The Metamorphosis by Franz Kafka and Pedro Páramo by Juan Rulfo both have a major theme of humanity. The alarm clock, in The Metamorphosis, and weather, in Pedro Páramo, can be considered as consistent symbols for Gregor Samsa’s, Juan Precido’s, and Pedro Páramo’s awareness of time, a sign of humanity, but as Gregor, Juan, and Pedro start to lose their humanity, the symbols disappear- leaving them trapped in their inhumanity. The authors, Kafka and Rulfo, show, through the motif of entrapment, that inhumanity really illustrates their human characteristics and increases verisimilitude of the characters through the mistakes the characters make that lead them to becoming inhuman.
The awareness of time is a trait that represents humanity in both The Metamorphosis and Pedro Páramo. In The Metamorphosis, the alarm clock represents Gregor’s humanity because whenever the clock is present, Gregor is reminded about the time, his job, and his responsibilities to provide for his family. “Human beings have to have their sleep…And he looked over at the alarm clock, which was ticking on the chest of drawers” (Kafka, 4) examines Gregor’s mind while he is still in his humanity. In “Human beings have to have their sleep” the “have to” shows that sleep is part of humanity showing that Gregor is aware of his humanity and actively tries to partake in it. The alarm clock’s presence in this quote reinforces the symbolism behind the alarm clock through Gregor being aware of the time by listening to the alarm clock ticking and remembering all the responsibilities that he has.
In Pedro Páramo, the weather represents the time structure and whenever the weather, mainly rain, appears it symbolizes the humanity Juan and Pedro and the rest of Comala have an...
... middle of paper ...
...e loses all humanity that he was trying to preserve, by loving Susana. “And all of it was don Pedro’s doing, because of the turmoil of his soil. Just because his wife, that Susanita, had died. So you tell me whether he loved her.” (Rulfo, 81) He loses his humanity through Susana’s death. He is keeping the town trapped in Comala because he sees it as the ultimate way to keep Susana.
By using time as a symbol for humanity, the alarm clock and the weather as the symbols for time, Franz Kafka and Juan Rulfo demonstrate the readers that inhumanity is what makes everyone human through greed, love, interest, and even sometimes by turning into a bug.
Works Cited
Kafka, Franz. The Metamorphosis. 1915. Trans. Stanley Corngold. New York: Bantam Books, 1986. Print.
Rulfo, Juan. Pedro Páramo. 1955. Trans. Margaret Sayers Peden. New York: Grove Press, 1994. Print.
The Carrillo Adobe is in a dire situation. It has not only fallen into disrepair from the many years of weather and use by so many individuals, but by visitors and citizens have been less that kind and considerate of its age and the prominence that it deserves. After Carrillo’s death her house was given to three of her daughters, Marta, Juana, and Felicidad. Then her belongings were distributed between all of her children. In the first decade after her death her different children each occupied the house at different times. One of her daughters, Juana and her husband ran the home as a tavern. They then converted the adobe into the first post office in the town of Santa Rosa. After her daughters no longer had a need for the adobe it was turned into a trading post where numerous individuals...
it is unmistakable that life situations inspired Juan Rulfo to write this story. He like no other person had a greater understanding of how to portray the theme of family especially missing a father as a role model, death, survival and revenge. Moreover, through the use of local Mexican language it furthermore developed the society in which peasants had to live during the post-revolution. Additionally Juan Rulfo tries to add all five senses in the story forming magical realism and a vivid picture that the readers can understand. Overall, the readers learn a lot about peasant’s approach to life after revolution that the main drive was
The world lies on a thick plate of morality, love, sympathy, opinion, and vitality – all of which are contributions to what shapes humanity. Humanity overtime has strengthened in fluctuating wavelengths through infinite trials and tribulations. In ‘The Metamorphosis,’ the protagonist of the novel, Gregor Samsa, transforms into a vile, repulsive insect: a cockroach. This occurrence strikes a test for the Samsa household, playing a role on their behaviors and the meaning of “humanity” itself.
The routine of life can bring some people a sense of stability and happiness. For others this routine can be the cause of immense discontent and a feeling of entrapment. The main characters of the books The Metamorphosis by Franz Kafka and Ethan Frome by Edith Wharton both experience this feeling of being trapped by their everyday responsibilities and environment. Family obligation, societal expectation, and their internal and external appearances trap both Gregor Samsa and Ethan Frome.
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
I read “the metamorphosis” by Kafka about 10 years ago, and really did not enjoy the book at that time. I have never considered that a book about a bug could be so appealing and full of deep meaning and thoughts. But I changed my viewpoint after reading the book again, I felt a strong connection with the main character in the book. Right away I noticed how extremely similar in many aspects, Gregor Samsa story sound like what my uncle went through when he became ill, but, yet also have unique differences.
At the beginning of the story, the protagonist, Cleofilas, had an illusion that all romance is like the ones she had seen on television. However, she soon realizes that her relationship with Juan Pedro was nothing like what she had dreamed of. Cisneros wanted to emphasize the idea that when men bring home the primary source of income in the family, they feel they have power over their wives. Therefore, Cisneros used Juan Pedro in the story to portray this idea. For instance, Cleofilas often tells herself that if she had any brains in her, she would realize that Juan Pedro wakes up before the rooster to earn his living to pay for the food in her belly and a roof over her head (Cisneros, 1991, p.249). Cisneros wanted to make a point that when men feel that they have power over their wives, the woman begins to feel a sense of low self-worth.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
According to Arp and Johnson, “Literary fiction plunges us, through the author’s imaginative vision and artistic ability, more deeply into the real world, enabling us to understand life’s difficulties and to empathize with others.” In the story The Metamorphosis by Kafka he uses his genius imaginative vision and artistic ability, making us understand and feel empathy toward his main character, Gregor. Kafka uses a tremendous amount of symbolism and metaphors to get us to feel the mood in the story and in general life’s difficulties.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Prior to becoming an insect, Gregor's defines his existence in relationship to his role as the breadwinner, and finds purpose in diligently working to provide for his family. This imposed role requires him to get up very early, get on a train, and perform his tedious duties as a traveling salesman. When he awakens to find he has become a cockroach overnight, his sole concern is being on time for the train and continuing to perform his work tasks , as he does every other day, so that he may sustain his family. Upon first waking up, he begins to ponder his motivation for waking up early, commuting, and working very hard. He concludes, “If I didn't have to hold my hand because of my parents, I'd have given notice long ago.” By continuing to support his family, in order to pay off his parents' debts, he believes he will event...
Franz Kafka’s The Metamorphosis is a novella that follows the story of Gregor Samsa who, one day, wakes up as an insect. On the surface, it’s just a story about a man who’s transformed into a bug; but, when deeper analyzed, you come to understand that it’s a about a man who was always a bug conflicted by his identity in a class struggle between what is known as the proletariat and the bourgeoisie. Kafka’s work was written in a time in history when the struggles between the classes were becoming more defined due to the rise of industrialization and other changing social structures. This story can best be interpreted though a Marxist lens. In Kafka’s The Metamorphosis, his Marxist ideology comes through in the way the characters represent the struggle between the proletariat and bourgeoisie classes during the turn of the century.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
There are many similarities between “A Very Old Man with Enormous Wings” by Gabriel García Mȧrquez and “The Metamorphosis” by Franz Kafka. Both show many negative aspects of human nature through the use of magic realism, while also demonstrating many valuable lessons. Some of these lessons are help showing up in unforeseen and unrecognized places and how easily humans are distracted by superficial components of life.
On the surface, Franz Kafka's 1916 novella, The Metamorphosis, seems to be just a tale of a man who woke up one morning to find himself transformed into an insect. But, a closer reading with Marx and Engel's economic theories in mind reveals an overarching metaphor that gives the improbable story a great deal of relevance to the structure of society. Gregor Samsa, the protagonist, signifies the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict that arises between the two after Gregor's metamorphosis renders him unable to work represents the impersonal and dehumanizing structure of class relations. The metaphor of the story can be divided into three main parts (although they overlap within the story.) First, Kafka establishes the characters and the economic classes which they represent. Then, he details Gregor's metamorphosis and the way in which it impedes his labor. Finally, he describes the final results of the worker's inability to work: abandonment by his family and death. Although a man cannot literally be transformed into an insect, he can, for one reason or another, become unable to work. Kafka's novella, therefore, is a fantastic portrayal of a realistic scenario and provides us with a valuable insight into the struggles between economic classes.