Chris Shea
ENG 203
Professor Meghan Evans
09/21/15
Mini-Paper #1 – Question #2
On Tablet VII of The Epic of Gilgamesh, Enkidu curses Shamhat for a total of 24 lines (lines 58-82). But the question presented here is: is it justified? The author of this essay believes it is not. Enkidu knows he is dying and is thus bitter of his fate. The author believes the ultimate reason why Shamhat is being cursed is because of a variety of circumstances, one of which is that she just so happens to be present at the time of the weeping on the part of Enkidu. Beforehand, on lines 1-23 of Tablet VII, Enkidu goes as far as to curse a door. In other words, Shamhat just happened to be at the wrong place at the wrong time.
But Gilgamesh is around Enkidu much more
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than Shamhat is. So why did Shamhat get cursed by Enkidu and Gilgamesh didn’t? It can be argued that Gilgamesh caused the turn of events leading to Enkidu’s death because Gilgamesh killed the Bull of Heaven on Tablet VI of the epic. However, the real reason why Shamhat gets cursed turns to more of Enkidu’s personal connections with Gilgamesh and Shamhat. At this point of the epic (Tablet VII), Gilgamesh is Enkidu’s best friend and equal, the way the gods intended to be when the plans for his creation were unfolding on Tablet I. Another contributing factor to why Enkidu curses Shamhat is because Shamhat is a woman.
Tying this to the relationship between Gilgamesh and Enkidu at this point, we know that Gilgamesh treats women as more of prizes than actual human beings throughout the epic. This is especially apparent on Tablet VI, after Ishtar asks Gilgamesh to be her husband. Gilgamesh spends 42 lines of Tablet VI (24-76) telling Ishtar that she will not actually love him, citing two of her former husbands: Dumuzi from line 43, and Ishullanu from line 61. This angers Ishtar and sends the Bull of Heaven after Gilgamesh, which would ultimately lead to Enkidu’s …show more content…
death. And as a professor teaches a student what they would consider to be right or wrong, so does the author believe it is possible that Gilgamesh teaches Enkidu to hate women, or in Enkidu’s case Shamhat. But this leads to another question about Gilgamesh and Enkidu’s relationship: was it actually a good thing that Enkidu became civilized?
For the purposes of Gilgamesh and the kingdom as a whole, the author reluctantly agrees that it was for the best. The reason why the author is reluctant about this is because of what Enkidu did and represented when he was first created.
Throughout Tablet I of the epic, Enkidu primarily lived in the forest and lived with wild animals. The forest may represent anarchy and a lawless land. However, the author believes this takes a deeper purpose: just as it represents anarchy and lawlessness, the forest also represents innocence and a sense of childhood because it allows for more freedom than the city.
But on the other hand, fast-forward to Tablet VIII, where Gilgamesh weeps the death of his equal and best friend Enkidu. Between Tablets I and VIII, Enkidu was conditioned to move from the anarchic-yet-free wilderness to the lawful-yet-overbearing city, even encouraging Gilgamesh to kill Humbana, the guardian of the forest, in Tablet V. The loss of Enkidu was devastating to Gilgamesh to the point where he became more human than
divine. However, the author believes the death of Enkidu ultimately leads to a major benefit to Gilgamesh’s personality and his outlook on life. This was especially apparent at the end of his quest for immortality on Tablet XI, where a snake steals the plant of immortality from him and slithers off. Gilgamesh is initially devastated that he can no longer become immortal. But when he and Ur-Shanabi arrive back at Uruk, Gilgamesh realizes that life isn’t about immortality. Rather, it is about what one has done during his/her life that makes it more valuable. So with this in mind, Gilgamesh returns to admiring his city because this is something he can hang his name on to. So as Enkidu is immortal in the mind of Gilgamesh, Gilgamesh himself can become immortal through the establishment of his city. Work Cited: Foster, Benjamin R., trans. The Epic of Gilgamesh. The Norton Anthology of World Literature. Shorter 3rd ed. Vol. 1. New York: W.W. Norton, 2013. 33-88. Print.
Just as Gilgamesh had predicted Enkidu gave into human desire and became civil. The animals were betrayed and no longer accepted Enkidu as of their own.
In the Epic of Gilgamesh, we see a significant transition or development of the main character as the story progresses. Throughout the epic, we see Gilgamesh act as a tyrant, fearless warrior, depressed man, a man filled with fear, and a man who has finally accepted his fate. The epic begins by describing Gilgamesh as a king who tyrannizes his people. “He will couple with the wife-to-be, he first of all, the bridegroom after” (pg 15). We see that Gilgamesh abuses his power as king and terrorizes the people. The people of Uruk plead the gods to ease Gilgamesh’s burden. The gods answered the prayers created an equal to match Gilgamesh. Enkidu a wild-born chimera, part animal and part man, would
Of all of the events that occurred, the gods were not pleased. After the bull was killed and the cedar trees were cut, Enkidu had to be seen by the gods in council. Thus, the decision that Enkidu must die because of these acts was established. (53) The death of his friend is unreal to Gilgamesh. Thorkild Jacobsen points out that “…it touches him in all its stark reality, and Gilgamesh refuses to believe it.” (Thorkild Jacobsen, “And Death The Journey’s End,” 191)
Before the coming of Enkidu, Gilgamesh was a man of great power. A being for which there was no equal match, Gilgamesh boasted about his overwhelming glory and power. However, his arrogance was accompanied with an extensive abuse of power, which pushed the city of Uruk into a state of rage. Still Gilgamesh felt no despair; he lived to display to others his majestic power. The first sign of a sincere change in Gilgamesh arises as a result of the birth of Enkidu. From the beginning, a powerful link developed between man and woman. The wise Ninsun said to Gilgamesh,"You will love him as a woman and he will never forsake you". Gilgamesh had finally met his match, a friend that would serve as his life-long companion. Upon the seal of this great friendship, Gilgamesh began to change his selfish ways. Nevertheless, he shared with Enkidu the luxuries of kindness. Setting aside his great pride and power, Gilgamesh had opened a place in his heart, and in his sumptuous life, for his beloved brother.
In Gilgamesh, he fights Humbaba with Enkidu, his best friend. Humbaba is the guardian of the Cedar Forest who was assigned by the god Enlil. Gilgamesh doesn't fight for the world, but he has his own reasons. In the text, it states, “Even if I fail I will have made a lasting name for myself’’ (181). In other words, Gilgamesh's motivation to slaughter Humbaba is not just to get rid of evil but to let his people remember him. Gilgamesh is being selfish because if he's dead, Uruk won't have a ruler, which means Uruk will be out of control. The choice Gilgamesh makes causes him not to care about Uruk but only himself. However, the encounter of Enkidu's death has turned Gilgamesh into another person. He couldn't confront the truth that Enkidu has died. Enkidu was more than a best friend to him, he was a brother whom he loved. Because of his love for Enkidu, Gilgamesh builds a statue so everyone in Uruk will remember him. This demonstrates Gilgamesh changing from selfish to selfless. This change is part of Gilgamesh's transformations towards becoming a hero. Gilgamesh changes as a result of Enkidu's death. According to the text, it states, “Gilgamesh interferes in the lives of his subjects beyond his right as king”(175). This proves that Gilgamesh was bothering and annoying the people of Uruk. Gilgamesh is going to become king soon and he shouldn’t disregard or interfere with his subject’s private life.
Although Gilgamesh starts out cruel he develops into a very kindhearted man. He is extremely supportive of Enkidu and encourages him in various situations. When the men are fighting Humbaba Gilgamesh says, ã[you] will surpass all of them... a fri...
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
The beginning of the Epic finds Gilgamesh hunting immortality through the ways of old. He is trying to achieve everlasting life through the fertility of young virgins promised to another. This action by Gilgamesh caused the people of Uruk to call for the gods to restore the order which the traveler from abroad had destroyed (pg.62). From the sacred order of the goddess Aruru's mind Enkidu emerges from the profane wilderness (pg. 63). It is told that a trapper came "face to face" with the chaotic ways of Enkidu and was "frozen with fear". It is only through the love of one woman that order is brought to the life of Enkidu. He is then declared wise enough to challenge Gilgamesh and restore the order to "strong walled Uruk" (pg.65). So, when Gilgamesh is headed to the bridal bed to partake...
On page fifty-five Enkidu tells Gilgamesh what he dreams about. “Enkidu began to speak to Gilgamesh: …;... 'Enlil was wroth at celestial Shamash: "How like a comrade you marched with them daily! '"” Enkidu describes this dream, in great detail, of all the horrors of the underworld. Additionally, Enkidu describes how the gods are planning on bring Enkidu to his death, while Gilgamesh is to be spared. Enkidu is very sick at this point and is unable to do anything else, but lie on the bed. After twelve days, Enkidu dies on the bed. Gilgamesh is scared, at this point, and is afraid he might be next to die. In order to avoid death, Gilgamesh is persuaded on a journey to find immortality. Gilgamesh is later forced to live the rest of his life without being immortal. This dream is crucial to show how a main character, Enkidu, is being
The “Epic of Gilgamesh” is a historic story of the king of Uruk, Gilgamesh. The story portrays the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the prostitute seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried vainly to dissuade Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their adventure to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
Enkidu was created to be Gilgamesh’s equal and his soul mate. ‘“You made him… now create his equal; let it be as like him as his own reflection, his second self, stormy heart for stormy heart’” (14). So the goddess of creation, Aruru “dipped her hands in water and pinched off clay, she let it fall in the wilderness” and created Enkidu (14). Before Gilgamesh had met Enkidu he loved him; ‘“… I bent down, deeply drawn towards… [Enkidu]… I loved it like a woman and wore it at my side”’ (16). Enkidu had “virtue in him” (14). He was also “innocent of mankind” (14). After Enkidu was civilized the wild animals would not be near him. He felt ...
The newfound friends gradually weaken and grow lazy living in the city, so Gilgamesh proposes a great adventure that entails cutting down a great cedar forest to build a great monument to the gods. However to accomplish this they must kill the Guardian of the Cedar Forest, the great demon, Humbaba the Terrible. Enkidu, along with the elders of the city, have serious reservations about such an undertaking but in the end Gilgamesh and Enkidu kill the terrible demon.
The start of the relationship holds Gilgamesh feeling threatened by Enkidu, and so being the arrogant tyrant King Gilgamesh has been portrayed as, sends Shamhat to change Enkidu. A clear example of this within the text would be the orders Gilgamesh gives to the hunter in Tablet I ‘Go, hunter, take with you Shamhat the harlot,’ (pg. 41, line 154) this shows how within an instant Gilgamesh is sending someone to deal with the threat that is Enkidu. There appears to be no deliberation on the matter, simply Gilgamesh wanting to take control of the situation and eliminate the threat. There is also another portion within the text that further confirms the reasoning as to why Gilgamesh would have seen Enkidu to be a threat. For example ‘There is a certain fellow, who has come from the uplands, He is mightiest in the land, strength is his, Like the force of heaven, so mighty is his strength.’
In the beginning of the story, Gilgamesh is portrayed as a very confident, stubborn, and cruel king. But throughout the story, Gilgamesh starts to learn about true friendship and honor through his best friend Enkidu. When Gilgamesh looses Enkidu, he shows sadness and humility for the first time. Gilgamesh became humble by the end of the story after the experience of losing his best friend, and the chance at immortal life. Realizing now that death is not in his control, and that he may never feel the love he felt with Enkidu again, Gilgamesh shows a changed side to him that had not been seen
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).