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The alchemist symbolisms
Alchemist symbolism thesis
Alchemist symbolism thesis
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In The Alchemist, the spiritual unity represented by the Soul of the World binds together all of nature, from human beings to desert sand. This means that all things are connected. This idea underlies the parallel we see in the novel between the alchemist purifying metal into gold and Santiago purifying himself into someone capable of achieving his Personal Legend. According to the novel, the Soul of the World has created an ultimate desire, or Personal Legend, for everything, whether Santiago or a piece of iron. To accomplish its Personal Legend, each thing must learn to tap into the Soul of the World, which purifies it. That continual purification ultimately leads to perfection. This notion of humans, metals, and all other things sharing the same goal demonstrates that all elements in nature are essentially different forms of a single spirit. Santiago was able to learn to speak to others without saying any words. He is told that to realize his Personal Legend is his …show more content…
But he does help Santiago see that the processes of alchemy, such as purifying and simplifying or observing something to learn from it, are applicable to all of life. For example, Santiago learns from the alchemist that studying the world will teach him everything he needs to know, just as studying the Englishman’s texts might have taught him the particulars of alchemy. Because of the interconnectedness of all things, the world itself is a great teacher. Any one thing, no matter how small, allows access to the entirety of creation. A metal can access and become gold because of this oneness, and Santiago can transform himself into the wind because of this oneness. The novel portrays tapping into the interconnectedness of things as the goal of both alchemy and the pursuit of one’s Personal
In The Alchemist Paulo Coelho presents a character, Santiago, torn between following tradition and his Personal Legend. Santiago tries to live true to his Personal Legend, which is a path pursued by those who strive to fulfill their purpose in life. Yet throughout the novel tradition, a motif, presents itself as a roadblock holding Santiago back from reaching his dreams. Coelho juxtaposes tradition against Personal Legend to illustrate its purely individual nature and the necessity of the acceptance of change to reach one’s dreams and goals.
This final test will be the biggest our hero faces and will require the culmination of all the knowledge gained throughout their adventure, termed the Supreme Ordeal. In the case of The Alchemist, the Supreme Ordeal is when Santiago is forced to somehow turn himself into the wind. “‘What is an alchemist?’ he asked, finally. ‘It’s a man who understands nature and the world. If he wanted to, he could destroy this camp with just the force of the wind.’ The men laughed. They were used to the ravages of war, and knew that the wind could not deliver them a fatal blow. Yet each felt his heart beat a bit faster. They were men of the desert, and they were fearful of sorcerers. ‘I want to see him do it,’ said the chief. ‘He needs three days,’ answered the alchemist. ‘He is going to transform himself into the wind, just to demonstrate his powers. If he can’t do so, we humbly offer you our lives, for the honor of your tribe.’ ‘You can’t offer me something that is already mine,’ the chief said, arrogantly. But he granted the travelers three days.” To accomplish this feat, Santiago needs to pull together all of his knowledge on the inner workings of the Soul of the World, part of which had been gained through his first two trials, otherwise he would forfeit his life. Even though Santiago set out with the goal of finding a forgotten treasure, that
In the novel, The Alchemist, Santiago is an archetypal hero who embarks on the most common forms of a hero’s journey. From when he received his calling from his dream, the gypsy woman, and the king, his denial and refusing of the call with his thoughts of assurance of a stable livelihood, his acceptance and beginning of adventure, his help throughout the ways with the aid of the mystical alchemist, to finally the trials that he faces from the start to the conclusion. Therefore, so Santiago is what now, and always has been considered to be the all-known hero.
Coelho begins by identifying the main characters as they become timely components to unraveling the plot. The first line of the book, after all is, “The boys name was Santiago” (Coelho 3). We come to find that Santiago dreamt of traveling so he gave up his pursue of becoming a priest and instead, became a sheepherder (8). Santiago is already presented as a motivated character that makes efforts to accomplish his dreams. He exists as a dynamic character, rather than static as The Alchemist later on is portrayed. The Alchemist is cha...
"If someone isn’t what others want them to be, the others become angry. Everyone seems to have a clear ideals of how other people should lead their lives, but none about their own.” That is one of many deep quotes that makes the reader truly think about life in The Alchemist, written by Paulo Coelho. The book is about a young boy named Santiago, who loves travel and adventure, but he does not have the money to do so. He was raised to be a priest, but decides that he would rather be a shepherd, so that he can travel. Santiago’s father gives him two spanish coins, and tells him that he will learn one day that no place is as beautiful as the one he lives in. It seems like Santiago’s father believes in him, but not the way Santiago wants him to.
A shepherd and an alchemist seem to be stark opposites. A poor sheep herder who lives from the land, alone with his sheep compared to an Alchemist. Rich, powerful, and highly sought out. However, the two have more in common than you might think. They both live with a goal, or a “Personal Legend” (21) as the Alchemist may have put it, that gives them a reason to keep going until they achieve that goal. In the book The Alchemist by Paulo Coelho, the main character is named Santiago, who happens to be both, a shepherd and and alchemist. Santiago’s Personal Legend is to find the Egyption Pyramids that will give him treasure. Many people help him along the way to achieve this Personal Legend,however there is
(Coelho 26) For example, Santiago’s first true test was to decide to leave behind his flock of sheep on the rolling hillside and follow his heart for adventure and head to Egypt in search of unknown treasure. Deep within himself, Santiago is questioning life and the meaning of it. But, it is only through a series of trials, adversities, and successes, that he comes to find his “Personal Legend”. (Coelho 26) Throughout the entire process Santiago does not lose sight of his objective, he maintained his focus on reaching the end of his goal. The qualities that Santiago personified of fate, commitment, love, and listening to the omens are what Paulo Coelho is teaching his readers to examine regarding their own “Personal
“And, when you want something, all the universe conspires in helping you to achieve it” (Coelho 23), these are the words an old king spoke to Santiago. This phrase constantly runs through Santiago’s mind while on his search for his treasure. Santiago, the novel’s protagonist, begins as a quiet sheep herder who has a recurring dream about being transported to the pyramids in Egypt by a child. Once Santiago met the old king, he decides to pursue his dream, find his treasure, and realize his destiny. Throughout The Alchemist by Paulo Coelho, Santiago embodies curiosity, determination, and a naive nature through events that occur while on his search for his treasure.
...In conclusion, we can say that after applying Joseph Campbell's theory of The Monomyth on The Alchemist; it is noticeable that despite The Alchemist being a postmodernism wok of literature, the author Coelho used all major patterns of the hero's journey of ancient myth in his novel and this developed Santiago's journey from an ordinary one into an archetypal one.
Have you ever encountered problems while trying to fulfill a goal in your life? In the book The Alchemist, written by Paulo Coelho, a shepherd boy named Santiago overcomes obstacles to reach his personal legend. Throughout the book Santiago encounters many friends to help him fulfill his destiny. Santiago encounters many problems throughout the story. He overcomes them with the help of his friends and his wife-to-be. These problems shape Santiago into a dignified man of many traits.
The Theme of “The Alchemist,” by Paulo Coelho is, always follow your dreams and listen to your heart. At the start of the novel Santiago does not know what he should do when he is confronted by his dream. But by the end of the novel Santiago completely trusts his heart to guide him though life. Santiago’s story shows him learning and living out the theme of the novel.
There are many obstacles in everyday life, but none as detrimental to ones future as fear. Fear can cause people to not only avoid achieving their goals in life but it also forces them to think about it throughout every day. Paulo Coelho’s The Alchemist shows that those who wallow in fear will never achieve their personal legend, and those who conquer fear will achieve anything they strive for. Paulo Coelho’s The Alchemist is a commonly analyzed and criticized piece of literature. One of these articles is Rejendra Kumar Dash’s “Alchemy of the Soul: A Comparative Study of Hermann Hesse’s Siddhartha and Paulo Coelho’s The Alchemist”. Dash’s article is a literary criticism of the different parts of the character’s journey in The Alchemist. He talks about, in his article, how the theme in The Alchemist is found through analyzing the different parts of Santiago’s journey and what those parts mean. Another one of these articles is Lily Hasanah’s “Decision Making in Paulo Coelho’s The Alchemist”. Hasanah’s article is a literary criticism of the main character in The Alchemist, Santiago. She searches for the theme in The Alchemist through analyzing the decisions, and the outcomes of those decisions, made by Santiago. Paulo Coelho provides access to his theme, for the most part, though the actions and adventures of the main character, Santiago. Although this is the method of delivery he had in mind, Dash and Hasanah view the delivery of his theme differently.
In the world of The Alchemist the self is a permanent construct that relies on, and cannot escape, the role-defining power of the social world. Johnson's troubling morality negates the self-defining power of the individual. Implicit in this treatment is the idea that the only way to gain definitive power over the self is to change one's material circumstances. Upward social mobility is restricted to those who have the means to change their social world robbing all but the elite of the power to dictate the terms of their own social identities.
The Alchemist conveyed the up-most truthful meaning of santiago’s personal legend by teaching him the soul of the earth. This stage helped santiago and the Alchemist are talking doing what your personal legend is and also doing exactly what your personal legend desires are when they speak in terms of listening to one’s heart. “Whenever your heart is, that is where you’ll find your treasure. Santiago takes initiative on his dreams and pursue them regardless of love affairs and the hurt that comes along with it. The stage encouraged and also motivated santiago to find his treasure and make a better life for fatima and
Coelho was raised in a Catholic family as a child, he left the faith as a young adult, and he returned to Catholicism later in life (Frye). In spite of this, the spirituality of The Alchemist is very different from that of Catholicism. Coelho included elements of both Islam and Catholicism in the novel and combined those ideas with divination and alchemy. Throughout the narrative, Santiago seemed to accept and embrace each of these different ideas of spirituality. Despite each of these spiritual influences, Santiago seemed to learn more in the story from the Soul of the World and the Language of the World, which are spiritual ideas based in New Age philosophy (MacInnis). Additionally, Coelho expressed the idea that all things are connected and have divine power within them, and this is basically Pantheism (MacInnis). This idea played out on page 152 of The Alchemist, where Coelho said, “The boy reached through to the Soul of the World, and saw that it was a part of the Soul of God. And he saw that the Soul of God was his own soul” (Coelho, 152). However, Coelho seems to have made an exception on page 10 that contrasts this Pantheistic philosophy. On this page, Santiago mentioned that he “couldn’t have found God in the seminary” (Coelho, 10). Even though, of course, the seminary is a part of the world, and therefore should also have the Soul of the World within it, according to Coelho’s philosophy (MacInnis).