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What is the importance of character development in literature
Metaphor in the road less traveled
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E.M Forster in his short story “The Other Side of The Hedge” explores the main character array of metaphors within the story. The symbolism in this story has several interpretations and meaning for within the story. We notice the narrator, despite his deep fatigue physically and mentally perceiver to achieve an unknown goal. The narrator says “I slid off the milestone into the road, and lay their prostate, with the face to the great parched hedge, praying that a might give up.” (47) This is showing us that his state of mind of constant monotony life has altered a change. E.M Forster uses symbolism and settings to show us a transition of the main character from his detached world to an alluring life around him. The story opens with the narrator on a dusty road surrounded by “brown crackling hedges” on both sides. On the road, the narrator has an encounter with Miss Eliza Dimbleby, encouraging him to persevere in his walk after he decided to take a break. The Narrator notices from the other walkers the road covered with “strewn with the things we all had dropped; and white dust …show more content…
As the narrator collapses, in the road on his morbid state he sees a glint of light through the tangle of boughs and dead leaves. He decides to force his way through stating to himself “I would come back in a minute”. (48) But usually curiosity takes over and in that instant, he starts to wonder what is on the other side. Generally, people who are on the long dusty road never admit that there is another side to the hedge. To achieve a goal, there is always some sort of pain. As the narrator attempts going through the hedge his face was getting scratched and his possessions he was carrying were scraped away. On the other with no possessions and his clothes all torn up the narrator falls into a moat of cold water. Perhaps, it is a sense of birth because falling in the moat of water the narrator began to cry for
In the play Fences, August Wilson uses symbolism throughout the story to emphasis the physical and emotional barrier between the protagonist, Troy Maxon, and everyone around him. Troy loses his career as a professional baseball player because of his race. This causes him to be a bitter man and he eventually loses his friends and family because of it. Wilson uses both literal and figurative symbolism to express the themes in this play.
The speaker in “Five A.M.” looks to nature as a source of beauty during his early morning walk, and after clearing his mind and processing his thoughts along the journey, he begins his return home feeling as though he is ready to begin the “uphill curve” (ln. 14) in order to process his daily struggles. However, while the speaker in “Five Flights Up,” shares the same struggles as her fellow speaker, she does little to involve herself in nature other than to observe it from the safety of her place of residence. Although suffering as a result of her struggles, the speaker does little to want to help herself out of her situation, instead choosing to believe that she cannot hardly bare recovery or to lift the shroud of night that has fallen over her. Both speakers face a journey ahead of them whether it be “the uphill curve where a thicket spills with birds every spring” (ln. 14-15) or the five flights of stares ahead of them, yet it is in their attitude where these two individuals differ. Through the appreciation of his early morning surroundings, the speaker in “Five A.M.” finds solitude and self-fulfillment, whereas the speaker in “Five Flights Up” has still failed to realize her own role in that of her recovery from this dark time in her life and how nature can serve a beneficial role in relieving her of her
A.S. Byatt uses symbolism in her story “The Thing in the Forest” to show how children in England during World War II, like herself, felt and reacted to the events that they knew where bad but didn’t understand. This can easily be shown through the sequencing of the plot, the deeper meanings behind characters and places, and the post effects it had the main characters.
The entire story was a symbol of Needy’s life. The setting in the story was symbolic to the way Needy was feeling. Needy’s life was diminishing right before his eyes, and he did not realize it. The different changes in the story represented how much Needy’s life had gradually changed over time. By reading the story the reader can tell that Needy was in a state of denial.
The story opens by embracing the reader with a relaxed setting, giving the anticipation for an optimistic story. “…with the fresh warmth of a full summer day; the flowers were blossoming profusely and the grass was richly green (p.445).”
The central image that Frost presents, which is the path, provides a clear picture that the reader can focus on in order to reveal something about the poem. The “two roads diverged in a yellow wood'; vividly portray the fact that it is always difficult to make a decision because it is impossible not to wonder about the opportunity that will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter.
It is used for setting the scene of decision-making. For example, Frost creates the image of a yellow wood, so the reader can imagine that it is fall, which can be linked to the speaker growing old and being in the mood of reviewing the choices made earlier in life. Two roads diverging in a wood are also a metaphor for roads people take in their lives, or choices they make. Furthermore, the first road the speaker was looking down for a long time can be a metaphor for his future. Just as the road could be seen only to the point “where it bent in the undergrowth” (Frost 5), so people can see the effects of their choices only for a short time into the future. Nothing can be seen on the metaphorical road behind the undergrowth, which can also be interpreted as a metaphor for uncertainty. Therefore, the future is metaphorically described as uncertain, regardless of the choice being
Perhaps the undergrowth is a symbol of his blocked vision of where the road might lead him. The one road may have been full of fun, money, and opportunity, but he could not see the end of it. The undergrowth could also mean that long running vines of greenery that stretched along the road and lead to nowhere.
August Wilson uses the symbol of a 'fence' in his play, Fences, in numerous occasions. Three of the most important occasions fences are symbolized are by protection, Rose Maxson and Troy Maxson's relationship, and Troy against Mr. Death. Throughout the play, characters create 'fences' symbolically and physically to be protected or to protect. Examples such as Rose protecting herself from Troy and Troy protecting himself form Death. This play focuses on the symbol of a fence which helps readers receive a better understanding of these events. The characters' lives mentioned change around the fence building project which serves as both a literal and a figurative symbol, representing the relationships that bond and break in the backyard.
The narrator chose to take one road and will claim in his later years that the one he took was the one less traveled by because he had never traveled it until then and it sets up a story to tell everyone if he says he took the road less traveled by.
The poem is set in the fall when the leaves are changing colors and beginning to cover the ground. The speaker of the poem is faced with an unfamiliar fork in the road and is forced to decide which direction he or she must go. As the speaker is deliberating, he is “sorry” he cannot just travel both and it appears to be because the speaker has a fear of picking the wrong one (Frost 2). Although he “looked down one as far as I could” there was no seeing the end (4). Just like in a life, it is possible to have an idea of what will happen and there is no telling which choices will turn out beneficial and which will not. The speaker knows that although the paths are similar the outcome of picking the wrong one could be life changing. Even though he is upset he must trust in himself to know which one would be best for him in the long run.
The narrator must choose between two 'fair'; roads, of which he cannot see the endpoints. Wandering between the two, he finally decides to take the road 'less traveled by.'; Yet, like most people, he later sighs with regret thinking of what he might have
The two roads presented in this poem represent difficult decisions we are faced with in life. He uses the relationship between the paths and real life decisions throughout the whole poem. This is an example of extended metaphor, which is used to help the readers understand the analogy between the two. The man in the poem said: “long I stood” (3), which lets us know the decision was not made instantly. It was hard for the man to make a final judgment.
Robert Frost’s “The Road Not Taken” is a symbolic poem of the complications people must face in the course of their lives. Although it is not difficult to understand the meaning of the poem through it’s title, it is however hard to interpret what the author means when he describes the roads. Throughout the poem, the two roads appear similar at times and different at others. He uses free imagery to make his poem more complex for the audience.
The overarching theme throughout the entire poem is that of choices. The concept of “two roads diverged,” or a split in the road, is a metaphor representing a choice which the narrator must make. Being “sorry [he] could not travel both… [being] one traveler” illustrates that, although he wishes he could see the results of both choices, as seen in saying he “looked as far as [he] could to where it bent,” he is but one pers...