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Year 12 Literature SAC
Summer Of The Seventeenth Doll
The play “Summer Of The Seventeenth Doll” is a mixture of people’s inability to grow up and let go of dreams, in a typical Australian atmosphere in the nineteen fifties. Ray Lawler focuses on showing the characters finally waking up to their lives and realizing they don’t live in “heaven, “ within in a simple plot. These techniques allow readers to connect and understand the disillusionment suffered by these Australian’s in this time.
Our setting for “Summer Of The Seventeenth Doll’ is a Melbourne suburb, Carlton. Australia in the fifties had just began massive social and economical development. During the war Australia had relied on the United States of America for support, meaning now in post war Australia’s main partners had swapped from United Kingdom to them. With their support came their influence. Australian’s some-what simpler, laid back lifestyle was being altered. A new unstable Australia full of uncertainty in social values and morals had evolved. “Summer Of The Seventeenth Doll’ questions the previous Australian dream and asks f it can survive in the new country evolving. Carlton “a now scruffy but once fashionable suburb of Melbourne” was an industrial, working class area. Our characters find themselves in the working class status.
Ray Lawler uses a group of friend’s, lovers, to show the catalysts of change evolving around Australia at the time. For seventeen years Roo and Barney had been traveling down from Queensland for they layoff season. Waiting for them were their “girlfriends” Olive and Nancy. These four characters each represent a key theme in the play. The ability to link them all together and show their enchanted world crumbling around them is what makes the play one of Australia’s finest.
Roo and Barney are the typical Australian larrikins. They rare the representation of mate ship and freedom in Australia are known for. In the play their relationship acts as one of the first things to fall in their “paradise.” Roo’s position as head cane cutter was taken by Dowd. Roo finds his masculinity diminished. As most larrikins he can’t accept the fact he is not one of the best. Roo leaves early. To add to the reality of things, we learn Barney’s “girlfriend” Nancy has gone at got married. Their world begins to fall.
It is Nancy’s marriage that plays a key role in forcing the group ...
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... their world.
With nothing left of their once happy world Lawler prepares us for the dramatic end. As Roo feels he can no longer live up to his previous life her scrambles to build a new one, even if it only slightly mimics the old one. He believes by proposing to Olive they will both still have a form of what they had before, by doing this he shows he knows what they had is over and can never return, he understands that he must grow up. Olive wont allow this to happen. She is still clinging to her world “you’ve got to go back, it’s the only hope we’ve got.” She attempts any thing to piece it back together. Emma enters and sees that Olive is gutted; she can’t accept the new reality. With the rejection from Olive Roo becomes a beaten disheartened figure. Each character now knows they cannot stay here, they must all move on for good.
Ray Lawler concludes the play and has expressed the characters as far as they can go. He created Australia compelled by the demand for liberation of women, but killed by the disintegration of mate ship. Lawler leaves the audience knowing their dream, their world cannot survive the new Australia, and we must all allow it, and us to evolve.
WORDS: 974
The play is about an Italian family who migrated to Australia in the 1950s. There are lots of racist comments and discrimination throughout the play. The characters include Momma, Poppa, Maria, Clarry (Maria’s Husband), Leila, Donny, (Leila’s Husband), Gino and a rather brief appearance of Detective Sergeant Lukie. Momma and Poppa are native Italians while their children Gino and Maria talk in Australian slang and are more Australian like. Leila Pratt is the neighbour to the left with Donny being her husband.
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To an extent, the characters in the play represent aspects of the Australian identity and experience. However, Rayson's vivid grasp of speech patterns to evoke character, and her ability to manipulate the audience with humour and pathos move the text beyond mere polemic and stereotype. In an almost Brechtian way, she positions us to analyse as we are entertained and moved.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
The representation of mateship in Blackrock challenges the popular ideas held by Australian society towards it. The play’s negative representation of mateship reshapes the reader or viewers attitude towards it. The boundaries of
Henrik Ibsen’s A Doll’s House and Anton Chekhov’s The Cherry Orchard were famous for the way in which they depicted the changing of cultures. Both plays act as a sort of social commentary during times of widespread liberation, and use the contortive nature of these seemingly stereotypical characters’ actions to speak about groups of people as a whole. Throughout the course of both plays, this subversion of how different groups of people were typically perceived created a distinct contrast which often shocked and appalled audiences of the time. However, the effects of these plays were felt long after they were presented.
A Doll House gives us a true insight into the roles for men and women during the late 1800’s. This is why the play has been said to be able to take place in any and all suburbs. At this point in history, the roles of gender were mainly consistent across the world. Men vs. women in economics, social status, gender rights, marriage and divorce, and occupation can best describe this.
SparkNotes Editors. “SparkNote on A Doll’s House”. SparkNotes LLC. 2002. SparkNotes.com. 20 Mar 2011. http://Sparknotes.com/lit/dollhouse/themes.html.
Literature normally touches on traditional gender stereotypes and the role of the society in building those gender biases. From earlier centuries, gender stereotyping is closely intertwined with every aspect of the social fabric. The play, A Doll 's House by Henrik Ibsen presents a critical reflection of marital norms of the nineteenth-century. This three-act play revolves around the need of every individual, particularly women, to discover oneself, and how they have to strive to establish their identities. This aesthetically shaped play depicts traditional gender roles and the subsequent social struggles that every woman encounter in a stereotyped society. Though, Nora fits rightly to the nineteenth century social norm of submissive housewife
The main theme expressed in the play is change and the characters' inability to cope with this. Like many working-class people from this time the characters in the play are fairly uneducated and because of this, they do not have an understanding of the growing old process, they cling onto what they know best, which is youth and this brings about their downfall. Olive is the classic dreamer. She is thirty-nine but still continues to live as though she's a teenager. She has extremely strong ideals, which she refuses to let go of. She wants excitement; she wants "five months of heaven every year." She doesn't want the monotony and responsibility of married life. Roo and Barney, who once were fit young men, come down from the lay-off this year, dragging their ever-increasing age with them. Roo is not as fit and healthy as he used to be - he has a bad back - his pride also holds him back from realizing that he is getting older and that life is changing for him. Time is catching up with Barney as well and he is no longer the epitome of male prowess that he believed he once was. Underneath the smiling, joking façade he really is a fairly pathetic man who doesn't truly understand what is happ...
The nineteenth century was truly a different time for women and what their assumed roles in life would be. Henrik Ibsen’s play “A Doll’s House” is an examination into those assumed roles and a challenge to them. It was a time of obedience and inequality and in the first act each character is shown to portray these qualities. However, the characters in this play have multiple layers that get peeled back as the story progresses. As each new layer is revealed the audience is shown that even with the nineteenth century ideals, the true nature of each character is not quite what they appeared to be initially.
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender. Her epiphany at the end at the play realises her and her marriage as a product of society, Nora comes to understand that she has been living with a constr...
Henrik Ibsen catches the world off guard with his play A Doll House. The world is in what is known as the Victorian era and women and men have specific roles. The way the story unravels takes the reader by surprise. Ibsen wanted to write a play that would challenge the social norms and that would show the world that no matter how hard they press, they would not always win. Ibsen uses society’s customs, deception, and symbolism to keep the reader on their feet and bring them a play that they would never forget.
to the suicide of a girl called Eva Smith and how everyone in the play