"Growing up is losing some illusions, acquiring others." — Virginia Woolf In life, the transition from youth to adulthood often involves a poignant struggle to maintain agency and identity. Both “Sweethearts of the Rodeo” by Pam Houston and “Two-Step” by Beth Henley vividly depict this clash. In “Sweethearts of the Rodeo,” the girls initially attempt to suspend their maturation by romanticizing their youthful freedom at the farm. However, their curiosity and fascination with adult complexities inevitably lead them towards growth. Conversely, in “Two-Step,” both Alice and Naomi are ensnared by their own youthful ignorance, projecting it onto adult situations and blurring their judgment. “Sweethearts of the Rodeo” and “Two-Step” both reveal …show more content…
Her blind devotion is evident in her reflections on their relationship: “I never questioned anything he did. I did everything he ever wanted me to do. I was his slave, because he was a god, and I was just a girl who’d stepped in the way of his godly attention. That he was, you know, married, to someone else, and had a baby – that just seemed like a technicality.” Alice’s perspective underscores the dangers of carrying youthful naivety into adult relationships, highlighting her struggle to reconcile her idealized image of her husband with the harsh realities of his actions. Similarly, Naomi grapples with her own illusions about relationships and identity: “He would keep acting until he couldn’t stand it anymore, and then he would be the man he was. It would happen soon and then he would need her” (108). Naomi’s journey reflects the disillusionment that comes with recognizing the complexities of human behavior and relationships, as she navigates the emotional turmoil of her partner’s unpredictable behavior. In navigating the complexities of growing up and the clash between preserving innocence and embracing maturity, both “Sweethearts of the Rodeo” and “Two-Step” underscore the
If you walk into a book store coming of age novels are everywhere to be found. Most of these novels focus on the times in our lives when we are most susceptible to trying new things and when we think we know everything. The teenage years are what no one wants to go back to yet we can’t stop reading about them. Some examples of these novels include ‘To kill a Mockingbird’, ‘The Outsiders’, and ‘Looking for Alibrandi’. These books focus on the ugly duckling stage of a swan’s life through to when they transform into a majestic swan. No book shows this better than the Peter Goldsworthy’s book Maestro.
On an everyday basis teens all around the world fight and disagree with their parents. In the passages Confetti Girl and Tortilla Sun this very thing is clearly demonstrated. Both stories feature two teenage girls that have lost one of their parents. They both now face the daily struggle of agreeing and relating to their remaining parent. In Confetti Girl, the narrator is constantly overlooked and out shadowed by her father’s favorite thing, books and literacy.
“: You hungry, Gabe? I was just fixing to cook Troy his breakfast,” (Wilson, 14). Rose understands her role in society as a woman. Rose also have another special talent as a woman, that many don’t have which is being powerful. Rose understands that some things she can’t change so she just maneuver herself to where she is comfortable so she won’t have to change her lifestyle. Many women today do not know how to be strong sp they just move on or stay in a place where they are stuck and unable to live their own life. “: I done tried to be everything a wife should be. Everything a wife could be. Been married eighteen years and I got to live to see the day you tell me you been seeing another woman and done fathered a child by her,”(Wilson, 33). The author wants us to understand the many things women at the time had to deal with whether it was racial or it was personal issues. Rose portrays the powerful women who won’t just stand for the
The Notebook (Cassavetes, 2004) is a love story about a young couple named Allie Hamilton and Noah Calhoun, who fall deeply in love with each other. The Hamilton’s are financially stable, and expect for their daughter Allie to marry someone with the same wealth. Noah on the other hand works as a laborer, and comes from an underprivileged family. Throughout the film there were several negative behaviors, and interpersonal communications within the context of their relationship, which relates to chapter nine. This chapter explores relationships, emphasizing on affection and understanding, attraction, and the power of a relationship. The focus of this paper is the interpersonal conflict with Noah, Allie and her mother, Anne Hamilton.
Someone once said, “Maturity is not measured by age. It’s an attitude built by experience.” (SearchQuotes). These experiences help advance maturity and prepare adolescence for adulthood. In coming of age literature, the key is to evolve an authentic character through different incidents. Accordingly, Evan Hunter demonstrates this characteristic development in “On the Sidewalk Bleeding”, through the protagonist, Andy. Within the story, there are moments that illustrate the development in thinking realistically rather than idealistically, a prominent transition from ignorance to knowledge and experiences that demonstrate a shift from selfishness to selflessness. Consequently, the various developments Andy encounters in “On the Sidewalk Bleeding”
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage t...
In the short story Doe Season, by David Michael Kaplan, the nine-year-old protagonist, Andrea, also known as Andy, the tomboy goes out on a hunting trip and endures many different experiences. The theme of coming of age and the struggle most children are forced to experience when faced with the reality of having to grow up and leave childhood behind is presented in this story. Many readers of this story only see a girl going hunting with her father, his friend Charlie, and son Mac, because she wants to be one of the guys. An important aspect of the story that is often overlooked is that Andy is going hunting because she doesn't want to become a woman because she is afraid of the changes that will occur in her body.
Marita Bonner starts her short essay by describing the joys and innocence of youth. She depicts the carefree fancies of a cheerful and intelligent child. She compares the feelings of such abandonment and gaiety to that of a kitten in a field of catnip. Where the future is opened to endless opportunities and filled with all the dream and promises that only a youth can know. There are so many things in the world to see, learn, and experience that your mind in split into many directions of interest. This is a memorable time in life filled with bliss and lack of hardships.
In her story, Boys and Girls, Alice Munro depicts the hardships and successes of the rite of passage into adulthood through her portrayal of a young narrator and her brother. Through the narrator, the subject of the profound unfairness of sex-role stereotyping, and the effect this has on the rites of passage into adulthood is presented. The protagonist in Munro's story, unidentified by a name, goes through an extreme and radical initiation into adulthood, similar to that of her younger brother. Munro proposes that gender stereotyping, relationships, and a loss of innocence play an extreme, and often-controversial role in the growing and passing into adulthood for many young children. Initiation, or the rite of passage into adulthood, is, according to the theme of Munro’s story, both a mandatory and necessary experience.
In “Calling Home”, by Jean Brandt and “An American Childhood” by Annie Dillard, both girls are confronted with their sense of conscience and of right and wrong. In the process, both girls experience memorable lessons as a consequence of the decisions they make. In “Calling Home”, thirteen year old Jean realizes that her actions not only affect her but more importantly, her loved ones, when she is caught shoplifting and arrested during a Christmas shopping trip with her siblings and grandmother. In “An American Childhood”, seven year old Annie realizes that adults and their feelings are valid and that they can be just as vulnerable and full of tenacity as a child after she and her friend find themselves being chased by a man who is none too amused at being a target of their snowball throwing antics. In both stories, Annie and Jean are smug in their sense of power and control. Both girls exhibit a general lack of respect for authority by justifying their actions and displaying a false sense of entitlement to pursue and attain whatever they wish, as if ordinary rules do not apply to them.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
As well she responds to most situations with a maturity most adults’ lack. These books all describe how the adult world is often complicated and difficult, as well as full of lies, deceit, and phoney people. The books also describe how sometimes an innocent child’s opinion can be smarter than a full grown
As the story begins, the character of the husband has a negative personality. He lacks compassion, is narrow-minded, and is jealous of his wife’s friendship with a blind man named Robert. His constantly complains that “a blind man in my house was not something [he looked] forward to” (362). The close outside friendship between the narrator’s wife and Robert provokes his insecurities. This friendship has lasted for ten years and during those years, they have exchanged countless tapes regarding experiences they have gone through. Because of this, her husband feels “she [has] told him everything or it so it seemed” (363) about their relationship.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Many short story writers have written about the gender and role of woman in society. Some of these stories express what Barbara Walter calls, “The Cult of True Womanhood” meaning the separation of both man and woman in social, political and economic spheres. In order to be considered a “true woman” woman were to abide by the set of standards that were given to her. Women were expected to live by the four main principal virtues - piety, purity, submissiveness, and domestication. In Kate Chopin’s short story, “The Storm,” Calixta the main female character breaks away from “The Cult of True Womanhood” when she has a sexual encounter with her past lover Alcée. The storm goes through many twists and turns that tie with their adulterous actions. Although she breaks away from the four main principal virtues, she in the end is considered to be pure innocent of heart because the action in which occurred happened instantly, and as white as she was, she was taken away from her innocence.