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Joyce Carol Oates: "Where Are You Going, Where Have You Been?
Joyce Carol Oates: "Where Are You Going, Where Have You Been?
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been? theme
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“Where Are You Going, Where Have You Been” by Joyce Carol Oates is a well thought out short story full of different elements and literary devices hidden between words and sentences. A few elements that are prominent enough to focus on throughout the story are symbolism, setting, and themes. To begin with, symbolism is used a few times throughout “Where Are You Going, Where Have You Been”. One symbol is Arnold Friend’s car which is “painted so bright it almost hurt her eyes to look at it”. It is symbolic of something not being right with Arnold himself, of hiding a secret. After viewing the car the narrator then says, “She looked at it for a while as if the words meant something to her that she did not yet know.” Connie seeing the car that’s …show more content…
Connie constantly had to listen to her mother complain about how her sister was one way and Connie was another; “June did this, June did that, she saved money and helped clean the house and cooked and Connie couldn't do a thing, her mind was all filled with trashy daydreams.” By not conforming to her mother’s wishes this shows a certain level of independence achieved. Connie and her friends would often be dropped off at the mall by her friend’s father and they would be by themselves until eleven at night. Sometimes they would watch movies or walk through the stores which was what they would say they were doing. Sometimes they would walk across the street to the diner that was earlier mentioned. At the end of the night the father wouldn’t even ask what they had done, not questioning their actions. This leads the young adults to believe they’re mature and not think about the consequences of their actions by going to the diner with the older kids. They didn’t think about their actions of hanging out at “…the maze of parked and cruising cars to the brightlit, fly-infested restaurant, their faces pleased and expectant as if they were entering a sacred building that loomed up out of the night to give them what haven and blessing they yearned for.” They didn’t care if it was a low end restaurant, they just wanted to hang out with the grownups to act as if they were mature as well. The final act of independence Connie shows was at the end of the story when Connie has to make the choice of going with Arnold Friend or risk her family being hurt by him. In the end, in her dazed confusion of being pressured, she decides to go with Friend. “She put out her hand against the screen. She watched herself push the door slowly open as if she were back safe somewhere in the other doorway,” during this moment of her walking out she
due to her family leaving to attend a barbeque. Like Chet, Connie also has to rely on herself to overcome her obstacles, such as the threatening Arnold Friend. Stegner and Oates both use this plot point in order to establish that their characters cannot rely on their family for help or protection, which emphasizes their transition to adulthood. In Stegner’s depiction, the purpose seems to be the successful overcoming of obstacles that a child, specifically a boy, has to go through in order to become a man.
The author begins her message with the title of her work, which conveys the idea of passages of time in life. The phrase "where are you going" suggests a time in the future, and the phrase "where have you been" evokes the past. Oates' message continues through the plot and characters. The basic elements of "Where Are You Going, Where Have You Been?" are rooted in a true story of a 1965 crime. Occurring just a year before Oates' 1966 story was published, the "parallels between [th...
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
A mysterious car pulled into Connie’s driveway and the driver proceeds to get out of his vehicle, showing that he belonged there, not recognizing the car Connie opens the door to her house and leans out it. “She went into the kitchen and approached the door slowly, then hung out the screen door,” (2). Without even knowing who or why this person has come to her house, Connie opens her door and leans out to possible talk to the driver, who would turn out to be Arnold Friend and wants to take her on a “date”. Connie’s ignorance towards Arnold and his arrival almost immediately puts her in a vulnerable state without her even realizing it, this vulnerability would be the first event to foreshadow Connie’s inevitable kidnapping. After greeting and talking to Arnold for a little, he proceeds to ask Connie if she wants to go for a ride in his car. Instead of turning down the offer since she barely, if at all, knew Arnold, Connie somewhat debates it. “Connie smirked and let her hair fall loose over her shoulder,” (3). Though she lacks any information about Arnold, Connie kind of debates taking up his offer to go for a ride, further letting her ignorance towards the entire situation usher her into an even more vulnerable
An unstable home filled with broken relationships is like a shattered glass it can never be the same again because the damage is already done. Author Joyce Carol Oates portrays this in her short story “Where are you going. Where have you been?” The main character of the short story feeds off her broken home. Her family household situation motivates her to be a rebel. She ends up making so decisions that will change her life in a negative way.
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
Where Are You Going, Where have you been? is a short story written by Joyce Carol Oates. The 75 year old American author and professor at Princeton University, introduce the story of 15 year old Connie who is rebelling against her mother’s whishes. A very arrogant and selfish girl that in her world the only thing that matters is how many heads she can turn when walking into a room. Through the story life gives her a test, to confront Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience.
“Where Are You Going, Where Have You Been”, is one of the many short stories written by Mrs. Joyce Carol Oates that has become highly recognized. It was inspired by a magazine story about a serial killer. It quickly it became very popular andwas even the basis for the 1985 hit movie, “SmoothTalk”. Like many other short stories and novels written by Joyce Carol Oates, “Where Are You Going, Where Have You Been” is a story that is consumed by evil, the theme. In the story evil is projected through the eyes of the characters.(Weinberger 207) Joyce Carol Oates has been labeled by many as a, “writer of psychological realism”(Wegs 69), which is seen in this story. Tied in with the theme are three particular literary elements that interlink all of the scattered details, leaving the readers in awe at the end of the narrative. The three literary elements contributing to the short story are irony, imagery and symbolism. Irony is an important element in “Where Are You Going, Where HaveYou Been.” The title itself is ironic since it is two questions that Connie is never asked. No one has ever asked, where she was going, nor has anyone ever inquired where she has been.(sullivan 535) What is also ironic is that although she is the victim in this tale, she actually welcomes and invites this demonic provocation.(Hurly 64) Her fears that have always overtaken he subconscious self drive her into distorted separation of mind and body in which sher ealizes that her unconscious self has betrayed her.(Wegs 70) Something else somewhat ironic is when Arnold Friend says,” I’ll hold you so tight you won’t think you have to try to getaway or pretend anything because you’ll know youca...
There has been ample ink spilt on the degree to which Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” is allegorical, but more specifically, allegorical division between realistic and existentialist. It is, however, difficult to fully distinguish the two as separate beings entirely considering that they function in unity throughout. It is, then, the purpose of this analysis to bridge the two seemingly disparate theories and understand how their workings in the short story collectively exist, examined through the criticism of Urbanski.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been?” Celestial Timepiece. July 2007. U of San Francisco. 15 Mar. 2008.
Oates, Joyce Carol. Where Are You Going, Where Have You Been? Backpack Literature. Upper Saddle River, New Jersey: Pearson Education, 2010. Print.
Gale Kozikowski, Stan. " The Wishes and Dreams Our Hearts Make in Oates's 'Where Are You Going, Where Have You Been?'. " Journal of the Short Story in English. 33 (Autumn 1999): 89-103.
Oates, Carol Joyce. “Where Are You Going, Where Have You Been?." Kirszner and Mandell. 505-516. Compact Literature. Boston: Wadsworth,2013,2012,2007. Print.
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
As Arnold’s remarks and statements become more sexual and severe, her perception of a fantasy world is stripped away and now she is caught in between the scary truth of her dilemma. Her hopes of her family coming home soon, is irrelevant. Connie both horrified and amazed by his accuracy descriptions of her family leads her to begin screaming that he is crazy and to leave her house at once or else she will call the police. Arnold, without hesitation threatens her by saying he will not follow her into her house unless she touches the phone. With trembling fingers, Connie fails to lock the door of her house, but Arnold quickly points out that he could break down the door if he wanted to. Questioning what he wanted, Arnold replies that he wants her, and that he knew that she was the one for him. Arnold asks Connie to come out of the house or he will cause harm to her family. Connie makes her last effort to call for help, but is unable to reach the telephone. Connie “ cried out for her mother, she felt her breath start jerking back and forth in her lungs as if it was something Arnold Friend was stabbing her with again and again with no tenderness” (189). By this part of the story, Arnold has taken complete control of Connie and her emotions. Connie cannot think for herself and much less make that call for help. Keeping Connie trapped in her own home, makes Arnold seem possessive, and the