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Describe transitions from childhood to adulthood
An essay on maturity
Describe transitions from childhood to adulthood
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What moments in your life have you acted immature when you were suppose to be all grown up and acting mature by your certain age? I know that everyone has acted immature some point in there life and a character named Bobby from The First Part Last he is going to have to grow up and get it together because he is having a baby. I believe Bobby has come of age at the end of the book because these three symbols of when he was at the doctors office and all the memories came back he realized those are in the past and that his child needs to make those memories now because he is the grown up now, when "Just Frank" asked if he was a man yet that idea of being a man circled in his mind, and at the graffiti wall he lets go of his feelings draws …show more content…
How he should act, be responsible, and not act like he is the only thing that matters in this world. "Just Frank" is a great example of being a man because he saved a little girl from being taken and was killed while saving her. Now everyone thought he was just this drunk and dirty guy, but he was a hero and the best example for Bobby for growing up and becoming a man. I believe he is one of the reasons that Bobby had gotten his act together because looking back on what Frank had done, Bobby now has a baby girl and he would do anything to protect her from being taken. So he started to become a man to protect her like Frank had done for his …show more content…
The wall helps him express his feelings of the situations that have been occurring. Bobby feels alone, he feels lost in this world, and he doesn't know himself anymore. He feels like a ghost, no one can see him and he can't see himself like he once could because he is so different. Nia in the painting is the one everyone is feeling sympathy for and is getting all the attention, and it makes Bobby feel like he doesn't even matter. The baby is the only thing Bobby can look forward to, but even when he thinks about his old like he thinks about how his brothers are there one moment, but when its all over there gone. The colors he used express the feelings even more. The black represent his pain, the red represent the blood and bruises, and the blue represents his depression. He knows that for now on he keeps his feelings together, he is the man of the family, and he has to care for his family and be
The red balloon in The First Part Last is a symbol of love and innocence. This relates to coming of age because in The First Part Last, when Nia told Bobby that she was pregnant, she had the red balloon with her, "...my girlfriend Nia was waiting on our stoop for me with a red balloon. Just sittin' there with a balloon, looking all lost. I'll never forget that look and how her voice shook when she said, 'Bobby, I've got something to tell you." This shows that Nia gave Bobby her love and innocents to Bobby by getting pregnant and having a child. Coming of age means responsibility and so does having a child.
How does one know that a person is maturing? Are there signs? What defines maturity? “A mature person assumes responsibility for his or her actions” (“Maturity”) but does that mean someone who cannot do that should not be considered mature? In The Bean Trees by Barbara Kingsolver and The Catcher in the Rye by J.D. Salinger, both Holden and Taylor go through a period in their lives where they start “putting aside ‘toys’ and fantasies...seeing the world as it really is” (“Maturity”). For Taylor, adulthood is thrust upon her when she “inherits” Turtle, while for Holden it takes till the end of the book--when he is with Phoebe--to realize.
In this piece Benny has depicted himself in the artwork creating another piece of artwork. He is standing at a 45° angle as if he has been interrupted by us, the viewer. This is how Benny engages us, the viewer into his painting. As if we are just as much a part of it as he is. When looking at his painting from a distance it seems as if it is just another oil painting but upon closer observation you can clearly see the different fabrics that he uses to create the collage and which gives the painting its textures. He shows space in the painting by leaving the wall on which the canvas hangs, bare, as is the floor with the exception of the box of rags that he uses in his collage.
The poem's persona and the Vietnam Veterans Memorial Wall depend on each other to express the poem's intention. The poem's intention is to show that war is lethal, less than gloriful, and extremely real. Although years have gone by, these recollections are still affecting how he lives. Simply standing in front of the wall reminds the speaker of all of this. The Veterans Memorial takes on a life of its own. While the speaker is in its presense, the wall controls him. It forces him to remember painful memories and even cry, something he promised himself he would not do. The persona in the poem reacts to the power the wall has and realizes that he must face his past and everything related to it, especially Vietnam.
middle of paper ... ... But later on soldiers mentioned that Bobby had indeed matured from his once pusillanimous ways. And it is through such experiences, like the one that Bobby had with Tim, that he learned to become a better medic, a better soldier, and even a better person. Most of this story revolves around experiences that Tim O’Brien has had.
...he wall, he thinks about his rejected opportunities and his unbearable regret. As he sobers with terror, the final blow will come from the realization that his life is ending in his catacombs dying with his finest wine. The catacombs, in which he dies, set the theme, and relate well with the story. Without the yellow wallpaper in the short story, the significance of the wallpaper would not mater, nor would it set the theme or plot. At night the wallpaper becomes bars, and the wallpaper lets her see herself as a women and her desire to free herself. She needs to free herself from the difficulties of her husband, and from her sickness. The settings in both, set up the elements of the stories and ads to the effect in both of the short stories.
To reach maturity it requires loss of innocence. It’s a coming of age experience that changes the outlook on life forever. For example, when Antonio saw Lupito’s death scene he couldn’t believe what had happened, he said “I had started praying to myself from the moment I heard the first shot, and I never stopped praying until I reached home.”(Anaya 23), he was terrified of what he had seen and didn’t know
In life adversity plays a role in shaping an individual's identity. Overcoming adversity in life can give you new found strength and courage. Helping you become a better person later in life. In the photo Through The Door the child opening the door symbolizes trying to overcome something. The child can be trying to overcome adversity. The adversity seen in the photo is from the depressed theme. This theme of depression comes from how sad the child looks, and how disastrous his surroundings are. The fence around the child is poorly put together, and made of sticks.While the door the child is using is barely holding together, and the door is scraped together with spare pieces of wood. Giving the door a dangerous feel. With the poorly made stick fence, and the door put together with the sad child it gives off get a depressed theme.
...chniques that Charlotte Perkins Gilman uses in "The Yellow Wallpaper" to suggest that a type of loneliness (in women) caused by imprisoning oppression can lead to the deadliest form of insanity. By using setting, Gilman shows how the barred windows intensifies the young woman's imprisoning oppression, the isolated summer home represents the loneliness the young woman feels, and her hallucinations of the wallpaper pattern indicates her transition to insanity. Wallpaper symbolism is used throughout the story the pattern representing the strangling nature of the imprisoning oppression, the fading yellow color showing the fading away of the young woman, and the hovering smell representing the deadly insanity to which she succumbs. Like the darkness that quickly consumes, the imprisoning loneliness of oppression swallows its victim down into the abyss of insanity.
The wallpaper in Gilman's story represents the unnamed narrator's repressed and trapped self. The side that is not liberated by insanity. It represents everything that she detests about her life; not being allowed to write, having to be a mother, and needing to be someone who John expects her to be. In this way, her immediate hatred of the wallpaper is fitting. The old saying that says a person always hates others for the things they hate about themselves applies to her hatred of the wallpaper. The yellowness of the wallpaper reminds her of her sickness because yellow is the color of jaundice and generally symbolizes inferiority, strangeness, cowardice, ugliness, and backwardness. Therefore, because she sees these things in herself, she hates t...
The room becomes the woman’s world because he cannot leave. The yellow wallpaper represents her fear of being trapped. It also is the very thing causing her imprisonment inside the room. The narrator says “At the night in any kind of light, in twilight, candle light, lamp light, and worst of all by moon light it becomes bars!” (Gilman 662). Every night she lies awake and looks at her cell of a room as her eyes roam around the wallpaper. At the beginning she hates the wallpaper but becomes infatuated with it as the woman continues to try to get out. “ ‘nobody could climb through that pattern it strangles so…strangles them off and turns them upside down, and makes their eyes white’… If this can be seen as a metaphor of women’s oppression and death in the limited domestic space” (Fanghui). The woman could end up feeling useless, “suffocated” (Fanghui), and so closed off and commit suicide. The restraints used against her could be her downfall. She has become “possessive about the wallpaper” (Rao) because she feels “it is here property” (Rao). She no longer feels the need to leave because she has not found a way out yet. Once the narrator “freed the woman in the wallpaper” (Rao) she became insane (Rao). She says “I wonder if they all came out of the wallpaper, as I did?” (Gilman 665). She no longer sees the trapped behind the wallpaper as someone else but herself. She has been alone in for weeks trapped in the room with
In “The Yellow Wallpaper,” Gilman uses symbolism to add to the mood of her short story. While being treated for depression by rest cure, the narrator is stuck in a room covered in horrible yellow wallpaper that she claims is revolting, “The color is repellent, almost revolting: a smoldering unclean yellow strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others.” (Gilman 298). Her view on this wallpaper symbolizes that she is not an optimistic thinker and also immediately shows the reader that she is not emotionally stable, as she is obsessing over a simple color. This also begins to set an ominous and eerie mood to the short story. Secondly, as the story progresses she begins to see things in the
This would symbolize how women dealt with the tension that would have been caused and the results it had on them. The narrator first starts to lose credibility when she says that she is glad that she has to be the one in the room so that her child will not have to bear the wallpaper, but she secretly believes that she is wise to come to this conclusion and that she cannot tell the others. She comes to the conclusion that John and Jennie are intrigued by the wallpaper as well. She says she catches them looking at it, and she catches Jennie touching it once. She also comes to the “realization” that a woman is trapped within the wallpaper, which could symbolize the way women were “trapped” by men. The original “treatment” was the ultimate cause of all her
The narrator claimed that there was a woman trapped by bars in the wallpaper. It is like a prison that she is stuck in and coincides with the narrator as she is also forced to sit inside a room alone. It is also symbolic of John and his wife’s relationship. As the narrator looks deeper and deeper into the wallpaper she is really just observing her life. The yellow wallpaper really changes the narrator and her mind and she begins to dislike John. The narrator is dealing with postpartum depression and many people that are depressed are usually stuck inside their own minds. It’s like your vision is just a window you can see out of, but cannot escape. The narrator is seeing herself in the wallpaper and trying to escape because she is also trying to escape her depression. Close to the end of the story John’s wife starts to rip apart the yellow wallpaper and when she is ripping it is like she is helping the woman inside the wallpaper which is really her, to
...demonstrates the oppression that women had to face in society during the nineteenth century. The nursery room, the yellow wallpaper, and the windows, all symbolize in some way the oppression of women done by men. She bases the story on one of her life experiences. Charlotte Gilman wrote the story because she believed that men and women should be treated equally.