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Short film analysis
Eye contact observation essay
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Eye Contact is a thrilling short story that merits four out of five stars. This rating is suitable because the short film was extremely effective, especially taking the length of the film into consideration, but there were a few aspects of the movie that could be improved. The story is interesting and well-executed and my only complaint is that the shadow seems to be following the woman for no apparent reason and that the shadow itself has an odd design. When the shadow is pictured in a close-up, it seems almost see-through but is solid when viewed from afar. I believe the filmmakers could have spent a little more time on making the shadow’s appearance consistently translucent or opaque and could have made him feel slightly more threatening …show more content…
Mainly, the film relied on the soundtrack to build suspense. The music builds with frightening or tense moments and dies down when the woman appears to be safe. For instance, the building of the music’s tempo and volume indicated that danger was about to be present, or that the danger had not left yet; the calming of the music, which is only really present when the woman is in her home and seems safe, allows viewers to relax for a moment. This makes the return of terror even more powerful because the audience has let its guard down and is quickly set on edge again. In addition to the soundtrack, Eye Contact uses special effects to create the shadow that is haunting the poor jogger. It is clearly computer created, but that makes the shadow appear even more supernatural, and gives readers a strong visual to fear. The film consists of several various camera angles and shots. In fact, the film uses almost every common camera technique apart from high and slanted angles. Eye Contact uses mostly wide shots, mid shots, and close-ups, but uses bird’s eye angles, handheld shots, cutaways, and low angle in times of action and suspense. The wide shots are useful because they allow viewers to see the shadow moving closer, even though the jogger doesn’t know how close it is. The mid shots and close up allow viewers to observe details of the jogger such as how calm she is before the shadow appears, when she feels uneasy, when she is frightened, and the change in her movements. Such shots allow viewers to notice the change from a relaxed jog to a frightened dash for safety and are evident when the jogger is running, both when she is calm and when she is trying to escape the shadow. Bird’s eye angles and cutaways allow viewers to gain more information, particularly about the shadow and its location. For instance, the most evident bird's eye angle is when the woman looks
For example, Marlowe discovers that Geiger's books store was a smut book racket, the identity of Carmen's blackmailer and his murderer, what really happened to Eddie Mars's wife and the identity of Sean Regan's murderer. Nonetheless, the resulting fast paced plot engages the viewer. Unlike reading a novel, watching a movie involves one's auditory senses. In this case, music was carefully composed and selected to emphasize the confusion and rush. For example, fast paced music creates a feeling of tension and can be used to build suspense.
The music correlates to the images because the slow-playing violin and soft-playing woodwinds complement the nefarious activities shown; therefore, molding a creepy and ominous tone in order to demonstrate the credulous attitudes of the audience. When thinking of demonic activities, the soul of an individual is automatically frightened, which is what the composer manipulates in the opening scene. Fenton takes advantage of this and incorporates melodic dark music to further intensify the fear of the “so-called” villain, Abigail Williams, in the
For example, in the scene where Margot gets attacked and her hand stumbles on the scissors, the scissors are deliberately kept towards the camera that is right in front of her head. By placing the scissors right in front of the camera, Alfred Hitchcock has tried to create a sense of foreground in the movie as well, and placed the weapon of murder, which is an important object from the story’s point of view, there.
A few of the camera angles used are long shot, medium shot, high angle and bird’s eye view. A long shot to show the link between characters/subjects and their environment and draws the audience’s attention to a particular aspect of the surroundings. It can also indicate the atmosphere of the film. A medium shot shows a characters facial expression and body language, and for us to get to know the characters and how they relate to each other more closely. A high angle shot makes the person or object look weaker, inferior, under pressure or vulnerable. Lastly, a bird’s eye view gives the audience an overview of where the character or subject is positioned and enables the audience to see what is going on away from the characters immediate
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
In this assignment, we made observations of nonverbal behaviors which are utilized in everyday life as a form of communication whether we know it or not. There are many ways that individuals’ are capable of communicating without even saying anything, such as, an individual rolling their eyes can display they’re annoyed, smiling at someone can portray that the individual is happy, and so on. Nonverbal communication uses many different aspects of life to portray meaning, such as, behaviors, attributes, symbols, or objects (Seiler, Beall, & Mazer, 2015, p. 109). When partaking in this assignment, I found that utilizing nonverbal communication was much easier than verbal, but I did feel peculiar when participating in these acts. The goal for the assignment was to find a nonverbal norm that we wanted to violate, and then we needed to violate this norm three different times. Once we had violated the norm we needed to observe and analyze the reactions we received. The norms that we had the option to violate were kinesics, oculesics, haptics, etc. I just so happen to pick kinesics, which is using movements or gestures to portray nonverbal communication.
Whilst this is happening the Halloween theme music is playing in the background, this music is very high pitched and uses string instruments to create horror and suspense for the viewers. Once the credits have been shown there is a 'vls' (very long shot) of the house this is used to set the scene, this is a subjective point of view from the killer .This can be related to the German expressionism where they would use bumpy camera movement to seize the audiences concentration .They use a handheld camera to do this scene as it emphasises the killers movements to the audience. As the Killer begins to make his way around the house be looks up to see the light go off. When this happens there is a sharp shrill sound which enforces the killer's actions.
Shadows can be a threat because they are opposite representations of an individual’s ideals of himself/herself. Because of this trait, a physical shadow will be the representation of an individual’s concealed evil traits with an actual form. Many people fear what the physical representation of their shadow may be. When concealed within oneself the shado...
The terror can be expressed in many ways in the movie, for example, it can be just the thought if something chasing the actor to the phone just ringing. In the movie The Purge
Nonverbal communication is rich in meaning. Everyone communicates through nonverbal gestures and motions. I realized that you can decipher a lot from an individual or individuals by just paying close attention to what they do, and that words are not really necessary. Watching two people interacting, I figured that they are really close by their space communication, eye language, and body movements.
In the process of human infants’ development, infants start to learn how to communicate with the others at the surprising early age, for example: Newborns can follow objects to make saccades to peripheral targets (Farroni et al., 2004);Infants’ responding eye gaze behaviour increase constantly since two months old (Scaife & Bruner, 1975); Cooper and Aslin pointed out that this preference showed up as early as the infants were one month old in 1990. Infants not only can respond to eye contact, vocal cues also are used for gaining more reference information during a communication, particularly when the speech is conducted forward to the infants. It had been reported in many studies that infants show more preference to infant-directed communication
With the visuals, we can see that the opening is meant to be scary, but the soundtrack layers on whimsical, childlike tune that would not be associated with this type of imagery normally. This useage of child music with dark visuals is a common tool in creating creepy effects. In Neil Lerner’s book Music in the Horror Film: Listening to Fear, he discusses this tool in length, stating, “Vulnerability makes children an inevitable subject for horrors ranging from innocents in danger (i.e. Poltergeist) to ‘innocents’ as danger (i.e. The Omen)” (Lerner 40). The use of this childlike music in contrast to dark visuals causes the viewer to feel a sense of danger for the children, bringing up questions such as “Why does she have the doll?”
Mass media is a form of communication; it plays an important role in modern culture, it influences our lifestyles choices, ways of thinking and idealization towards aspects that play part in society. The representation of social groups portrayed in media has taken a turn for the worst in particular aspects; race and ethnicity alongside culture are constantly modified in the media. It influences how people receive the information of social groups; they base their ideas by what they are feed on. Terms such as the Spicy Latina, harlot and domestic have been around since the beginning of the Mexican-American war that took place back in 1984, the triumph that came alongside the American victory was stained with manipulation and racist ideology. It unleashed in its path the awaking of serotypes towards the Hispanics - consequently affecting all Latinx.
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.
Without dialogue, the audience is left with only hearing the music and sounds of rain and the character’s breathing. Watching this movie during the day did not lower my amount of fear or excitement I felt throughout and I think that is in part of the music. The building crescendos in the music alerts the audience that something bad is going to happen, but the problem for the audience is they do not know when the jump scare will happen. The main part of a jump scare is the sudden spike in music which can be seen in this scene as an example at 0:35, 1:34, and at