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Symbolism in modern poetry
Symbolism in modern poetry
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The death of a loved one can often cause a stillness in time. In his poem “The Vacuum,” Howard Nemerov uses a variety of poetic devices in order to portray a husband’s struggle to cope with his wife’s death. Through the use of symbolism, the speaker is able to portray a common household item, a vacuum, as being a physical reminder of his dead wife. The speaker, a widower, also personifies the vacuum and his heart in order to express his sorrow. The poem uses symbolism and personification in order to show how death seems to stop the passage of time.
The speaker uses the vacuum as a symbol throughout the poem. In the beginning, the vacuum is an object used for cleaning the house. The speaker says, “The house is so quiet now / The vacuum cleaner
sulks in the corner closet” (1-2). The house is silent because the vacuum cleaner is not being used. Since the wife was the one who cleaned the house, the intended use of the vacuum has died alongside with her. The speaker now uses this vacuum to symbolize his wife. He claims, “When my old women died her soul / Went into that vacuum cleaner” (7-8). The vacuum symbolizes the wife because she loved to clean the house. The husband no longer wants to use the vacuum to clean because of the memories associated with the vacuum and his wife. By refusing to use the vacuum for its intended purpose, the speaker shows how the object now represents the impact his wife’s death has had on every aspect of his life. The use of symbolism contributes to the idea that death stops the passage of time because despite the wife not being there physically, the man is surrounded by memories of her that he is unable to remove. Throughout the poem, the husband personifies the vacuum and his emotions. In the beginning of the poem, the speaker describes the vacuum as being close to death. He says, “Its bag limp as a stopped lung, its mouth / Grinning into the floor” (3-4). The speaker is ironically bringing the vacuum to life only to show how it’s dying from becoming useless. The vacuum has stopped breathing and is laying on the floor, much like the husband’s dead wife in her grave. Since the wife is no longer there to clean, the husband does not want to use the vacuum in fear that it will remove her presence from the house. The speaker also personifies his own heart. The husband explains, “And still the hungry, angry heart / Hangs on and howls, biting at air” (14-15). By personifying his heart, the speaker expresses his sorrow and anger. By portraying his heart as being an angry animal, the speaker shows how he is causing himself pain by surrounding himself with her possessions. The use of personification contributes to the idea of death stopping the passage of time because the lingering memories of the wife prevent the speaker from being able to move on with his life. The idea that death causes a stillness in time is portrayed in the poem through the use of symbolism and personification. Throughout the poem, the vacuum functions as an object itself as well as a symbol for the man’s dead wife. By personifying the vacuum, the husband shows how his wife’s death has affected every aspect of his life. The husband also personifies his heart in order to express the pain he feels without her. The use of symbolism and personification shows how the impact that the wife’s death has had on the speaker’s life and how he is unable to move on. By concentrating on the stillness of time, the speaker allows the audience to reflect on the emotional impacts caused by death.
Firstly, the speaker brings up the fact that “the only two rooms in the house with the walls that reached all the way up to the ceiling and doors that opened and closed, were the bathroom and the darkroom.” Through addressing that the two rooms with the highest walls are the bathroom and darkroom, Kay is emphasizing the fact the darkroom is a private place which is why it is cut off from the rest of the house much like a bathroom. By including these details she is insinuating the fact that it is a sacred space. The bathroom is also a room that is an essential space in the house and so, by comparing the two rooms, Kay is demonstrating that the darkroom is an inherent need. To the speaker’s mother, the darkroom is more than just a hobby, it is an essential part of her life. Furthermore, by describing the darkroom in great detail Kay allows the reader to better visualize what the darkroom looks like, ultimately transforming the space into a main character of the poem. Additionally, by including the fact that the speaker’s mother “built herself a darkroom” and refers to it as her “home” she is once again reiterating the fact that photography used to be much more of an art and those who took part in the hobby put in an abundance of effort to master their
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
My initial response to the poem was a deep sense of empathy. This indicated to me the way the man’s body was treated after he had passed. I felt sorry for him as the poet created the strong feeling that he had a lonely life. It told us how his body became a part of the land and how he added something to the land around him after he died.
passed away” holds a significantly sombre and melancholy tone. This is juxtaposed to the living
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
The constant process of life and death, driven by an indestructible progression of time, explains the attitude of carpe diem expressed in three poems focused on human love being a fickle matter. Within the poems “To His Coy Mistress” by Andrew Marvell, “To the Virgins, to Make Much of Time” by Robert Herrick, and “Youth’s the Season Made for Joys” by John Gay, the concept of how a shy attitude towards the inevitable end of all life is exposed as an inherently useless view. Nevertheless, though their primary themes and ideas of this constant procession of time are obviously expressed, the manner in which they do this, through figurative language and imagery, is the main point in which each of these three poems can be contrasted and examined
Loss. Grief. Mourning. Anger. Disbelief. Emotions are in abundance when a loved one passes away. People need to find a way to cope with the situations and often need to express themselves by writing their feelings down in order to get them out. This is exactly what Paul Monette does in his book of poetry title “Love Alone” in remembrance of his companion Rog. Through writing his poetry Monette describes his emotions and the events that occurred during Rog’s battle with AIDS. By Monette’s transitioning through different emotions, the reader begins to understand the pain the author is dealt. Touching upon Kubler-Ross’ five stages of death including denial, anger, bargaining, depression and acceptance, Monette transitions to Rog’s decline in health. Using different fonts and no punctuation, the lines are interpreted by the reader using instincts to know when to begin and end a sentence. Evident in the poems “The Very Same”, “The Half-life”, and “Current Status”, Monette gives a description of loss that makes the reader tingle.
...ttachment or emotion. Again, Heaney repeats the use of a discourse marker, to highlight how vividly he remembers the terrible time “Next morning, I went up into the room”. In contrast to the rest of the poem, Heaney finally writes more personally, beginning with the personal pronoun “I”. He describes his memory with an atmosphere that is soft and peaceful “Snowdrops and Candles soothed the bedside” as opposed to the harsh and angry adjectives previously used such as “stanched” and “crying”. With this, Heaney is becoming more and more intimate with his time alone with his brother’s body, and can finally get peace of mind about the death, but still finding the inevitable sadness one feels with the loss of a loved one “A four foot box, a foot for every year”, indirectly telling the reader how young his brother was, and describing that how unfortunate the death was.
Throughout the lives of most people on the planet, there comes a time when there may be a loss of love, hope or remembrance in our lives. These troublesome times in our lives can be the hardest things we go through. Without love or hope, what is there to live for? Some see that the loss of hope and love means the end, these people being pessimistic, while others can see that even though they feel at a loss of love and hope that one day again they will feel love and have that sense of hope, these people are optimistic. These feelings that all of us had, have been around since the dawn of many. Throughout the centuries, the expression of these feelings has made their ways into literature, novels, plays, poems, and recently movies. The qualities of love, hope, and remembrance can be seen in Emily Bronte’s and Thomas Hardy’s poems of “Remembrance” “Darkling Thrush” and “Ah, Are you Digging on my Grave?”
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
Through an intimate maternal bond, Michaels mother experiences the consequences of Michaels decisions, weakening her to a debilitating state of grief. “Once he belonged to me”; “He was ours,” the repetition of these inclusive statements indicates her fulfilment from protecting her son and inability to find value in life without him. Through the cyclical narrative structure, it is evident that the loss and grief felt by the mother is continual and indeterminable. Dawson reveals death can bring out weakness and anger in self and with others. The use of words with negative connotations towards the end of the story, “Lonely,” “cold,” “dead,” enforce the mother’s grief and regressing nature. Thus, people who find contentment through others, cannot find fulfilment without the presence of that individual.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.