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Extremely Loud and Incredibly Close Analysis
Extremely Loud and Incredibly Close Analysis
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Imagine losing the one person you trust and love the most. This happened to Oskar, a nine-year-old boy whose dad got killed in the terroristic attack on the Twin Towers on 9/11. Oskar Schell is the protagonist in the book Extremely Loud and Incredibly Close, which is written by Jonathan Safran Foer. Oskar is an extremely interesting boy with an incredible way of thinking. He describes himself as an inventor, jewelry designer, jewelry fabricator, amateur, entomologist, francophile, vegan origamist, pacifist, percussionist, amateur astronomer, computer consultant, amateur archeologist, collector of: rare coins, butterflies that died natural deaths, miniature cacti, Beatles memorabilia, semiprecious stones, and other things (Safran Foer, p. 99). …show more content…
For most of the book, the key is a symbol of hope to Oskar. The key that he finds drives him to remember his father and how he always gave him scavenger hunts, which they called Reconnaissance Expedition. “A great game that Dad and I would sometimes play on Sundays was Reconnaissance Expedition” (Safran Foer, p. 8). Oskar goes on a, what seems to be impossible, search to find the lock that fits the key. Also could the journey serve to help Oskar understand and hopefully get over his father’s death. The more he searches the closer he feels to him. The motif ‘key’ and the recurring motifs ‘extremely and incredibly’ play an important part in the book. The key motif is however the most important one in the entire book. The first time the reader reads about the key is in chapter one, when Oskar comes home from his father’s funeral. EVIDENCE His thoughts confront him with the reality that his father is dead and nothing will ever be the same. All Oskar can do is love the people who are still with him. Due to the fact that/since the motif comes back in the entire storyline, the reader is determined to finish the book and hopes that Oskar finds closure in his journey. …show more content…
His father did not even know the key existed! When Oskar finds out that the key belongs to Abby Black’s ex-husband, he is startled when he realizes that Abby has not been honest with him when he met her. “I spent eight months looking for what you could have told me in eight seconds!” (p. 290). Abby is most meaningful Black he met during his quest. Oskar tells William Black, Abby’s ex-husband to whom the key belongs, his story and he asks William if he knew his father. William then explains to him how the key got into the blue vase in Oskar’s father’s closet. He tells Oskar that the key belongs to a safe deposit. He feels sympathy towards Oskar and asks Oskar why don’t you come with me to the bank? (p. 300). When Oskar gets home he gets extremely angry and incredibly upset, because the key was not a last symbol of his dad, but just a key somebody lost. Not only does the key motif add understanding to the text, but also visual writing helps to make the text more
It was very sad to read about Frau Holtzapfel’s sons. First, Michael Holtzapfel, He fought in the battle of Stalingrad. “Stalingrad happened to my hand. I was shot in the ribs and I had three of my fingers blown off” (Zusak 466). This was an awful time for Michael Holtzapfel. Getting shot in the ribs and three fingers blown off, must have been extremely painful! Next, there was Robert Holtzapfel, he also experienced a tragic explosion. “His legs were blown off at his shins and he died with his brother watching in a cold, stench- filled hospital” (Zusak 469). This is so devastating, I could only imagine the emotions Michael felt that day, so sad. This adds characterization of the narrator because I remember the narrator saying in the beginning how
Extremely Loud and Incredibly Close by Jonathan Safran Foer is a non-fiction novel written by an American author. The book mostly follows the three main characters, Oskar, his grandmother, and his grandfather, Thomas Schell, Sr. Oskar is a nine-year-old boy from New York whose father died in the World Trade Center on 9/11. He is exceptionally intelligent and curious and goes on a quest through New York City’s five boroughs to find the lock which belongs to a key his father had in his closet. Between chapters, a separate story is told of his grandparents marriage and life in Dresden, Germany. His grandfather, Thomas Schell Sr. is mute and collects stacks of daybooks in which he writes what he needs to say. His first love, Anna, died in a bombing while pregnant with his child. Shortly after starting his new life in the United States, he runs into Anna’s sister, they get married, and he leaves her after he found out his wife was pregnant. His wife, Oskar’s grandmother, lives across the street from Oskar and his mother and helped raise him.
Symbolism In "The Things They Carried" In Tim O'Brien's story "The Things They Carried" we see how O'Brien uses symbolism in order to indirectly give us a message and help us to connect to what the soldiers are thinking and feeling. During a war, soldiers tend to take with them items from home, kind of as a security blanket. The items they normally take with them tend to reveal certain characteristics of their personality. Henry Dobbins is the guy who loves to eat, so he made sure he took some extra food. Ted Lavender was the scaredy cat of the group, so he carried tranquilizers with him.
By means of comic illustration and parody, Art Spiegelman wrote a graphic novel about the lives of his parents, Vladek and Anja, before and during the Holocaust. Spiegelman’s Maus Volumes I and II delves into the emotional struggle he faced as a result of his father’s failure to recover from the trauma he suffered during the Holocaust. In the novel, Vladek’s inability to cope with the horrors he faced while imprisoned, along with his wife’s tragic death, causes him to become emotionally detached from his son, Art. Consequently, Vladek hinders Art’s emotional growth. However, Art overcomes the emotional trauma his father instilled in him through his writing.
because the author is saying that you need to repent and ask for forgiveness to
Authors use literary elements throughout short stories to give an overall effect on the message they give in the story. In his short story, “Doe Season” by Michael Kaplan, illustrates a theme(s) of the hardships of not wanting to face the reality of death, losing of innocence and the initiation of growing up. Kaplans theme is contributed by symbolism, characterization, setting and foreshadowing.
In Extremely Loud and Incredibly Close, Oskar Schell can be seen confronting several different types of trials, some of these being man versus man conflicts, and others being man versus self. One of the major man vs. man trials Oskar faces throughout the course of the book is in the form of the noticeable and consistent bullying he takes because of his awkward personality and odd quirks. Kids like Jimmy Snyder can be seen exploiting Oskar’s social shortcomings verbally, and even being ready to turn towards physical bullying (Foer 189-192). As Oscar is not the knight in shining armor, he rarely stands up for himself, instead fantasizing about actions he would like to take and follows that up by saying, “that’s what I wanted to do. Instead I just shrugged my shoulders” (Foer 203). Throughout the course of the story, Oskar also faces many internal conflicts. The death of his father has left Oskar traumatized giving him fears of taking showers and getting into elevators…people with mustaches, smoke, knots, tall buildings, and turbans” (Foer 36). As Oskar continues on his quest, he eventually comes face to face with many of his fears, and is forced to confront and ultimately overcome them. Oskar’s final and arguably most daunting challenge is facing his own inner demons in regards to the death of his father. A year after his father’s passing, he has
... conclusion, Foer’s novel, Extremely Loud & Incredibly Close doesn’t sugarcoat tragedy. It faces it head on and without a sensor, thus allowing it to maintain historical truth. The use of the scrapbook allows the reader to see into the mind of the narrators and reveals personality traits that would have otherwise gone unnoticed. By writing from the point of view of three different narrators, Foer has allowed the reader to see into the minds of people in three different stages of grief. He also focusing primarily on life after trauma, specifically differentiating between acceptance and attachment, and provides the reader with solid advice on how to deal with the tragic aftermath of trauma. Most importantly, the story of the Schell family shows the reader that they are not alone, and that traumatic experience do not have to define who she becomes as a person.
Elisabeth Kubler and David Kessler have a hypothesis in which they have discovered the five stages of grief. Many people experiences grief in many different ways, but they usually follow the 5 stages of grief. In the novel Extremely Loud and Incredibly close they discuss the recent events of 9/11. Jonathan Safran Foer talks about grief through a nine year old's point of view about grief and the loss of his father. This novel was very real and personal it shows that type of human emotions you go through when you lose a family member, in this novel many people are able to go through the five stages of grief and it also shows how these characters are able to get through each death individually. Grief is one of the most powerful emotional forces
After this event, the reader can really see that deep down, the protagonist loves and cares for his father. As he hears his father enter the house babbling gibberish, he begins getting worried.
Speigelman uses the selected quote to engage the reader and make them aware of how it feels to be raised by Holocaust victims, his dad in particular. In this passage, Speigelman speaks with his friend Pavel about how he has recently been experie...
The black box is the central theme or idea in the story. It symbolizes at
Buergenthal, Thomas. A Lucky Child: A Memoir of Surviving Auschwitz as a Young Boy. New York: Little, Brown, 2009.
...t Max gave to Liesel as a gift. This book represents the power of words, and how words can make a difference in a person’s life.The readers are engaged because it is interesting know the back stories behind these books when we read about them in the novel. Finally, Hans’ accordion symbolises comfort in The Book Thief. When Hans leaves to go fight in the war, he leaves his accordion at home with Rosa and Liesel. This is the moment that Liesel know that Rosa truly does love Hans, although she might not show it. “Liesel watched. She knew that for the next few days, Mama would be walking around with the imprint of an accordion on her body” (429). Rosa, Liesel’s “Mama”, keeps the accordion close to her heart because it reminds her of her husband, Hans, whom she misses so much. In The Book Thief, symbolism attracts attention to certain thematic ideas and the novel itself.
Modern psychology describes five stages of grief that people go through when confronted with tragic circumstances. The five stages are denial, anger, bargaining, depression and acceptance. This system was devised by Elizabeth Kubler-Ross and David Kessler in their collaborations on death, dying and grieving. The fact that these stages are experienced by so many shows that grief is a universal process. The term universal means that people anywhere in the world and at any time in history share the same feelings and psychological experiences. Though people experience loss in unique ways, they experience the grieving process in the same way, and the five stages are a universal process in coping with the loss. Oskar Schell, the nine year old protagonist of Jonathan Safran Foer’s “Extremely Loud and Incredibly Close” is the central figure in an exploration of the stages of grief. After Oskar’s father Thomas is killed in the World Trade Centre attacks on September 11th, 2001, the boy goes on a transformative journey through New York City, searching for clues to a lock, as well as searching for a way to make a better world reborn out of horror. Certain parts of the novel’s plot, as well as certain characters, are representative of the five stages of grief, and we will see that Oskar makes the necessary and universal trip through the grieving process and comes out at the end a more understanding and healing person.