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Psychological analysis of sylvia plath poems
Struggles of Sylvia Plath in the poem daddy
How sylvia plath's life is reflected in her poem
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Sylvia Plath, an American poet, confessional writer, an intelligent, though emotional sufferer of depression, and ultimately, a bipolar suicidal, is more famous and recognized in death, than ever in life. Her death brought new and deeper meaning to her poetry, which provided an extremely profound and emotional insight into Plath’s innermost feelings and thoughts. Plath used her poetry to explore and to figure out her own life, but she was ever-haunted by the death of her father when she was 8, and by her husband, Ted Hughes, who both caused her a high degree of emotional distress. It is this, though, this resulted in the powerful, intense, and sensitive poems, which have allowed, or even encouraged Plath to release her inner-most self, and hence, to free herself from the oppression and the metaphorical cage that the memory of her father had trapped her in. “Daddy”, one of Plath’s most famous poems, and “Ariel”, the title poem of Plath’s second book of poetry, are two important stepping stones on Plath’s path to freedom. Through this expression is of not just her life, but her innermost being, she is able to confront her relationship with her father, whom she both loves with a passion and hates with an intensity, and release herself from his grip. That Plath “uses poetry to deal with her life” is, I think, quite evident in the poem “Daddy”. In this emotionally intense poem, she explains how her father followed his beliefs with a Nazi-like fervour, putting his faith before his family, and how as a result of this (and his following death) she, like Jews under the Nazi regime, has been trapped and oppressed, and has been forced to live with his shadow looming overhead and the highly charged, mixed emotions she feels for him.... ... middle of paper ... ...ry to deal with her life. A mythological theme is very evident in many of Plath’s poems, and “Daddy” is certainly one of these. It is filled with references to mythical figures, and other subjects that have achieved a myth-like status. Plath’s use of mythology makes her poetry much more powerful, and is important in helping her convey herself to the reader. In the case of “Daddy”, the dark, terrifying, brutal nature of the mythology serves to emphasise and increase the impact of Plath’s writing, her emotions towards her father and Hughes, and the intensity of the torment that she is experiencing. Very evident in “Daddy”, is the constant mention of Nazi tyranny, and their oppression of the Jewish people. In fact, Plath actually likens her relationship with her father to this situation, where she describes herself as a Jew, who is under the control of the Nazis.
Specifically, both the context of the poem and Plath’s life. In “Daddy” Plath displays what is called an Electra complex. The Electra complex is similar to the Oedipus complex where the daughter feels an unyielding sense of affection towards her father. In the book “The Norton Introduction to Literature” by Kelly J. Mays, it goes more into detail about the Electra complex where despite Electra having a “tyrannical” father, “Electra persists in loving her deeply flawed father long after he is dead” (1100). In order to translate this complex into her writing, Plath chose to compare her flawed father to a well-known tyrannical force. By using this comparison we get a sense of what her relationship with her father was like. The Electra complex is also apparent throughout the poem, where in the beginning we see how her younger self associated her father with this god-like figure and despite the obvious fear Plath had for him through the line “I have always been scared of you,” (41) she wanted to end her life in order to “get back” to him (59). Supporting the notion that Plath did have an Electra complex with her father at least throughout her childhood.
The first two stanzas, lines 1-10, tell the readers that Plath, for thirty years, has been afraid of her father, so scared that she dares not to “breathe or Achoo.” She has been living in fear, although she announces that he’s already dead. It is obvious that she believes that her father continues to control her life from the grave. She says that she “has had to kill” him, but he’s already dead, indicating her initial promise to forget him. She calls him a “bag full of God,” telling us that she considers her father a very strong, omnipotent being, someone who is superior in her eyes.
In American society, the common stereotype is that the father has the role of the dominant figure in the household. Sylvia Plath and Sharon Olds may come across as two seemingly different poets, however, they are really quite similar, especially in their driving forces behind their writing styles in poetry. The lives of Plath and Olds are both expressive of the realities of a father-dominated family, in which both of these poets lost their fathers at a young age. This is significant because both poets have faced a similar traumatic event that has had everlasting effects on their adult womanhood, which is reflected in their writings. For both these woman, their accesses to father-daughter relationships were denied based on life circumstances. Ironically, their fathers were their muses for writing and are what made them the women they are today.
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
...lems, such as depression, sadness, overbearing and domineering figures. The themes shared in each poem is also a common similarity, such as the example of numbness. The choice in the speaker of each poem is also important, and also share a similarity between the two poets. The idea that the two women wrote poems that shared stories from their own life is not far-fetched, especially in the case of Sylvia Plath’s “Daddy”. Of the three poems, I found “Daddy” to be the easiest to understand because of its full sentences and vivid description. Furthermore, since the poets wrote as if the speaker of the poem was themselves, I found that their poems were more emotional and gripping than if they were not. Because of this, I considered their poetry very similar in that the speakers are like-minded emotionally, but the writing style of the poets themselves is different.
Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings.
Plath and Sexton's lifetimes spanned a period of remarkable change in the social role of women in America, and both are obviously feminist poets caught somewhere between the submissive pasts of their mothers and the liberated futures awaiting their daughters. With few established female poets to emulate, Plath and Sexton broke new ground with their intensely personal, confessional poetry. Their anger and frustration with female subjugation, as well as their agonizing personal struggles and triumphs appear undisguised in their works, but the fact that both Sexton and Plath committed suicide inevitably colors what the reader gleans from their poems. However, although their poems, such as Plath's "Daddy" and Sexton's "Little Girl, My String Bean, My Lovely Woman," deal with the authors' private experiences, they retain elements of universality; their language cuts through a layer of individual perspective to reach a current of raw emotion common to all human, but especially female, understanding.
middle of paper ... ... eals the mother’s attitude towards her new role. Just as in the Victorian era where women were limited in their development as individuals and mainly served as wives and mothers, the speaker feels as if she is confined to her new role as a mother and is denied her creative freedom. Clearly, Plath’s poems take a profoundly different approach to the concepts of pregnancy and motherhood, which are usually looked upon as rewarding and fulfilling stages in a woman’s life.
In the poem, “Daddy,” Sylvia Plath shows her character to have a love for her father as well as an obvious sense of resentment and anger towards him. She sets the tone through the structure of the poem along with her use of certain diction, imagery, and metaphors/similes. The author, Sylvia Plath, chooses words that demonstrate the characters hatred and bitterness towards the oppression she is living with under the control of her father and later, her husband. Plath’s word choice includes many words that a child might use. There is also an integration of German words which help set the tone as well. She creates imagery through her use of metaphors and similes which allow the reader to connect certain ideas and convey the dark, depressing tone of the poem.
...lmsheimer, Lonna M. "Sylvia Plath." American Writers. Ed. Leonard Unger, A. Walton. Litz, Molly Weigel, and Jay Parini. Supplement 1 Part 2. New York: Scribner, 1974. 526-49. Print.
Throughout the poem "Daddy" by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plath's father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the vampire of her dead father, sent to torture her. This hyperbole is central to the meaning of the poem. Lines 75-76 express a hope that they will stop oppressing her: "Daddy, you can lie back now / There ís a stake in your fat black heart." She concludes that her father can return to the grave, because she has finally rid herself of the strain he had caused her, by killing his vampire form. Despite this seeming closure, however, we will see that the author does not overcome her trauma.
Sylvia Plath was born on October 27, 1932 in Boston, Massachusetts. Sylvia Plath was one of the greatest poets of her time, but she was very troubled, and struggled with mental health issues her entire life. Plath’s poetry style is known for being confessional, which is: “ Private experiences with and feelings about death, trauma, depression and relationships” were addressed in this type of poetry, often in an autobiographical manner (Poets.org). As a young child, Plath began her writing in journals. Sylvia Plath had a lot going for her, she was popular, smart, and got a scholarship to Smith College, but what was underneath the surface was a dark, and depressed young girl. During her junior year of college she attempted suicide for the first time. Plath was able to recover from her deep depression, and in 1956 she married Ted Hughes (Poethunter.com). At first, their love was strong, and the two writers wrote many poems, and stories together. In 1961 Hughes, and Plath rented their flat at chalcot square to a woman named Assia Wevill. Plath discovered a year later that her husband, Ted Hughes has been having an affair with Assia Wevill. The couple separated in september, and Plath yet again, tried committing suicide (New York Times). Plath decided to move back to London, and figured that the best way to get back at her ex-husband was to write about him. In the winter of 1962-1963 Sylvia’s life hit rock bottom. She was a single mother raising two children, ill with the flu, and low on money. She was at home all day, writing poem after poem. These poems were more darker, and deeper than ever before. January in 1963 the winter was brutal, and it caused her depression to get even worse. Plath put her children to sleep, stuffed a towel ...
Sylvia Plath has brought the attention of many Women’s studies supporters while being recognized as a great American poet. Most of her attention has come as a result of her tragic suicide at age thirty, but many of her poems reflect actual events throughout her life, transformed into psychoanalytical readings. One of Plath’s most renowned poems is “Daddy”. In this poem there are ideas about a woman’s relationship with men, a possible insight on aspects of Plath’s life, and possible influences from the theories of Sigmund Freud.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.