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Biblical references in the old man and the sea
Themes in hemingway's writing
Hemingway’s use of stylistic devices
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Recommended: Biblical references in the old man and the sea
Earnest Hemingway, a prolific literary writer of his time infuses a multitude of symbolic elements into one of his most well known novels, The Old Man and The Sea, which assist in developing the many themes throughout the story. Hemmingway has constructed the struggle between Santiago and the marlin, his antagonist to symbolize overall themes of strength, perseverance, valor, and defeat. Moreover, his use of such symbols advances the plot toward the eventual defeat of Santiago. These symbols include Santiago’s community, the sea that supports it, and the people who make up the small fishing village. Figures appearing throughout act also on a symbolic level to foreshadow events and reflect inner conflicts central to the story. In addition to this, many of the symbols serve ambiguously to tie together Biblical principles, aligning relatively close with the life of Jesus Christ while maintaining a correlation to the plot. The timeless tale of an angler’s struggle beautifully portrayed through the use of symbolism, employ vivid uses of symbolic figures to connect the plot and the many themes of the story.
Manolin, Santiago's protégé, apprentice, companion, and one of the few characters presented throughout the story key to understanding his character, stands to symbolize the hope of the old fisherman. Clearly, Manolin himself has hope for Santiago as exemplified by the boy’s companionship to the old man, despite his eighty-four day period without a catch. However, the boy’s hope – rather the hope of the boy – becomes a vice used by Santiago through the course of his three day journey. When faced with a hopeless situation, Santiago relies on the hope of the boy to overcome. In the same vein, one should note that in Manolin’s absence,...
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Editors, SparkNotes. "SparkNote on The Old Man and the Sea." 2002. SparkNotes.com. 22 May 2010 .
GradeSaver LLC. "The Old Man and The Sea Summary and Analysis." gradesaver.com. 10 May 2011 .
Hemingway, Ernest. The Old Man and The Sea. New York: SCRIBNER, 1952.
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“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation.
Melville, Herman. Moby Dick (Norton Critical Edition, 2nd Ed.). Parker, Hershel and Hayford Harrison (Eds.). New York: W. W. Norton & Company. (2002).
Green, Martin. "Man, Time, and Apocalypse in The Wanderer, The Seafarer, and Beowulf," JEGP 74 (1975): 502-518.
The literary device of symbolism appears in a vast amount of stories and novels. When everyday words actually mean something completely different, it exemplifies the meaning of the word symbolism. Symbolism usually takes a keen understanding of the work and how the author views the particular work. Symbolism presents itself in the novel Life of Pi: A Novel in copious amounts. Yann Martel placed many words with different meanings well and throughout Life of Pi: A Novel. The short story “Beach Glass”, by Amy Clampitt also obtains a lot of symbolism and these symbols compare akin and contrary to the representations found within the story Life of Pi: A Novel. Pollution, dwellings, and the ocean all appear as different symbols in both works of literature.
“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.”
‘The Sea’ followed a different people and it also gave the reader some back story on things and people that were brought up through the book.
The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent.
There is never a simple key to any writer worth much attention, but in the case of Hemingway there is something that looks so like a key… that it cannot escape any informed and thoughtful reader’s notice" (O’Conner 153). Ernest Hemingway was one such author. Very rarely did he summarize statements, therefore the only way to solve his puzzle was to take it apart and examine each components. One of the hidden elements that the reader must analyzie closely is the parallel between Santiago and Jesus Christ. In the novel, The Old Man and the Sea, Ernest Hemingway creates connections between Santiago and Jesus Christ that adds religious coloration to the story.
“Twenty Thousand Leagues Under the Sea.” Literature and Its Times. 2. Joyce Moss and George Wilson, eds. Detroit, MI: Gale Publishing Group, 1997. Print.
In The Old Man and the Sea, Santiago, an old Cuban fisherman, pits his strength against forces he cannot control. We learn from Santiago's struggles how to face insurmountable odds with bravery and courage. Though we find an indifferent and hostile universe as Santiago's stage, his unwillingness to give in to these forces demonstrate a reverence for life's struggles. Santiago's struggle is for dignity and meaning in the face of insurmountable odds. His warrior-like spirit fights off the sharks full-well knowing the fate of his marlin. Santiago loses his marlin in the end, but his struggle to keep it represent a victory because of the dignity and heroism with which he carries out his mission. However, as Santiago acknowledges, he is almost sorry he caught the marlin because he knows the animal and he have a great deal in common as fellow beings in nature. However, he only caught the marlin "through trickery" (Hemingway 99). Santi...
Frey, Charles. The Tempest and the New World. (1979): page 30-41. JSTOR. Web. 04 Feb 2011
Many times, stories by Ernest Hemingway have much religious influence and symbolism. In The Old Man and the Sea, by Ernest Hemingway, numerous occurrences in the life of Santiago the fisherman are similar to the incidents recorded in the life of Jesus of Nazareth. The names of the characters translated from Spanish to English are just one of those many similarities.
The Old Man and the Sea is a heroic tale of man’s strength pitted against forces he cannot control. It is a tale about an old Cuban fisherman and his three-day battle with a giant Marlin. Through the use of three prominent themes; friendship, bravery, and Christianity; the “Old Man and the Sea” strives to teach important life lessons to the reader.
In The Old Man and the Sea, the mood is largely monotonous,brooding, and depressing. The canvas of the novella remains unchanged throughout. The plot is mainly takes place in a frail little boat. Which carries on an equally frail-looking man, Santiago. The boat is adrift on a sea that changes little throughout the novella creating a monotonous and somber mood.
The old man and the sea is a novella about an old Cuban fisherman, Santiago, and his three-day battle with a giant Marlin fish. Throughout the novella, Santiago is portrayed in different perspectives. He is tough and refuses to give up at any time. He withholds the will to continue and the courage to overcome what is believed to be the impossible. His persistence and confidence, his absolute determination and his unique way of accepting the reality makes him a noble hero.