Gospel music is a genre of Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music began in the 1920’s, across the Southside of America. Many people in church listened to the blues, but a man name Dorsey introduced Gospel, a style of music that was totally sacred nor wholly secular. More upbeat than before, this music captivated people and allowed them to escape their worries, their pain, and just listen to the music. Gospel music features dominant vocals (often with …show more content…
strong use of harmony) and Christian lyrics. Most gospel music just utilizes the sound, however it isn’t explicitly christian. Although some forms of gospel music varies from piano or Hammond organ, tambourines, drums, bass guitar and electric guitar. Most songs are expected to have some type of refrains and often rhythm. Gospel music is made to be listened to for relaxation, and to relieve people of their sorrow and worries. It is created in the church, as a community, in order to bring people together Gospel music is performed for various reasons. This reasons are as followed aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Song: Take me to the king The song we chose is called Take Me To The King, by Tamela Mann.
It was released in 2012, as part of the album Best Days. The song Take Me To The King written by Tamela Mann has a very special tune. We notice that the piano plays every 2 beats, and. This song is sung by only one singer who is Tamela Mann during the middle. At the beginning of the song there is a choir singing as a group, which is also part of the main chorus. This melody sounds like it is low, as she's taking her time to enunciate every word to make it powerful and to bring attention to the message in the song. During the chorus, it is sung a little bit higher, and the words are less clear and harder to hear. It includes the piano, drums, bass, and the guitar throughout the song, with a slow and high …show more content…
melody. Take me to the king varies through beats. It starts off slow, to allow us to deeply hear and understand the meaning behind every word. Although it gets faster as you get into the chorus of the song, with about 116 beats/min. Since the beginning, starts off with a slow beat, there’s an obvious long rhythm, and during the chorus, there's a short rhythm as the beat gets faster. There’s a couple of patterns I’ve noticed while listening to the song. Such as, a note on the piano played every beat, and playing on the drum at the start of every chorus. The choir with multiple people also starts to play every time the chorus is sung, and the basic melody also starts to play louder. Throughout this song there is a certain form that the listener can observe and hear.
The obvious repetition of words in the song are ‘Take me to the king’, which comes up most namely and firstly in the title, and then constantly reappears throughout the song, mainly in the chorus sung by Tamela Mann herself. Another aspect that one can observe is that the song is not through-composed, but instead does have a chorus and a rhythmic pattern. The définition of through-composed is ‘not based on repeated sections or verses, especially having different music for each verse.’ This is not true for our gospel song, as the music does revolve around a main beat and chorus that reoccurs through the song. The pattern in the song is ABA, with a solo start, chorus in the middle, and a finish with another
solo. There are many uses of dynamics in this song. The song starts off with the chorus, because the chorus includes many background instruments, and more than one person singing. For this reason, it’s one of the loudest parts of the song. The song is at its softest when it’s only Tamela Mann singing, therefore in between each chorus. After the first chorus is sung in the beginning, you can hear a sudden change in dynamics. To start off, as i explained above, it’s at its loudest point in the song, although immediately after, Tamela Mann sings by herself, in a slow pace, being one of its lowest point in the song. Because of this, there is a drastically change in dynamics from going the highest to the lowest instead of changing gradually.
The verses each deliver a message of equality and the chorus is repeated with the intention of the audience considering their input towards reconciliation. The chorus is repeated 3 times, which is usually done to reinforce the central idea within a song. There are two separate verses, one that starts with the words “black fella white fella” and the other, which starts with “all the people of different races”. This format is repeated to help emphasise the idea that equality is important, regardless of your skin colour. The text structure is ordered in a way that tells a story about equal opportunity, and the way it is formatted is important in communicating this
Repetition is used many times in this song, especially when it states the phrase ‘ You better listen to your tribal voice’, ‘So you better get up and fight for your rights’ and ‘say c’mon, c’mon stand up for your rights’. These phrases mean a lot the writer Yothu Yindi, so by repeating them many times it means that he is trying to get you feel the same angry and fearless emotion he is, so you can take a stand and speak for what you think is wrong. Personification is also used many times to show that not just the writer wants you to feel this way but other matters are as well. Personification used in this song includes ‘the whisper of the morning light saying get up and meet the day’ and ‘walking of a rainbow dawn’ which gives human characteristics to other states of matter. Sometimes not all phrases are stated clearly that is why symbolism is used to add a different effect to people’s writing to make it more interesting and intriguing. It states in the song Tribal Voice ‘All the people in
This aspect of culture was very significant as blacks learned that everyone was equal in God’s eyes. At these churches, the introduction of gospel music generated self expression and thus, these black churches were a representation of social cohesion among blacks. Gordy established this aspect of culture and incorporated gospel music from churches into the soul sound Motown was successful for. Moreover, the formation of African American neighbourhoods was a very important aspect of their culture due to its link to the history of segregation. Although many associated these black neighbourhoods or ‘ghettos’ with negative connotations, for blacks, it signified ‘home’, a place that represented black identity, also including the passion and emotion from overcoming the struggle and suffering of being black.
Jonathan Kozol's book, Amazing Grace, analyzes the lives of the people living in the dilapidated district of South Bronx, New York. Kozol spends time touring the streets with children, talking to parents, and discussing the appalling living conditions and safety concerns that plague the residents in the inner cities of New York. In great detail, he describes the harsh lifestyles that the poverty stricken families are forced into; day in and day out. Disease, hunger, crime, and drugs are of the few everyday problems that the people in Kozol's book face; however, many of these people continue to maintain a very religious and positive outlook on life. Jonathan Kozol's investigation on the lifestyle of these people, shows the side to poverty that most of the privileged class in America does not get to see. Kozol wishes to persuade the readers to sympathize with his book and consider the condition in which these people live. The inequality issues mentioned are major factors in affecting the main concerns of Kozol: educational problems, healthcare obstacles, and the everyday struggles of a South Bronx child.
The readings were insightful and had interesting approaches to Negro mood. They had many emotional elements that were for the readers understanding of the different situations Negroes faced. When looking at the writings collectively they create a timeline. The timeline shows the various changes the Negroes mindset has gone through. The reader is exposed to three types of Negroes; one, the compliant Negro who knows his place, two, the Negro with will take his revenge and three, Negro who is conflicted between his desires and his responsibilities to his people.
Country music is one of the most popular music genres in America. There is a reason it is called Country music: because it reflects the heart and soul of the entire country. This unique genre of music can trace its roots to the very beginning of Southern culture. Through its rich history, Country music has always represented the life of the American little-man, the working-class hero, and has spawned many other forms of American culture in music, movies, television and style.
This soul music was a combination of R&B and gospel music that began around the 1950s. Soul was spreaded throughout the nation in which a lot many people of races took on such as, Aretha Franklin, Sonny & Cher, Teena Marie, as well as Otis Redding. Soul music is defined as a something powerful and it was a mainstream black pop in American music. Soul music had a meaningful impact in which you can feel where its coming from. Soul music had grown and changed, and it kept up with time.
Little Brown Baby by Paul Laurence Dunbar Paul Laurence Dunbar is one of the most influential African American poets to gain a nationwide reputation. Dunbar the son of two former slaves; was born in 1872 in Dayton, Ohio. His work is truly one of a kind, known for its rich, colorful language, encompassed by the use of dialect, a conversational tune, and a brilliant rhetorical structure. The style of Dunbar’s poetry includes two distinct voices; the standard English of the classical poet and the evocative dialect of the turn of the century black community in America. His works include
Soul music was developed in the late 1950s from African American church music called Gospel music. After slavery ended in1865, African American were not welcomed in the church of White Americans, so they built their own churches and sang Christian songs with African American vocal styles and rhythm. As the civil rights movement, staged bigger and bigger demonstrations and increase in African American pride “Soul music” became more than party music for young blacks: it became a rallying flag for the Black nationalist movement. Soul music was born thanks to the innovations of continuous post-war musicians who essentially turned Gospel music into a secular form of
Who is the birthday party a rite of passage for, the birthday boy or his mother?
This song uses a range of different techniques to get the main message of the song across to the audience. Repetition is used in verses 2,4, and 8. “God help me, I was only nineteen”. The effect this gives is to emphasize how the composer is feeling. You feel the pain and the grieving the veterans went through whilst fighting for our country in the war. It makes you realize that some men and women were so young to go out and experience such things that no human being should go
...erself expanded gospel’s exposure when she appeared twice on “The Tonight Show with Jay Leno.” Meanwhile, television producer Bobby Jones reaches four and a half million viewers each week with his BET program, “Gospel Explosion.” However, the test for Gospel music reflects one that all Christian musicians must wrestle with: Can Gospel continue to increase its fortune in the mainstream marketplace while still maintaining its spiritual base? Despite what you believe the answer to be, African American Religious music will continually evolve. Since Thomas Dorsey first stretched the boundaries to create gospel music, choirs, quartets, and power vocalists have been singing the same song, albeit in different styles and places. As African American religious music continues to grow beyond even Dorsey’s expectations, one can only hope that it will be embraced regardless of how it is labeled by everyone who needs to be reminded of the good news it represents.
this time, gospel music was a sacred folk music with origins in field hollers, work songs,
“Louisa, Please Come Home,” by Shirley Jackson, is a first-person narrative story that tells the experience of Louisa in the small town of Rockville during the 1950s. In fact, there are six characters in this story. The protagonists of this story are Louisa Tether, Mrs. Peacock, Carol Tether, Mr. Peacock, Mrs. Peacock, and Paul. Carol and Louisa are sisters, and the daughters of Mr. and Mrs. Tether. Paul is a neighbor of the Tether family, and Mrs. Peacock owns the rooming house where Louisa Tether lives. Mr. and Mrs. Tether, Mrs. Peacock, and Paul worked together to solve the problem of Louis running away from home. The main character Louisa Tether is a nineteen-year-old-girl, who is fair-haired, five feet four inches tall, and weights one hundred twenty-six pounds. Her personality could be described as intelligent, impudent, and organized. The following scenes from the book exemplify these three personality traits throughout the story. Shirley Jackson shows the life of Louisa, and ultimately the aspects of this character’s personality shine.
Music is an important aspect of every society. Music can tell stories, release emotions, build bridges and break down barriers, but above all, music is entertaining. There are various forms of music, but not many have as rich a history as gospel music. The importance of gospel music has been relevant in American music for more than a century, and its importance to society is still relevant to this day (See Appendix A). Gospel music helped slaves escape to freedom and paved the way for other styles of music.