a parallel. Prior to the men being made aware of Portia and Nerissa’s disguises, they explain their reasoning’s as a necessity. Once Bassanio and Gratiano know the truth, they apologize with fear as they now know the power these two women posses. Gratiano ends the play by stating “I’ll fear no other thing so sore as keeping safe Nerissa’s ring” (V, I, 324-325). Gender roles are now reversed as the play concludes which shows that gender itself is a social construct and is not
– 25) Another way of illuminating that Portia is not appreciated in the The beginning of the play is when Bassanio borrows money from Antonio to woo Portia, telling him that he would pay him back when he marries. Portia. The. This shows that this is Bassanio’s key objective in wooing. her.
Bosola's inconsistency makes him different to some of the other characters in the play; the Cardinal is always cold and calculating, Antonio is honorable and benevolent and Ferdinand is fierce and aggressive, even in his mad state. There is no change in their characters, yet Bosola reaches beyond the confinements of the stereotypical role of `black malcontent', as Antonio describes him, altering his opinion of the Duchess as a prostitute, `this precise fellow is the Duchess' bawd', to seeing her as a noble woman and feeling compassion for her in her last moments of life, `Return fair soul from darkness, and lead mine out of this sensible hell!' Bosola's capricious nature makes him more convincing and realistic as a character. At the beginning of the play, the audience will probably dislike Bosola's cruel, pessimistic look on life. His change in opinion t...
(IV.i.294-299) This action by Bassanio is the ultimate evidence to Portia and the readers that Bassanio chooses his friendship with Antonio over the vow of love and Portia. Antonio states, “My Lord Bassanio, let him have the ring. Let his deservings and my love withal be valued ‘gainst your wife’s commandment” (IV.ii.267-269). While handing over the ring to Balthazar as a gratitude for his actions in sparing the life of his friend, Antonio.
The characters involved in the bond plot are Antonio, Bassanio, and Shylock, although Bassanio is not as involved in this plot as Antonio and Shylock are. It is for Bassanio that Antonio takes out a loan from Shylock so that Bassanio is able to have enough money to win Portia’s hand in marriage. In the next main plot line that arises, the casket plot, Bassanio plays a much more major role as Portia’s suitor. He and Portia are the central characters in this plot. Bassanio and Portia are also two of the central characters in the ring plot along with Nerissa and Gratiano, whose relationship acts as a parallel to the relationship between Bassanio and Portia.
Therefore, Portia is a character whom Shakespeare means to be highly admired. She possesses qualities that make her the adoration of some and the envy of others. She is highly skilled at whatever task she undertakes; yet she retains an aura of compassion and a strong sense of commitment. She puts herself on the line for the sake of her Bassanio. On the other hand, when she is crossed - or better yet when something she is endeared to is threatened - she is prepared to unleash a havoc to make things better again.