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Joyce Carol Oates: "Where Are You Going, Where Have You Been?
Joyce Carol Oates: "Where Are You Going, Where Have You Been?
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been? theme
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“Where Are You Going, Where Have You Been” by Joyce Carol Oates is a well thought out short story full of different elements and literary devices hidden between words and sentences. A few elements that are prominent enough to focus on throughout the story are symbolism, setting, and themes. To begin with, symbolism is used a few times throughout “Where Are You Going, Where Have You Been”. One symbol is Arnold Friend’s car which is “painted so bright it almost hurt her eyes to look at it”. It is symbolic of something not being right with Arnold himself, of hiding a secret. After viewing the car the narrator then says, “She looked at it for a while as if the words meant something to her that she did not yet know.” Connie seeing the car that’s …show more content…
trying to pass off as hip, cool, and young, makes her feel like something is wrong with Arnold himself although she doesn’t know exactly what yet. After more conversation and observation, Arnold Friend is then described. There was that “…slippery friendly smile of his, that sleepy dreamy smile that all the boys used to get across ideas they didn't want to put into words. She recognized all this and also the singsong way he talked, slightly mocking, kidding, but serious and a little melancholy, and she recognized the way he tapped one fist against the other in homage to the perpetual music behind him. But all these things did not come together.” She starts getting nervous because of all the signs that shows there is something wrong with this man that she knew nothing about. All she had to go off were his car and his character which were both hiding something underneath it. The setting in “Where Are You Going, Where Have You Been” by Oates is extremely important. The story was written in the 1960’s, during the Women’s Liberation Movement. Dramatic changes were happening for women at this time and Oates strongly shows this in several ways. Women were declaring themselves independent and expressing and claiming their sexuality in ways they had never been able to before. Because of the rise in women’s independence and rise of women’s sexuality, that may be the reason of Connie’s desperation of changing with the times. She was desperate to fit in and move forward with her life as was the rest of America’s women. One major literary device used in this story is the use of themes. There are several different themes in this short story including Connie searching for sexuality and independence. Throughout the short story, Connie is constantly preoccupied about her looks. “She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right.”. Connie and her friends would go to the diner where the older kids would hang out quite often. The young fifteen year old would be so focused on boys and sexuality that she would leave her friend alone to hang out with a boy Eddie she barely knew. “She spent three hours with him, at the restaurant where they ate hamburgers and drank Cokes in wax cups that were always sweating, and then down an alley a mile or so away, and when he left her off at five to eleven only the movie house was still open at the plaza.” The time spent in so far down the alley implies that they were doing more than talking. In addition to themes, Connie’s journey to find independence is shown in by her reluctance to be like her sister which her mother wants so badly of her.
Connie constantly had to listen to her mother complain about how her sister was one way and Connie was another; “June did this, June did that, she saved money and helped clean the house and cooked and Connie couldn't do a thing, her mind was all filled with trashy daydreams.” By not conforming to her mother’s wishes this shows a certain level of independence achieved. Connie and her friends would often be dropped off at the mall by her friend’s father and they would be by themselves until eleven at night. Sometimes they would watch movies or walk through the stores which was what they would say they were doing. Sometimes they would walk across the street to the diner that was earlier mentioned. At the end of the night the father wouldn’t even ask what they had done, not questioning their actions. This leads the young adults to believe they’re mature and not think about the consequences of their actions by going to the diner with the older kids. They didn’t think about their actions of hanging out at “…the maze of parked and cruising cars to the brightlit, fly-infested restaurant, their faces pleased and expectant as if they were entering a sacred building that loomed up out of the night to give them what haven and blessing they yearned for.” They didn’t care if it was a low end restaurant, they just wanted to hang out with the grownups to act as if they were mature as well. The final act of independence Connie shows was at the end of the story when Connie has to make the choice of going with Arnold Friend or risk her family being hurt by him. In the end, in her dazed confusion of being pressured, she decides to go with Friend. “She put out her hand against the screen. She watched herself push the door slowly open as if she were back safe somewhere in the other doorway,” during this moment of her walking out she
looks out to behind Friend to where “sunlit reaches of the land behind him and on all sides of him—so much land that Connie had never seen before and did not recognize except to know that she was going to it.”. Although she was dazed and scared and confused, she seems to almost be excited to be venturing out to a world unknown. She’s finally making an independent decision that will change her life. The literary elements of symbolism, setting, and themes are important to this story because it sets the scene, reveals hidden messages, and explains the reasoning of certain events. Setting and theme work hand in hand with each other. Because of the time the story was written and what women were trying to go through at the time, that is where the theme comes into play. Because of the time frame, that’s the reason Connie was so focused on sexuality and independence, which is how those two ended up becoming the themes. In the end, each literary element mentioned and not mentioned played a big role in creating the short story that it is.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been?” Celestial Timepiece. July 2007. U of San Francisco. 15 Mar. 2008.
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
Gale Kozikowski, Stan. " The Wishes and Dreams Our Hearts Make in Oates's 'Where Are You Going, Where Have You Been?'. " Journal of the Short Story in English. 33 (Autumn 1999): 89-103.
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
Connie has the need to be viewed as older and as more mature than she really is, all the while still displaying childlike behavior. She shows this childlike behavior by “craning her neck to glance in mirrors [and] checking other people’s faces to make sure her own was all right” (Oates 323). This shows that Connie is very insecure and needs other people’s approval. Although on one side she is very childish, on the other side she has a strong desire to be treated like an adult. This longing for adulthood is part of her coming of age, and is demonstrated by her going out to “bright-lit, fly-infested restaurant[s]” and meeting boys, staying out with those boys for three hours at a time, and lying to her parents about where she has been and who she has been with (Oates 325, 326). “Everything about her ha[s] two sides to it, one for home and one for anywhere that was not home” (Oates 324). Even her physical movements represent her two-sided nature: “her walk that could be childlike and bobbing, or languid enough to make anyone think she was hearin...
However, as I continued to read the story I began to wonder if maybe Connie’s life was not in any way parallel to my own. I have a younger sister where she has an older sister, but that is where the similarities end. Her mother is always telling her that she should be more like June, her older sister. It seemed to me that June living with her parents at her age was unusual, but the fact that she seemed to enjoy this and was always doing things to h...
An unstable home filled with broken relationships is like a shattered glass it can never be the same again because the damage is already done. Author Joyce Carol Oates portrays this in her short story “Where are you going. Where have you been?” The main character of the short story feeds off her broken home. Her family household situation motivates her to be a rebel. She ends up making so decisions that will change her life in a negative way.
The open ended design of “Where Are You Going, Where Have You Been?” leaves what happens to Connie to the reader’s interpretation but it also brings to question how it could’ve gone for her if she hadn’t been ignorant and self obsessed and whether if she would’ve been kidnapped either way. Everything can be good in moderation, whether it be the blissfulness of ignorance or the confidence that comes with small amounts of narcissism, but without moderation these ideals can be detrimental to what happens to those who go too
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
Have you ever been so focused on achieving your dreams that you become unaware of your current situation? When we focus on the goals ahead of us, we fail to see the obstacles and dangers that are in front of us. In order to achieve our goals we involuntarily put ourselves in an unwanted situation. Connie, herself, struggles to achieve her goal of being a desirable girl that turns heads when she walks into the room. She becomes so set on being this girl that she doesn’t realize the danger of the situation. In “Where Are You Going, Where Have You Been?” Oates utilizes metaphors, diction, and imagery to show how Connie is in a constant tug between her reality and her dreams, and how this confines her freedoms in a world that is surrounded with malevolence.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
Where Are You Going, Where have you been? is a short story written by Joyce Carol Oates. The 75 year old American author and professor at Princeton University, introduce the story of 15 year old Connie who is rebelling against her mother’s whishes. A very arrogant and selfish girl that in her world the only thing that matters is how many heads she can turn when walking into a room. Through the story life gives her a test, to confront Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience.
the lack of knowing her true self lets Arnold Friend overpower her in the end. The words and letters on Arnold’s car symbolize warnings that Connie should have picked up on. Because Arnold symbolizes the devil, the evil inside of him gives him advantages to manipulate Connie into leaving her house, despite everything inside of Connie screaming at her not to go. The symbolisms in these objects or people are all deeply rooted to the theme of this short story, “Where Are You Going? Where Have You Been?”.
As Arnold’s remarks and statements become more sexual and severe, her perception of a fantasy world is stripped away and now she is caught in between the scary truth of her dilemma. Her hopes of her family coming home soon, is irrelevant. Connie both horrified and amazed by his accuracy descriptions of her family leads her to begin screaming that he is crazy and to leave her house at once or else she will call the police. Arnold, without hesitation threatens her by saying he will not follow her into her house unless she touches the phone. With trembling fingers, Connie fails to lock the door of her house, but Arnold quickly points out that he could break down the door if he wanted to. Questioning what he wanted, Arnold replies that he wants her, and that he knew that she was the one for him. Arnold asks Connie to come out of the house or he will cause harm to her family. Connie makes her last effort to call for help, but is unable to reach the telephone. Connie “ cried out for her mother, she felt her breath start jerking back and forth in her lungs as if it was something Arnold Friend was stabbing her with again and again with no tenderness” (189). By this part of the story, Arnold has taken complete control of Connie and her emotions. Connie cannot think for herself and much less make that call for help. Keeping Connie trapped in her own home, makes Arnold seem possessive, and the
due to her family leaving to attend a barbeque. Like Chet, Connie also has to rely on herself to overcome her obstacles, such as the threatening Arnold Friend. Stegner and Oates both use this plot point in order to establish that their characters cannot rely on their family for help or protection, which emphasizes their transition to adulthood. In Stegner’s depiction, the purpose seems to be the successful overcoming of obstacles that a child, specifically a boy, has to go through in order to become a man.