According to Arp and Johnson, “Literary fiction plunges us, through the author’s imaginative vision and artistic ability, more deeply into the real world, enabling us to understand life’s difficulties and to empathize with others.” In the story The Metamorphosis by Kafka he uses his genius imaginative vision and artistic ability, making us understand and feel empathy toward his main character, Gregor. Kafka uses a tremendous amount of symbolism and metaphors to get us to feel the mood in the story and in general life’s difficulties.
In the story, Gregor wakes up on a rainy day to go to work and when he tries to get up he notices he has been transformed into a bug. Although, the story isn’t about real world aspects and social views you can get a taste of peoples true colors and the real world from reading this story by the way that he wrote it. Kafka uses such an imaginative way for us to feel empathy towards Gregor, who would have thought you could feel empathy towards a cockroach? But you do, from the moment you start the story until the end you empathize with this bug.
From the very opening of The Metamorphosis, Gregor is portrayed as a pathetic main character. He works so hard for his family, paying for everything in a job that he hates and receives absolutely nothing in return, not even a thank you. He always puts everyone before himself, and wants the best for his family and wants their love and encouragement. Even after he’s transformed into a cockroach, Gregor still thinks of way that he can go to work and pay for the bills. When his family sees him as a cockroach and throws him in his room alone, in the dark he is unable to live with the pain that they don’t see him as family anymore. He realizes their true colors and d...
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...d depth of Magda’s saliva; and Rosa drank Magda’s shawl until it dried” (699). Only a good story can have you at the tip of your seat wondering what is going to happen next. Literature is a great way to feel empathy and both of these stories play it very well.
Arp and Johnson are correct, “Literary fiction plunges us, through the author’s imaginative vision and artistic ability, more deeply into the real world, enabling us to understand life’s difficulties and to empathize with others.” To have that ability to understand and share the feelings of another through words on a paper is powerful. You see the truth through many authors’ eyes and make the scenario in your mind only wanting to understand every aspect of what’s going on and what’s going to happen and after you come out in the oddest way with this new visionary on things after just reading something so small.
Before the transformation, Gregor was a human form of nonchalant reclusiveness. It’s almost as if it was crucial for him to go through the conversion so he could become more emotionally aware despite the irony of him not even being human but a bug. For someone who has been human for about 20 years with absolutely no experience of being an insect, then suddenly become more humane as a creature is odd and outlandish. Gregor’s care for his family increases and begins to worry about their loss of financial and emotional security. He fears that what “if all the peace, the comfort, the contentment were to come to a horrible end?” Gregor’s attitude towards his transformation is hopelessly mundane: he does not question why he has been transformed into a cockroach. Significantly, he fails to find the horror and the absurdity in the situation. Right before his death, Gregor feels all kinds of warm and fuzzy feelings about his family members. Despite his pathetic condition, he seems more humane than the rest of the characters. In a way, Gregor’s transformation and all of the events after that day illustrates both the rewards and sacrifices of defying social convention and living the extraordinary
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
...haracter, Gregor, transforms into a cockroach in the beginning. Throughout the story, Gregor is portrayed as a “helpless bug” and is treated unfairly and poorly by his own family. His parents are more astonished than pitiful when they first see Gregor. Later on, his mother faints at the sight of him. His father throws apples at him because his mother fainted from the way he looks. Grete, in the beginning of the transformation, is nice and takes care of him. Later, she changes her mind about Gregor, quits taking care of him, and comes up with the idea to get rid of it. ‘If it was Gregor, he would have long ago seen that it’s impossible for human beings to live together with an animal like that,’ (139). Kafka, throughout the story, tries to get the reader to feel sympathy towards Gregor in many scenes, and it works because his family doesn’t show sympathy towards him.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
Arguably one of Franz Kafka 's most brilliant works, The Metamorphosis provides many ambiguities for readers to consider. One of the many thought-provoking aspects of Kafka’s story is Gregor Samsa 's transformation into a bug, rather than any other animal. What is Kafka trying to say by using this symbol to describe Gregor? One explanation for this may be the many qualities that Gregor 's character shares with bugs and how they are perceived by humans. Through the details presented in the story, it is clear that Kafka has chosen for Gregor to become a bug because, like an insect, he has a robotic-like work ethic, an altruistic nature, and lacks of significance to others.
In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
In the stories of the Metamorphosis by Franz Kafka and The Elephant Vanishes by Haruki Murakami, there are events of magical realism and marxism that occur. In the Metamorphosis, Gregor had to adapt to his new environment and also deal with the financial crisis from his family. In the Elephant Vanishes, the people in the city, had to deal with the disappearance of the town’s symbol, the elephant.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
In the novel, The Metamorphosis, Kafka writes about a man who one day transformed into a bug. Kafka’s own feelings of nothingness caused this story to shape into this unique story. Kafka writes, “The dream reveals the reality, which conception lags behind. That is the horror of life – the terror of art” (qtd. In Kennedy and Gioia 299). Kafka said this as a rebuttal to a friend trying to pry information out of him about The Metamorphosis. Kafka meant that the true burden of art is that a person’s experiences will always heavily influence their creations, and that is horrifying. It is clearly shown in his writings that his personal experiences helped shape the story The Metamorphosis. Every little detail about Gregor’s life is a reflection of Kafka’s own life. Gregor’s family, job, and dreams all were influenced by Kafka’s personal experiences. His father was domineering just as Gregor’s father controlled him after he turned into an insect. He had a horrid job just as Gregor did, and he lived at his parent’s house for most of his life. Gregor’s dreams of being free from his job and parents were also Kafka’s dreams. Kafka’s reality is shown in his story, The Metamorphosis, through Gregor’s family and dreams of freedom.
Transformation is prevalent in the ever-changing world, whether the outcome is desirable or undesirable. In the final paragraph of Kafka’s “Metamorphosis”, Gregor’s metamorphosis and death results in transformations of Samsa family. When analysing the last paragraph, Gregor’s family embraces a new light, with new hopes for the future, which contrasts with the initial feeling of darkness and despair. The transformation of the Samsa family is evident in the change in atmosphere, change in setting, and through the use of symbolism. Although atmosphere is not directly connected to the characters, there are indirect connections as the atmosphere reflects the interiority of the characters.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
Indeed, it is only the premise, only the beginning of the tragedy. The true metamorphosis happens internally, and within the world around him (Corngold). As Gregor loses his humanity and his family loses their empathy, the metaphor takes a new form. If Gregor becoming a bug is the starting point, the new reality the reader is forced to accept, then his dwindling sense of self is the true meat of the metaphor. Although Gregor reacts with little to no shock to his transformation, he is almost painfully aware of his fading human consciousness. Within the context of the metaphor (a literalization of how society perceives him), this loss of humanity is an extremely menacing prospective effect of alienation. He is regarded as a bug and thus takes the shape of one, and in the face of his family’s isolation and antipathy, mentally becomes a bug himself. Gregor’s family, and even his own consciousness, begins to forget Gregor’s humanity. This raises a question of human existence—how much of a person’s Self is influenced by the world around them? Gregor knows that he is still human, it is evidenced in his compassion and the room around him, and yet his family’s fear—their insistent belief that a monster is living under their roof—makes him question his own mind. If a person is continually called a monster, would they not begin to believe it
The story “Metamorphosis” by Franz Kafka depicts multiple transformations throughout the text, starting with an absurd, irrational incident. The main character Gregor is randomly transformed into a giant insect. Not only does Gregor go through an obvious physical transformation, but he also undergoes a psychological transformation as well. Gregor has to adapt to an entirely new life which takes a drastic toll on his well-being. Gregor can no longer do everyday things on his own.