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Short introduction of love song of j.alfred prufrock
Short introduction of love song of j.alfred prufrock
Eliot poetry analysis
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T.S Eliot’s Preludes and The Love Song of J.Alfred. Prufrock, are examples
of modernist poetry which illustrate the concerns of modernist poets.
Explain how the poetry you have studied reflects some of the major
concerns of its context?
In your answer refer closely to two poems by T.S. Eliot.
T.S Eliot’s Preludes and The Love Song of J.Alfred. Prufrock, are
examples of modernist poetry which illustrate the concerns of
modernist poets. The modern era, which lasted between 1885 to 1940 was
concerned with challenging the traditional views of life. In terms of
literature, Eliot was a leading figure in challenging the style and
verse of traditional romantic poetry. Preludes portrays the hopeless
and monotonous life of the working class in an urbanised, dirty,
industrialised city. The Love Song of J. Alfred Prufrock primarily
represents Eliot’s view on relationships, society and the human sub
conscience.
The modernist movement in poetry began in 1910, where significant
figures such as Ezra Pound and Jules Laforgue’s styles clashed with
the romantic styles. This greatly influenced Eliot’s style and
impacted his way of writing. Some main features used include imagism,
allusion and a free verse rhyme scheme. Imagism is mainly concerned
with the use of precise images to capture a moment, or feeling of a
character. In Preludes, Eliot creates an image of a yellow fog “that
rubs it’s back … licking it’s tongue into the corners of the evening…”
which could also be interpreted as an image of an “urban cat” at night
time lurking around the city. It is this image which conflicts with
the romanticist’s imagery of nature – it represents the ugliness of
urban fog.
Allusion is an indirect reference to another tex...
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subconscious. The opening sentence “Let us go then, you and I ” is an
example of Prufrock’s inner self speaking to his outer self. As the
poem flows, the attitude from “I will go” changes to a hesitant “I
might go”. This is a response to the idea of Prufrock approaching the
woman he loves to ask her for her hand in marriage.
Thus you can see how the Eliot reflects some of the major concerns of
the context – modernism. The modernist movement broke away from the
rules of romantic poetry in terms of structure. It also looked away
from the beauty of nature and focused upon the “ugliness of
urbanisation”, the power of the subconscious and the social issues
such as women and the working class society. Eliot’s poems Preludes
and The Love Song of J. Alfred Prufrock are specimens of true
modernist poetry which reflect the major concerns of the modernist
time.
The male protagonists, Shinji and Romeo have many differences. Hatsue and Juliet are perhaps not as different from each other than Shinji is to Romeo but still, the distinctions are abundant, as are the resemblances. Both young women seem to be a puppet of their families. Without consulting her first, Juliet’s father chooses Paris to be his daughter’s groom. Juliet obviously despises Paris and loathes the very thought of their marriage, stating that she would rather leap off the battlements of any tower, walk in dark alleyways, be chained to roaring bears, or hide in a mortuary covered with dead men’s stinking limbs and rotting bones (4.1.78-90). Hatsue, too, is forced unwillingly to marry someone whom she obviously has no interest in: Yasuo Kawamoto. When Shinji asks about the marriage on page twenty-two, Hatsue dismisses it with a laugh and says “Silly! It’s a big lie.” It indicates that Hatsue is looking forward to be bonded in holy matrimony with Yasuo about as much as Juliet is looking forward to the day that makes her the wife of Paris. Juliet’s family is wealthy, and so has the adequate amount of money to go through with the wedding. Also, in those days, it was common for fathers to marry off their daughters to a stranger of his choosing. The reader discovers that Hatsue’s family is also wealthy, her father being “Terukichi Miyata, the wealthy owner of two coasting freighters chartered to Yamagawa Transport” (page thirteen). These two rich and noble men both marry off their daughters to a stranger. It is obvious through this that the daughters, Hatsue and Juliet, are merely puppets to their fathers. To bolster this piece of evidence even more, Yukio Mishima reveals in a paragraph on page thirteen that Hatsue was sold becaus...
Despite the similarities between these two poems, Corso and Eliot shared little in common. Corso spent much of his early life between foster parents and prison, the latter being where he was introduced to poetry. Now credited as a key member of the “Beat Generation”, a group of poets who were opposed to social conformity and the traditional forms of poetry, Corso typically wrote poetry “on serious philosophical issues” (Olson 53). On the other hand Eliot’s upbringing was more traditional where he attended Harvard and went on to become a figure of immense influence in the literary world. Eliot’s first major poetic publication: The Love Song of J. Alfred Prufrock bares many resemblances to Corso’s postmodern poem Marriage, a poem written to criticize the philosophical issues associated with marriage.
universal themes and realistic characters. This novel ties closely with the novel Jane Eyre ,
Throughout the entirety of Romeo & Juliet, Shakespeare is hinting at the “star crossed” deadly fate of the lovers spoken of by the chorus in the prologue. Romeo and Juliet are also constantly mentioning their uneasy feelings and how they can sense that something bad will happen, which confirm the aforementioned conclusion. This foreshadowing not only tells us this tragedy planned, but there must be pawns of fate that have to drive Romeo and Juliet together, while at the same time leading them to their death. In Romeo and Juliet, their deadly destiny was written by the universe and characters along the way, such as Capulet, Montague, Nurse, Friar Lawrence, Friar John, and Mercutio.
of a fight "let us take the law of our side let them begin" Sampson
The Modernist era of poetry, like all reactionary movements, was directed, influenced, and determined by the events preceding it. The gradual shift away from the romanticized writing of the Victorian Era served as a litmus test for the values, and the shape of poetry to come. Adopting this same idea, William Carlos Williams concentrated his poetry in redirecting the course of Modernist writing, continuing a break from the past in more ways than he saw being done, particularly by T.S. Eliot, an American born poet living abroad. Eliot’s monumental poem, The Waste Land, was a historically rooted, worldly conscious work that was brought on by the effects of World War One. The implementation of literary allusions versus imagination was one point that Williams attacked Eliot over, but was Williams completely in stride with his own guidelines? Looking closely at Williams’s reactionary poem to The Waste Land, Spring and All, we can question whether or not he followed the expectations he anticipated of Modernist work; the attempts to construct new art in the midst of a world undergoing sweeping changes.
Romeo and Juliet by William Shakespeare Many people consider a tragedy to be a play or story, which includes an element of death and disaster, the play Romeo and Juliet fits into this category. With their fate already mapped out, Shakespeare ends the secret love affair of Romeo and Juliet with their deaths. The tragedy has a didactic purpose; Shakespeare wants the audience to learn how to avoid making the same mistakes as the characters. Shakespeare cleverly begins the play with a prologue, which sets the scene for the rest of the play. The prologue tells us about an “ancient grudge” between two families and how only the deaths of “star-crossed lovers”, one from each enemy, could end the feud.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
The poem “My Mistress’ Eyes are Nothing like the Sun” by William Shakespeare is about the love towards an imperfect woman. He explains that although his mistress is imperfect, he finds his love special and rare. To clear things up mistress in this poem holds a completely different meaning than that of the modern-day term we are used to. The word mistress now refers to a woman having a sexual relationship outside of marriage, especially with a married man however, in Shakespeare's time, it meant a woman who rules others or has control. The reader can focus on some important aspects of this poem such as imagery, and tone to better understand the poem.
Both Browning and Eliot seek to improve upon the nature of the dramatic monologue. Browning emphasizes structure and a separation between the poet and the character which is reiterated by Eliot’s poem. Browning’s influence on Eliot can be seen by the form and structure of “The Love Song of J. Alfred Prufrock” adding working intrinsically with the theme and subject of the work. However, Eliot deviates slightly from Browning by the portrayal of his characters, and the amount of information that he is willing to share with the reader. The intended message of Browning’s poem is much more apparent than Eliot’s who creates an open ended poem that can be interpreted differently by each reader.
In the final stanza of T.S. Eliot’s poem “Preludes,” Eliot intends to convey that the human condition is eternal, it will always be anguish-filled, regardless of the poem’s motif: time. In the first few lines, he exemplifies the predicament that is life through imagery. Eliot discusses the soul of a man which is “stretched tight across the skies” which “fade” and are “trampled” by the other inhabitants of the city. This image created can be compared to an individual whose resilience is running thin and is being broken down by the surrounding world causing this person’s very essence to wane. Thus, life becomes nothing more than a series of motions without any meaning and constant despair. Sequentially, Eliot utilizes repetition, referring to
Eliot further portrays this disconnection from the industrialised world in his poem “Preludes”, in particular the deliberate break from the traditional scheme of writing. This change from the Romantic to the Modernist era is indicated through the form of his poetry in “Six o’clock”, “...The morning comes to consciousness”, “...Watched the night revealing” and”... Evening newspapers”, whereby the progression of the day indicates that the structure of the poem is segmented by time. From this, it is evident that through Winterson’s perspective of Eliot in “Needed some sort of membrane between himself and experience which for him became language”, Eliot is able to provide us with an insight of the modernist world around him through his use of language, meanwhile accounting for the sense of isolation or disconnection of the persona from the word around him. Hence, through the evocative use of the inconsistent rhythm of the progression with time, Eliot emphasises the breaking from the previous generations traditional rhythmic scheme of writing to establish a sense of discomfort and unpredictability as a result of the skips in line. From this, Eliot enables the audience throughout time to continually resonate with this idea of the shift in context from Romanticism to Modernism as they are the ideological
All throughout high school my English teachers would assign us to read a variety of novels and passages with the theme pertaining to distress or love. This made me become more familiar of pieces of literature like Jane Eyre from Charlotte Bronte, The House of Mirth by Edith Wharton and poems like What thing is love from George Peele. Each of their styles of writing were different, but despite their prominent differences I also began to realize their similarities the more that I was exposed to them. I noticed that a common component that these authors had was that they were trying to express what it meant to be in love to them. It was almost like they were making an effort to come up with a definition for love. In Jane Eyre we get introduced
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” (commonly referred to as “Prufrock”) poem marked a time period in literary history where the Nineteenth century Romantic era collided with the Twentieth century modernist approach. “Modernist literature is characterized chiefly by a rejection of 19th-century traditions and of their consensus between author and reader” (Baldick 159). This collision, which led to a change between the traditional form of writing, helped to shape the new poetic aspects that lie within “Prufrock.” T.S Eliot’s "Love Song of J. Alfred Prufrock" embodies the common characteristics displayed throughout all modernist poetry, being that: “modernism is a reaction against the modern” (Menand 1). For T.S. Eliot, this poem
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.