Summer of the Monkeys: Jay Berry and His Conflicts
OUTLINE
Topic: Jay Berry
Purpose: To identify the nature of the force of the conflict which Jay
Berry encounters, and indicate how they help or hinder Jay Berry the protagonist in Wilson Rawls novel Summer of the Monkeys
Thesis: Before Jay Berry succeeds his goal he encounters many conflicts that both hinder and help him through his amazing adventure.
I. Inner Forces
A. Help- personality traits
1. Determination
2. Confidence
II. B. Hinder
1. Fear
2. Over confidence
III. Outer Forces
A. Help- other people
1. Grandpa
2. Old Rowdy
IV. ...
... middle of paper ...
...ed against Jay Berry. The monkeys hindered Jay Berry with their intellectual abilities and also their physical attributes. Jay Berry did not know what he was going up against when he took on the challenge of catching the escaped circus monkeys. They outsmarted Jay Berry many times making Jay Berry looking like a buffoon. Also the monkeys physical capabilities are far more superior than Jay Berry's, also you will not see Jay Berry jumping from tree to tree. Another outer force that hindered Jay Berry was the environment. The sycamore trees are much too tall for Jay Berry to climb, and the bottoms are very unstable.
Summer of the Monkeys written by Wilson Rawls displays many inner and outer forces either help or hindering Jay Berry. In the end Jay Berry was struck by a surprise when the whole family got what they wished for in the magical fairy ring that Daisy found. The peak of Jay Berry's success is when he got a chance to run with Daisy through the fields, and also got his pony and
.22. A lesson is to be learned from Jay Berry's wonderful experience, if you do what's best and not just what you want, you might just get both as an even greater reward.
3. My teacher gave a test a week; a predilection that most of the class disliked.
Literary devices are used by Sandra Cisneros throughout the vignette “The Monkey Garden”, to highlight the mood of the piece. For instance, Cisneros uses symbolism to encompass feelings of mysticality when she describes the Monkey Garden as a place the kids can go too “far from where our mothers could find us.”(95). The garden is symbolized as a haven, that can seemingly alleviate the characters problems. Cisneros also uses juxtaposition to further develop mystical emotions the in the audience. When the author compares two objects like “a dollar and a dead mouse.” (95), she is juxtaposing two inherently disconnected objects to emphasise the range of feelings in the garden. By using literary devices to establish the mood, Sandra Cisneros can
Monkey Girl: Evolution, Religion, and The battle for America’s Soul, is a non-fiction based novel that was written by Edward Humes. Edward Humes is a Pulitzer Prize-winning journalist and author, who was born and raised in Philadelphia, Pennsylvania. Humes has also written various publications, which include Los Angeles Magazine, Sierra Magazine, Readers Digest, and many more (Humes). Throughout Monkey Girl: Evolution, Religion, and The battle for America’s Soul, the focus is on the Kitzmiller v. Dover Area School District Trial. It all began in 2004 when the Dover Area School District of Pennsylvania decided to modify the curriculum in biology, which required that Intelligent Design to be taught as a part of the scientific theory of evolution
In The Jungle, Sinclair deeply understands his subjects and can make the plots real for the reader. Even in a small section of the book, Sinclair makes me feel, imagine and contemplate his words. Chapters 18 through 23, were chapters that Sinclair took time and effort to write and make it to perfection. In my own perspective, I think he achieved this accomplishment and made these chapters a realistic event.
knew he wanted more and worked hard to improve his life. Daisy grew tired of
they finally realize that they were never going to be able to get what they wanted.
Employment is hard to find and hard to keep and a job isn’t always what one hoped for. Sometimes jobs do not sufficiently support our lifestyles, and all too frequently we’re convinced that our boss’s real job is to make us miserable. However, every now and then there are reprieves such as company holiday parties or bonuses, raises, promotions and even a half hour or hour to eat lunch that allows escape from monotonous workloads. Aside from our complaints, employment today for majority of American’s isn’t totally dreadful, and there always lies opportunity for promotion. American’s did not always experience this reality in their work places though, and not long past are days of abysmal and disgusting work conditions. In 1906 Upton Sinclair’s “The Jungle” was published. His novel drastically transformed the way Americans felt about the unmitigated power corporations wielded in the ‘free’ market economy that was heavily propagandized at the turn of the century. Corporations do not have the same unscrupulous practices today because of actions taken by former President Theodore Roosevelt who felt deeply impacted by Sinclair’s famous novel. Back in early 1900’s in the meatpacking plants of Chicago the incarnation of greed ruled over the working man and dictated his role as a simple cog within an enormous insatiable industrial machine. Executives of the 1900’s meatpacking industry in Chicago, IL, conspired to work men to death, obliterate worker’s unions and lie to American citizens about what they were actually consuming in order to simply acquire more money.
My name is Tom Robinson. I lived on the outskirts of Maycomb Country with my wife, Helen, and kids. I worked on Mr. Link Deas's farm as a work hand. He hired me even though I'm a Negro and have a crippled arm; he's a very nice man. Every day on the way to work, I would pass the Ewell's home. They're a white family that lived by the dump. Sometimes I would pass by and help their oldest girl, Mayella, with some of their yard work. None of her younger brothers or sisters seem to help, so I liked to help her. I just thought it was the right thing for me to do, besides, I felt sorry for her. One day, Mayella says that she has something for me to do inside the house. None of the kids were around though, and I got kind of worried. When Mayella shut the door behind me and started kissing me, I knew I was in trouble. I started to push her away when her daddy, Bob, saw us through the window. I knew I was in trouble then, even though none of it was my fault, I was still black and it would be my fault if anyone caught me. When he opened the door, I just started to run. I don't know if Mayella was beaten by her father, but all I knew was I had to run. I ran all the way home, as fast as lighting. I told Helen about everything and she said it would all be okay. But Mr. Ewell had already called Mr. Heck Tate, the sheriff, and said that I had that I had raped and beaten Mayella. I knew that I could be killed on this charge, and I got really nervous. I wondered why everyone believed Mr. Ewell's lies. I couldn't have beaten up Mayella, I only have one good arm! The other one was torn up in a cotton gin when I was a little boy. But when they assigned Atticus Finch to be my lawyer for a trial, I put my soul to rest. Mr. Finch would take care of me no matter what he said. People in town were upset though. They said Mr.
Upton Sinclair had always insisted that The Jungle was misread but did he ever think it could have been miswritten? The style of writing is not effective when addressing issues in a capitalistic society but proves to be very effective when exposing the secrets of the meatpacking industry. The novel is not remembered for being a classic work in literature but rather an important book in history in that it changed the way America looked at food in the early part of the century.
Nelle Harper Lee, the famous author of the worldwide bestseller To Kill a Mockingbird, was born April 28th, 1926, to Amasa Coleman (a lawyer) and Frances Lee. At the time, the family lived in Monroeville, Alabama. Harper’s family was somewhat wealthy, and they lived in upper middle class society most of their lives. Harper’s birth name, Nelle, was her grandmother’s spelled backwards (Ellen). However, in her publications, she took her middle name, Harper, to avoid being known as “Nellie”. But what numerous people have never heard - and many would be shocked to know - is that one windy, rainy night, Harper threw all her unpublished manuscripts of To Kill a Mockingbird out the window! Fortunately, she soon realized what she had done, and called over her editor, Tay Hohoff, to assist her. Hohoff sent her out in the snow and slush to retrieve her pages, which luckily had not fallen far away. But one would wonder: what would have happened if she had done the same on a slightly windier night?
A Raisin in the Sun is written by a famous African- American play write, Lorraine Hansberry, in 1959. It was a first play written by a black woman and directed by a black man, Lloyd Richards, on Broadway in New York. The story of A Raisin in the Sun is based on Lorraine Hansberry’s own early life experiences, from which she and her whole family had to suffer, in Chicago. Hansberry’s father, Carol Hansberry, also fought a legal battle against a racial restrictive covenant that attempted to stop African- American families from moving in to white neighborhoods. He also made the history by moving his family to the white section of Chicago’s Hyde Park neighborhood in 1938. The struggle of Lorraine Hansberry’s family inspired her to write the play. The title of the play comes from Langston Hughes’s poem which compares a dream deferred too long to a raisin rotting in the sun. A Raisin in the Sun deals with the fact that family’s and individual’s dreams and inspirations for a better life are not confined to their race, but can be identified with by people with all back grounds.
Everyone dreams of having the perfect life. For hundreds of years, America has remained the land of opportunities. The American Dream is simply what lured millions to start the lives in America. It’s theoretically the basis of American life. However, in post World War 2, the American Dream seemed to be only targeted to white males. The American Dream seemed unattainable for racial minorities. Not only was life hard for non-white Americans, women also had a difficult time fulfilling their dreams. White males reigned supreme while everyone else was left in the dark. A Raisin in the Sun does a stupendous job of painting a picture of what hardships and injustices non-whites and women faced in the segregated 1950’s. A raisin in the sun focuses on
Lorraine Hansberry's A Raisin in the Sun is a modern tragedy in which the protagonist, Walter Lee Younger, is unable to find the fulfilling life he wants so badly. A contrasting view of the quest for that fulfilling life is offered in the character of Beneatha (whose name seems a play on her socioeconomic status, i.e. she-who-is-beneath), who serves as a foil against which the character of Walter is defined. Both Walter and Beneatha, representing the new generation of blacks coming of age after World War Two, are in conflict with Mama, who represents the previous generation and its traditions. The character of George Murchison is also opposed to both Beneatha and Walter, since he symbolizes assimilation on the white man's terms. Walter and Beneatha are also in conflict with their environment, a society where they are marginalized and subject to daily humiliation because of what is called their race (not, in fact, a biological distinction but a cultural construct).
This page is completely devoid of captions. The only words on the page are sound effects within panels. The author leaves you with only pictures and lets you figure out what’s going on for yourself. These two panels take place in the middle of the Monkey King’s battle with the gods and goddesses at the party. The panel sizes and shapes are very relevant and effect the scene much. There are two big panels that are diagonally sliced at the bottom. I think that the diagonal slice on the panels shows that the actions in these panels are choppy and ungraceful. The slice between the panels shows violence and turbulence. The layout of these panels is the smaller sliced panel on top and the larger one on bottom. This may show that with each panel, his violence is growing.
My family was reunited with no tears, but shared a common frustration that knotted in all