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Meaning of art and its importance
Essay on africa culture
Meaning of art and its importance
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Art 157 Self Study Writing Assignment In the essay “Why Africa? Why Art?” by Kwame Anthony Appiah, he talks about basically how Africa is thought to be an uncivilized barren and that’s the stereotypical thing that comes to most people’s mind when thinking about this continent. African art has to look a certain way to be able to be called “African.” It has to be made by a tribe, not just one person which is why he says that most African pieces are signed with a tribe name, not just one name. Appiah gives an example of these Asante gold weights that his mother had a collection of. Their use value was to weigh gold dust, which used to be the method of currency. They were made as a utilitarian product, not for art, but many people started to recognize the aesthetic value. He says, “…in appreciating and collecting these weights as art, we are doing something new with them…” These days art is defined to be a certain way and look a certain way. It can’t just be anything, it has to have an aesthetic value to be considered art and to fall into the “guidelines”. …show more content…
An object that’s like the gold weights, creative, but not seen as art that I’m choosing to discuss, is a dreamcatcher.
A dreamcatcher comes from the culture of Native Americans. It is a very popular tradition that has been around for generations. The outer part of the dreamcatcher is typically made from a willow tree, most likely a branch, something strong. The idea behind the webbing inside is supposed to look like a spider’s web. Then the decoration part is made from everyday findings in their environment, like beads, feathers and arrowheads. Mostly items that can be used for any symbolic meaning. Lastly, there are the feathers hanging from the bottom. Depending on what kind of representation is wanted, that is the kind of bird that the Native Americans obtain the feathers from. All the materials have to be natural to create more meaning and
symbolism. There are many iconographic significances represented in a dreamcatcher and many different ways that you can change up the meaning, but I will discuss a typical dreamcatcher. The webbing part represents the weaving or putting together of your dreams and good energy. The hoop symbolizes the belief that all things are a part of us, thus creating a circle of life. There are also various colors that can be represented by the beads. Some examples are the colors blue, representing all that thrives in the sky, spirits and all or green, denoting Mother Nature. Native Americans believe she protects and provides for all they need to survive. Another color is purple, which symbolizes your inner person, including character and personality and yellow exemplifies the direction where the sun rises symbolizing a new beginning. Lastly, the feathers characterize different meanings depending on the type of bird. For example, an eagle is one of the most important animal spirits signifying the ability to fly close to the Creator of all things. The dreamcatcher is meant to abolish bad dreams because they figuratively can’t make their way through the webbing part. They “get caught” and go away when the first ray of sunlight hits them in the morning, which is why they should be hung above your bed somewhere where the sun comes in and where you sleep. The good dreams can find their way through the webbing and “slide” down through the feather part and into the sleeping person’s head. Its main purpose in general, is to get rid of nightmares. This is the reason why it was made in the first place. I believe that the reason a dreamcatcher exists outside the standard definition of art is because it actually has a use value. Art today seems to only exist if the piece holds a “beautiful” look or from popularity from word of mouth. I think people really do value dreamcatchers more today from their aesthetics than their use value. So why aren’t they considered art? I think the reason for this is because they have been around for so long that the idea behind them is probably considered “old news.”
The African empires, kingdoms, and cities had many achievements before the arrival of the Europeans. Some of these achievements had influences many other places in the world. Three major achievements were the trading systems, their military forces and strengths of its people, and the wealth and success.
During the late 19th century and the early 20th century many of the European nations began their scramble for Africa which caused Many Africans to suffer from violence like wars, slavery and inequality. Although the Europeans felt power as though they were doing a great cause in the African continent during the Scramble for Africa; Africans had many reactions and actions including factors as rebellion for freedom, against the white settlers and violent resistance.
When the Age of Imperialism began in 1875, it effected Africa in many ways. Nowhere was the competition for colonies more intense than in Africa. Europeans went after North and South Africa splitting up the continent. Egypt and Sudan were taken over by Britain to obtain the Suez Canal. Imperialism helped to develop Africa’s economy and turned it into a continent of colonies.
In the 21st century, slavery and the Atlantic Slave Trade are viewed as immoral and quite possibly the most horrifying treatment known to man by society and foreign leaders but, was the same view regarded in the 17th century? The short primary sources, “Nzinga Mbemba: Appeal to the King of Portugal”, and “Captain Thomas Phillips: Buying Slaves in 1639”, enables individuals to identify how foreign leaders, specifically the kings of African nations, conducted the issue of slavery and the slave trade. In the words of Nzinga Mbemba and Captain Phillips, the kings of Congo and Ouidah both knowingly accepted slavery in their country but, had strikingly opposing views concerning the Atlantic Slave Trade; King Mbemba prohibited the trading of slaves whereas the King of Ouidah welcomed slave trading.
Western attitudes to African people and culture have always affected how their art was appreciated and this has also coloured the response to the art from Benin.
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
Politics is the science that guides or influencing governmental policies. Politics plays important role in the daily life of everyone’s decision making all over history. The political leaders of Europe viewed the world as a stomping ground they took powers into their hand to take control over unconquered land. They believed that once they take over less advanced places they will be able to get richer by exploiting the uneducated and weaker people. According to an to an article from Africana Age called “The Colonization of Africa” by Ehiedu E. G. Iweriebor, “By 1900 much of Africa had been colonized by seven European powers—Britain, France, Germany, Belgium, Spain, Portugal, and Italy. After the conquest of African decentralized and centralized
There is no art, music, and literature like here in sub-Saharan Africa. What is important to Westerners, such as the artist, label, and static-like wall hanging, means nothing to us. African art is living, spiritual, and meant to go back to the Earth once the soul of the item has run out. As the Bamana of Mali say, the art are “things that can be looked at without limit”. Our artwork has changed, emerged, and survived eras of turmoil and inversely, hope. I have found passing through the global gateway into Africa has made me appreciate this culture more, and appealed to me on a level that made me choose being a part of it.
Art is defined as works created by artists, including, but not limited to paintings, sculptures, etc., that are created to be beautiful or to express important ideas or feelings (Merriam Webster). As the late 1800’s and early 1900’s began to set in, African art started its migration from the land of its origin, into the settings of European and American art galleries and exhibits. Modern artists were drawn to African sculpture because of its sophisticated approach to the abstraction of the human figure. During this time period artists like Pablo Picasso and Henri Matisse, were thriving in trend setting for the entire art community. During the early 1900s, the aesthetics of traditional African sculpture became a powerful influence among European
How Europe Underdeveloped Africa by Walter Rodney, was one of the most controversial books in the world at the time of its release. The book seeks to argue that European exploitation and involvement in Africa throughout history. This is the cause of current African underdevelopment, and the true path to the development is for Africa to completely sever her ties with the international capitalist economy. Rodney describes his goal in writing the book in the preface: “this book derives from a concern with the contemporary African situation. It delves into the past only because otherwise it would be impossible to understand how the present came into being and what the trends are for the near future” (vii). Rodney writes from a distinctly Marxist perspective by arguing that the inequalities inherent in European capitalism and required exploitation of certain countries in order to sustain capitalism.
The Scramble for Africa was a period of time where major European countries fought over and colonized land in Africa, stretching from South Africa to Egypt. The scramble for Africa began shortly after the slave trade, and ended at WW1, and is a strong representation of the ‘New Imperialism’. The first country to act was Belgium, who colonized Congo at 1885, but soon, other countries such as Portugal and Great Britain joined in in order to not miss out. Firstly, the European could not colonize Africa easily, due to Africa’s giant land mass and the diseases that spread throughout the land. But then, came the Steam train, Maxim guns and new cures for diseases that paved the way for the Europeans to control Africa. Since one of the reasons Europeans wanted to colonize Africa was that they wanted to ‘civilize’ the people, the leader of Germany, Otto Von Bismarck, decide that they have a conference to split the land and not fight each other. Soon, in 1914, nearly all African countries were colonized by Europeans except for Ethiopia and Liberia. Different countries had different styles of colonization. For example, France was less eager to let the African chiefs take control of their colonies than Britain, who set up a African Government to their colonies. Basically, the scramble for Africa was a period of time when European countries colonized Africa.
An overwhelming majority of African nations has reclaimed their independence from their European mother countries. This did not stop the Europeans from leaving a permanent mark on the continent however. European colonialism has shaped modern-day Africa, a considerable amount for the worse, but also some for the better. Including these positive and negative effects, colonialism has also touched much of Africa’s history and culture especially in recent years.
Though written in response to Mussolini’s invasion of Algeria in 1935, the poem’s criticism of European colonialism in Africa can be extended to the host of European nations that ran the race to colonial domination. The poem is structured to mirror the evolution of Africa, with the three stanzas respectively dealing with Africa’s creation, colonisation and post-colonialism. This sets up the framework for the contrasting of the three periods, which expose the poet's impression of the hypocrisy of Western imperialism. For Tagore, Western imperialism in Africa has hindered the country's natural progression towards civilisation. This is emphasised through his ample use of anthropomorphism which offers a human dimension to Africa. The employment of pathos in Africa also conveys Tagore's conception of Western colonialism as driven by an ignorant sense of contempt that has ruthlessly robbed the continent of its innocence.
Africa My Africa by David Diop is an excellent example of a post-colonialism piece of work. After researching the author of the poem, I thoroughly understood and enjoyed the text more than just reading it over, without knowing his personal biographical information. David Diop is an African poet, who was born in France. His parents are of the West African descent (Poets.org). Diop emphasizes the problems of Africa that were brought about by colonialism, and shares a message to Africans to bring about change and freedom through his poem, Africa My Africa. Colonialism is the political, social, economic, and cultural domination of a territory and its people by a foreign power.
Most art has some sort of reason or purpose behind it. It might be religious, symbolic, literal, traditional, customary, or just a preference by the artist. Most African art has a symbolic reason. Masks, pottery, figures, portraits, jewelry, baskets and clothing reflect the religious belief of the different tribes. Africans believed that everything in nature is alive. For example: rocks, grass, plants, trees, rivers and mountains. African art was not popular and was looked down upon until recently. In Nigeria, people were tattooed as a test of courage. The figure- “Portrait Head of a King (Oni)” reflects this. The King has this tattooing on his entire face. The King has big slanted eyes, a prominent nose, and big full lips. All these things represented something to the Nigerian people; the King...