Sympathizing with Shylock in William Shakespeare's The Merchant of Venice

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Sympathizing with Shylock in William Shakespeare's The Merchant of Venice In the Merchant of Venice, Shakespeare creates an atmosphere throughout the play, which causes the audience to sympathize with Shylock. Shakespeare uses key events, and dialogue to influence the audience. At the time Shakespeare wrote his plays, and they were performed, the contemporary audience would have mainly consisted of Christians. Jews were often persecuted, as they were the minority. The Christian audience would have been quite arrogant, and Shakespeare would have had to pander to this audience, to make the play appeal to them. He did this through Shylock. In Act 3 Scene 3, Shylock tells of how he is abused by the Christians, they call him a misbeliever a cutthroat dog, they spit on his Jewish gabardine, phlegm on his beard, and they also kick him "as you spurn a stranger cur". This causes the audience to sympathize with him, as it shows, just because he is a Jew, he still has feelings, he is not just a religion, he is a human with feelings and emotions. The play appeals to a modern audience, which would be multi-racial, eliminating the effectiveness of Shakespeare's efforts to appeal to a contemporary audience, leaving the modern audience with a play that they can watch and enjoy. The modern audience would be more tolerant, and so therefore would be able to enjoy the play more. A contemporary audience would probably have not cared about Shylock, and the things which have happened to him, as they were very arrogant. In Act 1 Scene 2, Shakespeare has Portia, Shylock's daughter describe her feelings towards a young British Baron named Falconbridg... ... middle of paper ... ... Shylock is the play's antagonist, and he is menacing enough to imperil seriously the happiness of Venice's businessmen and young lovers alike. Shylock is also, however, a creation of circumstance, and even in his single-minded pursuit of a pound of flesh, his frequent mentions of the cruelty he has endured at Christian hands make it hard for us to label him a natural born monster. In one of Shakespeare's most famous monologues, Shylock argues that Jews are humans and calls his quest for vengeance the product of lessons taught to him by the cruelty of Venetian citizens. On the other hand, Shylock's coldly calculated attempt to revenge the wrongs done to him by murdering his persecutor, Antonio, prevents us from viewing him in a positive light. Shakespeare is therefore, intending the audience to sympathize with Shylock.

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