Through the use of techniques, composers are able to create a wide range of distinctive voices and bring people and their experiences to life. The use of distinctive voices ensures people to be created and their experiences to be brought to life. The use of distinctive voices within a text can be a powerful means of communicating ideas. These voices are shaped and crafted in response to the genre used in a blending of realism and naturalism. "The Summer of The Seventeenth Doll", written by Ray Lawler, has used many techniques to bring people and their experiences to life through distinctive voices, similarly the song "I am woman, hear me roar", by Helen Reddy. "The Summer of The Seventeenth Doll", by Ray Lawler is a play set in the 1950's predominately based on gender roles and the expectations of men and women in the 1950's. In the creation of distinctive voices in this text, Lawler uses language that reflects and conveys the characters' attitudes, values and beliefs. Through the manipulation of language and particular language features in the creation of these voices we develop a clear sense of the characters as human beings and their dreams, frustrations, flaws and challenges. Lawler then uses these voices and the interplay of …show more content…
these voices to critique human reluctance to change. For the entirety of the play, Lawler has created specific voices for each individual character in ensuring the viewers have a deeper understanding of the play.
Olive Leech, being one of the main characters has been created as a very traditional woman who will disregard any change. Throughout the entirety of the play, we begin to realise who she is and what her morals are. Through the use of distinctive voices, Lawler has enabled us to visualise Olive as a very naïve, childish character whom refuses to come to change. The distinctive voice of Olive allowed us to create a perspective on her life and shape a meaning within the play. As the play continues on, we begin to see the distinctive voices and see Olive shape into her true
character. "The Doll" demonstrates a range of distinctive voices that confronts the reader with thought provoking ideas in regards to the roles of men and women in society. Through the distinctly gendered voice of the character Roo, Lawler exposes his proud and dismissive approach in order to protect his masculinity. The Australian slang used in the line "I won't bludge off you" demonstrates Roo's defiant refusal to accept money off his partner Olive. Traditionally, it is a male's duty to be the financial provider therefore if he was to depend on Olive it would be seen as emasculating. This expresses Roo's adherence to the social expectations of men within patriarchal society, which ultimately supports male pressures of needing to conform to traditional roles. Similarly, Helen Reddy's song "I am Woman" also demonstrates a range of distinctive voices which show how people and their experiences are brought to life. Helen Reddy has used distinctive voices to demonstrate a full meaning to the song and allow us to have a deeper understanding with the song and create an intense meaning to it.
Gender roles and inequality are still evolving and continue to change. It has only been not that long ago that women started to break out their outlined roles and looked at about the same or- almost the same level- as men on a wide scale basis. Indeed, some women in certain parts of the world are still represented in the same way as in both plays that will be compared in this essay. The characters in Susan Glaspell’s Trifles and Henrik Ibsen’s A Doll's House highlight the challenges of gender roles. The attention focused on points of comparison and contrast of men vs women's reactions in the course of both plays, which, allow the audience to think about gender identity and role conflicts. The other common shared view in both plays is that they are both showcased from a female perspective.
Ibsen, Henrik. A Doll House. The Bedford Introduction to Drama. Ed. Lee A. Jacobus. Boston: Bedford/ST. Martin’s, 2001. 659 – 688.
Scott, Clement. "Review of 'A Doll's House." The Theatre 14.79 (July 1889): 19-22. Rpt. in Twentieth-Century Literary Criticism. Ed. Paula Kepos. Vol. 37. Detroit: Gale Research, 1991. Literature Resource Center. Web. 25 Mar. 2011.
Rogers, Katharine M. (1985): ‘‘A Doll House in a Course on Women in Literature,’’ in Approaches to Teaching Ibsen’s A Doll House, Shafer, Yvonne (ed.). New York: Modern Language Association, p.82.
Those of you who have just read A Doll's House for the first time will, I suspect, have little trouble forming an initial sense of what it is about, and, if past experience is any guide, many of you will quickly reach a consensus that the major thrust of this play has something to do with gender relations in modern society and offers us, in the actions of the heroine, a vision of the need for a new-found freedom for women (or a woman) amid a suffocating society governed wholly by unsympathetic and insensitive men.
A Doll?s House presents a revolutionary change for Norway in the 1880?s. During this time period women were seen as second or even third class citizens, and though numerically this is not true, a minority . Ibsen presents his character Nora as a plaything, sorely manipulated by the men in her life. As the play pro...
The idea of equality for women has been the subject of countless books, speeches, and performances for decades. The concept of a world in which a woman can be considered equal to a man is not a new concept in today’s society, but it was in that of 19th century Norway. This is the world of noted playwright Heinrik Ibsen, a forward thinking individual with ideas that challenged the restrictions of society time and time again. A forerunner in the women’s rights movement, Ibsen’s play A Doll’s House offers a commentary much before its time on the dangers of a patriarchal society through the evolution of its protagonist, Nora. In his play, Ibsen uses the Christmas tree to symbolize the growing empowerment and independence of Nora, as well as the steady deterioration of Nora and Helmer’s marriage.
Ibsen reveals many things about the bourgeoisie roles of men and women of society through the play A Doll’s House. These ideals are crucial to ones overall social status. The reader can see the characters and their roles in a figurative and literal dollhouse from the title to the end of the story. The main character Nora is the focus of performing these gender roles as she takes on the role of a doll and eventually seeks self-realization and a striving purpose. She leaves behind her family to fulfill an independent journey. Ibsen helps to point out the flaws of society’s stereotypical gender roles and gives new possibilities to men and women.
After reading “The Doll House” and “Trifles”, the idea of females being inferior to men is portrayed. Both plays, are in a much older time period. But from a feminist view, females are still sometimes given the doubtful role in today’s society. Both plays, are very different, but much alike in the ways the females are treated, never taken seriously, nor are they appreciated.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
"Summer Of The Seventeenth Doll" is a timeless play as it can be transposed to be as relevant today as when it was written. The play is definitely a tragi-comedy but more than the ideas raised in the statement the play is about change and the inability for some to deal with it, the battle between dream and reality and loyalty and mateship. It also serves as a social document of Australia in the 1950s. Lawler uses symbols, the actions of the characters, the structure of the play and mise-en-scene to effectively portray his feelings to the audience.
In its historical context A Doll’s House was a radical play which forced its audience to question the gender roles which are constructed by society and make them think about how their own lives are a performance for Victorian society.
Those of you who have just read A Doll's House for the first time will, I suspect, have little trouble forming an initial sense of what it is about, and, if past experience is any guide, many of you will quickly reach a consensus that the major thrust of this play has something to do with gender relations in modern society and offers us, in the actions of the heroine, a vision of the need for a new-found freedom for women (or a woman) amid a suffocating society governed wholly by unsympathetic and insensitive men.
Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.
“A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.