Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Play review
Play review
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Play review
Play Review The 10 minute drama play Subterranean Homesick Blues Again by Dennis Reardon is about some friends that are going on a tour to a popular cavern, they are descending 15,000 feet into the bowels of the earth. They are being lead by a small tour guide. As they start descending deeper in the cavern one couple starts making jokes about the insides of the cavern. The tour guide steadily gets irritated by the constant jokes and the lack on respect. The tour takes a sudden turn when the tour guide starts to scare the couples, and things take a strange and exciting turn at the end of the tour. Reardon potrays death as a horrifying, and long journey. Reardon’s writing was superior. He used many descriptive words to help visualize the scenes.
For example “Where our floodlights strike water running over a rock, there are bats.” The interactions between the couples helped us see all of their personalities. Such as “ Sherman: Hey, for seven bucks a pop, you better show us all of it. Mick: Is he about money again? Who bought lunch tell me that.” I think that he was a little too vague in his writing, if you don’t know much about greek mythology you would not have gotten where they were at the end of the play. For instance “Charon. The name is Charon.” Also you would not know what a Cerbous was, “Stay Cerbous! If you just get out of the boat he won’t hurt you.” In conclusion Dennis Reardon had good and bad aspects of the play in my opinion. I really liked this play because it is the type of genre that I like to read about. I would recomend this to people because I really like this dark genre and I would recomend this to people that like dark pieces.
...feet underground. It reads, “The resulting shortness of breath, where even the deepest inhalation fails to satisfy the demands of the lungs, coupled with the visual confines of the surrounding rock, may induce in some an acute claustrophobia. Voynick continues, “It surfaces as a discomfort most often felt when taking a break after exertion, when the mind is idle. One might lie back on a piece of lagging and look up, imagining that the tightness in his chest and lungs is caused by an invisible, but distinctly tangible, force, a vice, always squeezing, constraining just enough to prevent that last bit of needed air from getting into the lungs.” These sentences can truly be understood by any who have experienced the underground. I feel that Voynick’s book pronounced through direct words and simple writing that hardrock mining is both risky but nevertheless rewarding.
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
This blues poem discusses an incredibly sensitive topic: the death of Trethewey’s mother, who was murdered by her ex-husband when Trethewey was nineteen. Many of her poetry was inspired by the emotions following this event, and recounting memories made thereafter. “Graveyard Blues” details the funeral for Trethewey’s mother, a somber scene. The flowing words and repetition in the poem allow the reader to move quickly, the three-line stanzas grouping together moments. The poem begins with heavy lament, and the immediate movement of the dead away from the living, “Death stops the body’s work, the soul’s a journeyman [author emphasis]” (Tretheway 8, line 6). Like the epitaph from Wayfaring Stranger, Trethewey indicates that the dead depart the world of the living to some place mysterious, undefined. The living remain, and undertake a different journey, “The road going home was pocked with holes,/ That home-going road’s always full of holes” (Trethewey 8, line 10-11). Trethewey indicates that the mourning is incredibly difficult or “full of holes”, as she leaves the funeral and her mother to return home. ‘Home’ in this poem has become indicative of that which is not Trethewey’s mother, or that which is familiar and comfortable, in vast contrast to the definition of home implied in the
From death to drug use “The Ascent”, teaches a crucial moral lesson in how decisions affect more than one individual. In Ron Rash’s, “The Ascent”, he tells a story about a boy named Jared who has a rough life due to his parent’s decision making. While Jared is on Christmas break he begins to explore in the woods. As he was exploring he discovers a crashed plane that went missing recently. As the story continues Jared reveals little details, or inner thoughts that his young mind does not understand what is happening around him. Rash’s use of naïve narrator, critical foreshadowing, and imagery to create an effective setting that leads to a character revelation.
In James Baldwin's "Sonny's Blues" a pair of brothers try to make sense of the urban decay that surrounds and fills them. This quest to puzzle out the truth of the shadows within their hearts and on the streets takes on a great importance. Baldwin meets his audience at a halfway mark: Sonny has already fallen into drug use, and is now trying to return to a clean life with his brother's aid. The narrator must first attempt to understand and make peace with his brother's drug use before he can extend his help and heart to him. Sonny and his brother both struggle for acceptance. Sonny wants desperately to explain himself while also trying to stay afloat and out of drugs. Baldwin amplifies these struggles with a continuous symbolic motif of light and darkness. Throughout "Sonny's Blues" there is a pervasive sense of darkness which represents the reality of life on the streets of Harlem. The darkness is sometimes good but usually sobering and sometimes fearful, just as reality may be scary. Light is not simply a stereotypical good, rather it is a complex consciousness, an awareness of the dark, and somehow, within that knowledge there lies hope. Baldwin's motif of light and darkness in "Sonny's Blues" is about the sometimes painful nature of reality and the power gained from seeing it.
All of humanity suffers at one point or another during the course of their lives. It is in this suffering, this inevitable pain, that one truly experiences life. While suffering unites humankind, it is how we choose to cope with this pain that defines us as individuals. The question becomes do we let suffering consume us, or do we let it define our lives? Through James Baldwin’s story, “Sonny’s Blues”, the manner by which one confronts the light and darkness of suffering determines whether one is consumed by it, or embraces it in order to “survive.” Viewing a collection of these motifs, James Baldwin’s unique perspective on suffering as a crucial component of human development becomes apparent. It is through his compassionate portrayal of life’s inescapable hardships that one finds the ability to connect with humankind’s general pool of hardship. James Baldwin’s “Sonny’s Blues” makes use of the motifs of darkness and light to illuminate the universal human condition of suffering and its coping mechanisms.
In James Baldwin's "Sonny's Blues" the symbolic motif of light and darkness illustrates the painful nature of reality the two characters face as well as the power gained through it. The darkness represents the actuality of life on the streets of the community of Harlem, where there is little escape from the reality of drugs and crime. The persistent nature of the streets lures adolescents to use drugs as a means of escaping the darkness of their lives. The main character, Sonny, a struggling jazz musician, finds himself addicted to heroin as a way of unleashing the creativity and artistic ability that lies within him. While using music as a way of creating a sort of structure in his life, Sonny attempts to step into the light, a life without drugs. The contrasting images of light and darkness, which serve as truth and reality, are used to depict the struggle between Sonny and the narrator in James Baldwin's "Sonny's Blues."
In "Sonny's Blues" James Baldwin presents an intergenerational portrait of suffering and survival within the sphere of black community and family. The family dynamic in this story strongly impacts how characters respond to their own pain and that of their family members. Examining the central characters, Mama, the older brother, and Sonny, reveals that each assumes or acknowledges another's burden and pain in order to accept his or her own situation within an oppressive society. Through this sharing each character is able to achieve a more profound understanding of his own suffering and attain a sharper, if more precarious, notion of survival.
The Allegory of the Cave has many parallels with The Truman Show. Initially, Truman is trapped in his own “cave”; a film set or fictional island known as Seahaven. Truman’s journey or ascension into the real world and into knowledge is similar to that of Plato’s cave dweller. In this paper, I will discuss these similarities along with the very intent of both of these works whose purpose is for us to question our own reality.
Several passages found throughout "Sonny's Blues" indicate that as a whole, the neighborhood of Harlem is in the turmoil of a battle between good and evil. The narrator describes Sonny's close encounters with the evil manifested in drugs and crime, as well as his assertive attempts at distancing himself from the darker side. The streets and communities of Harlem are described as being a harsh environment which claims the lives of many who have struggled against the constant enticement of emotional escape through drugs, and financial escape through crime. Sonny's parents, just like the others in Harlem, have attempted to distance their children from the dark sides of their community, but inevitably, they are all aware that one day each child will face a decisionb for the first time. Each child will eventually join the ranks of all the other members of society fighting a war against evil at the personal level so cleanly brought to life by James Baldwin. Amongst all the chaos, the reader is introduced to Sonny's special secret weapon against the pressures of life: Jazz. Baldwin presents jazz as being a two-edged sword capable of expressing emotions like no other method, but also a presenting grave danger to each individual who bears it. Throughout the the story, the reader follows Sonny's past and present skirmishes with evil, his triumphs, and his defeats. By using metaphorical factors such as drugs and jazz in a war-symbolizing setting, Baldwin has put the focus of good and evil to work at the heart of "Sonny's Blues."
The narrator in James Baldwin’s short story, “Sonny’s Blues”, at first glance seems to be a static character, trying to forget the past and constantly demeaning his brother’s choices in life. Throughout the story, readers see how the narrator has tried to forget the past. However, his attempt to forget the past soon took a turn. When the narrator’s daughter died, he slowly started to change. As the narrator experiences these changes in his life, he becomes a dynamic character.
After reading the short story "Sonny's Blues" by James Baldwin, I find there are two major themes that Baldwin is trying to convey, suffering and irony. The first theme that he brings out and tries to get the reader to understand is the theme of suffering. The second theme that the author illustrates is the theme of irony.
The short story Sonny’s Blues by James Baldwin is written in first person through the narrator. This story focuses on the narrator’s brother sonny and their relationship throughout the years. This story is taken place in Harlem, New York in the 1950s. The narrator is a high school algebra teacher and just discovered his brother in the newspaper. This story includes the traditional elements to every story, which consist of the exposition, conflict, rising action, climax, falling action, and the resolution.
“Tunnel” by Sarah Ellis is about a sixteen-year old boy who is looking for a job. He gets a job as a babysitter, and has to look after a girl name Elizabeth, Ib for short. Ib and Ken go for an exploration mission, as he calls it, ending up at a recognizable place from Ken's childhood. Ib enters this place, endangers herself, and requires assistance from Ken. Ken and Ib hear voices that will only disappear upon hearing Ken and Ib’s real name. Ken helps Ib, and they leave, trying to forget about the traumatic experience. This story was able to positively depict the elements of a short story through the point of view, theme, and the mood of the story.
For some people life may not be satisfactory. Life has many troubles including death, pain, and suffering. It leaves little hope. There are ways in which people can live to have a good life. This method of how a person should live is viewed differently thoughout the world. James Hilton represents this combination of ideas and cultures in the novel, Lost Horizon (1933). This novel tells the tale of four distinctively different people retreating from a war zone. In their retreat they are kidnapped and taken by plane deep into the Himalayan mountain wilderness. Little did they know that here in the confines of the mountains there is a paradise. This paradise is called Shangri-La and is a Tibetan Monastery and community in a place of splendid beauty. Surprisingly, the kidnapped group finds that they are considered guests in this elevated community. They are apprehensive of the cerebrated treatment that they receive, but soon accept and enjoy their "misfortune." Shangri-La is a paradise, but the guests become held prisoner to pleasure and happiness.