Suppression of Individuality in Radiohead's, Fake Plastic Trees
"Fake Plastic Trees" criticizes how modern society stifles individuality and forces people to swallow idealized conceptions of how life should be. The whole song centers on the idea that humans, either through their own fallibility or through society's relentlessness, easily and obliviously mold their lives according to the unspoken standards they set on themselves. The result is a shallow, artificial, "fake plastic" living that perpetuates itself and destroys uniqueness.
The first two verses, which reveal the tragic consequences of pretense, evoke feelings of despair and pointlessness. The image of a woman watering a plastic money tree is heavily shadowed by shades of existentialism. The act of nurturing is the woman's attempt to create something genuine, something reflecting her identity. The bleak, futile reality lies in the fact that her "creation" thrives unto itself, surviving as the product of society's goals and inhibitions and outlooks, not hers. The plastic tree is a misconstrued representation of her true self. Helpless and beguiled, she falls victim to the ruthless nature of society and its indifference to the individual experience.
Her green plastic watering can
For her fake Chinese rubber plant
In the fake plastic earth
That she bought from a rubber man
In a town full of rubber plans
To get rid of itself
This artificialness of life is all-encompassing; no one is spared. The people around the woman are just as deceived as she is: the "fake plastic earth", the "rubber man", and the "town full of rubber plans" all point to a self-contained societal body that runs without human contribution. What's sadly ironic is that the peo...
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...to suggest who will be the victor.
She looks like the real thing
She tastes like the real thing
My fake plastic love
But I can't help the feeling
I could blow through the ceiling
If I just turn and run
The song continues with the narrator's near rejection of his "fake plastic love." She fits her mould nicely, because she embodies verisimilitude, but simply for that reason her love can never be real. The narrator realizes this when he says "But I can't help the feeling/I could blow through the ceiling/ If I just turn and run." He's so close to tearing away from the clutches of society - all he has to do is act extraordinarily and unexpected. Sadly, he reverts to normalcy and submission, even tendering an apology for not always being dishonest to himself like she was:
If I could be who you wanted
If I could be who you wanted all the time
the modern garden. She interprets how we have the need to control and create what we consider perfect with our sciences and labs. While rules reign, sanitation demands, and socialization take control of the perfect scene for a pleasant environment, the unpleasant side of these malls such as their trash is kept out of the vision of the consumer. Most of these consumer products that are used to entice the population to enter into this heavenly place on earth became waste that is not entirely recycled
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
The tree “swings through another year of sun and leaping winds, of leaves and bounding fruit.” This sentence evokes images of happiness and serenity; however, it is in stark contrast with “month after month, the whip-crack of the mortgage.” The tone of this phrase is harsh and the onomatopoeia of a “whip crack” stirs up images of oppression. The final lines of the poem show the consequences that the family accepts by preserving the tree—their family heritage. When the speaker judges the tree by its cover she sees monetary value, but when she looks at the content in the book she find that it represents family. Even though times may be tough for the family, they are united by memories of their ancestors.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
...ors to describe her life and situation. This comes primarily from the fact that in her therapy sessions that is how she is taught to deal with everything. For example, one metaphor she talks about is “… she comes up with the idea of lighting candles to symbolize my past, present, and future…I’ve noticed my past melting… my present candle has stayed pretty much the same,” (D 266). She explains them as her past is become less controlling, her present is her and concrete ideas and her future is bright and untouched. These metaphors show how much she has grown and allow the things she is learning to have more meaning. All of these combine to make the piece very effective and insightful. They help to get her point across and call people to action to help against these crimes.
The three heroes discussed here, Beowulf, Sir Gawain and King Arthur, are heroes for different reasons. Beowulf, our earliest hero, is brave but his motivation is different than then other two. To Sir Gawain personal honor and valor is what is important. King Arthur, Sir Gawain's uncle, is naturally the quintessential king of the medieval period. Though all men to a certain extent share the same qualities, some are more pronounced than in the others. It is important to see how these qualities are central to their respective stories and how it helps (or hinders) them in their journeys.
...d Beowulf can be as simple as the fact that the moral values in the late twentieth century are vastly different from the ones of Beowulf's time. While today we seek heroes who are as imperfect as the rest of us, heroes with whom we can identify ourselves with, audiences of old might have preferred a hero to whom they could aspire to. However, one thing remains the same. Both Yossarian and Beowulf shared an interest in their fellowman, and perhaps that is what ultimately defines our notions of a hero.
Betty Smith’s novel A Tree Grows In Brooklyn is a tale of poignant family relationships and childhood and also of grim privation. The story revolves around the protagonist of the story, young Francie Nolan. She is an imaginative, endearing 11-year-old girl growing up in 1912, in Brooklyn, New York. The entire story revolves around Francie and the Nolan family, including her brother Neelie, her mother Katie and her father Johnny. An ensemble of high relief characters aids and abets them in their journey through this story of sometimes bleak survival and everlasting hope. As we find out, the struggle for survival is primarily focused against the antagonist of this story, the hard-grinding poverty afflicting Francie, the Nolan’s and Brooklyn itself. The hope in the novel is shown symbolically in the “The “Tree of Heaven””. A symbol used throughout the novel to show hope, perseverance and to highlight other key points.
In essence, this song carries various sociological concepts. It concentrates on the main idea about the social construction of reality and talking about how reality is changing. The song questions the actions and mentally of individuals violating the norms and values of society. The band takes into consideration various factors of why it is happening including the media and religion. As a result they talk about such influences taking control building and developing a sense of self. This is a great song about present day problems and how society changes with them.
Wesley notes however that he is truly focusing only on the idea of salvation that the “Apostle” speaks on, which is only made up of justification and sanctification. Wesley explains justification as the pardon of sins by God once we have accepted God and we then come to know the peace of God and the joy therein. He then goes on to explain that sanctification is
These lines demonstrate the stage of adulthood and the daily challenges that a person is faced with. The allusions in the poem enrich the meaning of the poem and force the reader to become more familiar with all of the meaning hidden behind the words. For example, she uses words such as innocence, imprisonment and captive to capture the feelings experienced in each of the stages. The form of the poem is open because there are no specific instances where the lines are similar. The words in each stanza are divided into each of the three growth stages or personal experiences.
The song’s intangible spirit changes how they both felt each time. He can see her, but he is speechless, and does not know how to expr...
It is a daunting task to come across one person on Earth that meets Beowulf-like expectations for heroism. Beouwulf is simply a multi-dimensional hero in a fictional setting while regular people usually do not have those have those odds working in their favor. However, if Beowulf’s remarkable personality traits are placed in different categories for heroes rather than grouped together, then it is easier to pinpoint the great warriors of our time.
The 8th century epic poem Beowulf illustrates a loss of community, cultural values and tradition. On the other hand, an elegiac passing of an extraordinary hero and the relationship between the themes of mortality and heroism are well discussed in Beowulf. Beowulf’s character exemplifies the Germanic and the Anglo-Saxon ideals of the hero: strong, fearless, bold, loyal, and stoic in the acceptance of fate. Despite his lack of humility, Beowulf was the definition of a hero in his own time by his demonstration of chivalry and his important roles in society.
...za there is personification in the line, “the vapors weep their burthen to the ground”. There is also a sense of irony with, “man comes and tills the field and lies beneath” because its humans working the land for crops that help them survive, only to be buried beneath it when they pass away. In the second stanza, the God granting his wish is described by the smilie, “Then didst thou grant mine asking with a smile, like wealthy men who care not how they give”.