More handpicked essays just for you.
Symbolism of light and darkness in heart of darkness
Symbolism of light and darkness in heart of darkness
Symbolism of light and darkness in heart of darkness
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Symbolic Use of Light and Dark in James Baldwin's Sonny's Blues In James Baldwin's "Sonny's Blues" a pair of brothers try to make sense of the urban decay that surrounds and fills them. This quest to puzzle out the truth of the shadows within their hearts and on the streets takes on a great importance. Baldwin meets his audience at a halfway mark: Sonny has already fallen into drug use, and is now trying to return to a clean life with his brother's aid. The narrator must first attempt to understand and make peace with his brother's drug use before he can extend his help and heart to him. Sonny and his brother both struggle for acceptance. Sonny wants desperately to explain himself while also trying to stay afloat and out of drugs. Baldwin amplifies these struggles with a continuous symbolic motif of light and darkness. Throughout "Sonny's Blues" there is a pervasive sense of darkness which represents the reality of life on the streets of Harlem. The darkness is sometimes good but usually sobering and sometimes fearful, just as reality may be scary. Light is not simply a stereotypical good, rather it is a complex consciousness, an awareness of the dark, and somehow, within that knowledge there lies hope. Baldwin's motif of light and darkness in "Sonny's Blues" is about the sometimes painful nature of reality and the power gained from seeing it. Baldwin's use of the symbols light and darkness seem at first stereotypical. Light is the good while dark is the bad, but after several uses it is clear that the author has a more complex idea. The first reference to light occurs while the narrator is thinking over the recently learned news that Sonny has been jailed. "I didn't want to believe that I'd ever see m... ... middle of paper ... ...shes a symbolic motif of light and darkness to illustrate the duality of the brothers' world. Darkness represents reality, often cold, sometimes comforting, while light is the hope that sees them through. Together Sonny and his brother will face the darkness with a light and their hopes, making the black a little less foreboding, creating a reality they can deal with. At the end of the story the narrator sits in the bar watching his brother receive his applause and sends him a drink. He comments, "I saw the girl put a scotch and milk on top of the piano for Sonny . . . as they began to play again, it glowed and shook above my brother's head like the very cup of trembling," (439). Dark and light united in a drink of life, trembling with tenacity. Works Cited Baldwin, James. "Sonny's Blues." The Oxford Book of American Short Stories 1992: 409 - 439.
The Parable of the Prodigal Son talks about how a father gives his inheritance to his two sons. However, the younger brother wastes all of his inheritance and decides to go home and begs for a job from his father. His father is happy about his return that he decided to throw a celebration. However, the older brother wants no part of it as he states that his father never did that for him for the whole time he has worked for him. But the father tells him that everything the father has is his inheritance, but they should still celebrate the younger brother’s return. Similar to this story, Sonny’s Blues is a story of sin and redemption. And just like the Prodigal Son, Sonny’s Blues feature two brothers, where the narrator is on a right path, while his younger brother, Sonny is on a dark path. Now, Sonny is having trouble with his
Sonny’s Blues written by James Baldwin appears to suggest that family and faith are important aspects in someone’s life and that each person has a different way of dealing with their own demons. The author writes with an expressive purpose and narrative pattern to convey his message and by analyzing the main characters, the point of view of the narration, the conflict in the story and the literary devices Baldwin utilizes throughout his tale, his central idea can be better understood.
The bond of brotherhood is a prize to be cherished by those who know this bond. There is no better friendship than that of siblings, no matter how far apart geographically two brothers may be; they are always brought together by the bond in their heart. Even when brothers do not see eye to eye or have an argument, they will still be brothers and be a part of each other and their lives. The story, Sonny’s Blues, by James Baldwin uses many literary devices throughout this story such as his use of symbolism, his use of the setting and his use on tone to demonstrate the theme in the story, which is the strength of the bonds of brotherhood.
Richard N. Albert is one critic who explores and analyzes the world of “Sonny’s Blues”. His analysis, “The Jazz-Blues Motif in James Baldwin’s “Sonny’s Blues”” is an example of how one can discover the plot, characterization and jazz motif that builds this theme of suffering. Most good stories start with a fundamental list of ingredients that make up the plot: the initial situation, conflict, complications, climax, suspense, denouement, and conclusion. Great writers sometimes shake up the recipe and add some spice. At the beginning of the story, the narrator reads in the newspaper about Sonny’s arrest for using and selling heroin.
In the story, Sonny’s Blues, James Baldwin uses music, jazz, and hymns to shape the story and show how it shapes Sonny’s life and how music is inherent to his survival. All of this is seen through the older brother’s eyes; the older brother is the narrator and the reader begins to understand Sonny through the older brother’s perspective. Baldwin writes the story like a jazz song to make a story out of his father’s past and his brother’s career choice and puts them together, going back and forth, until it creates a blending of histories and lives. He shows how the father’s past is similar to the narrator’s life; the older brother has conflicts with his younger brother, Sonny. Music heals the relationship.
Baldwin, James. "Sonny's Blues." The Norton introduction to Fiction. 6th ed. Ed. Jerome Beaty. New York: Norton, 1996. 47-70.
In James Baldwin's "Sonny's Blues" the symbolic motif of light and darkness illustrates the painful nature of reality the two characters face as well as the power gained through it. The darkness represents the actuality of life on the streets of the community of Harlem, where there is little escape from the reality of drugs and crime. The persistent nature of the streets lures adolescents to use drugs as a means of escaping the darkness of their lives. The main character, Sonny, a struggling jazz musician, finds himself addicted to heroin as a way of unleashing the creativity and artistic ability that lies within him. While using music as a way of creating a sort of structure in his life, Sonny attempts to step into the light, a life without drugs. The contrasting images of light and darkness, which serve as truth and reality, are used to depict the struggle between Sonny and the narrator in James Baldwin's "Sonny's Blues."
Baldwin, James. "Sonny's Blues." The Oxford Book of American Short Stories 1992: 409 - 439.
James Baldwin, author of Sonny’s Blues, was born in Harlem, NY in 1924. During his career as an essayist, he published many novels and short stories. Growing up as an African American, and being “the grandson of a slave” (82) was difficult. On a day to day basis, it was a constant battle with racial discrimination, drugs, and family relationships. One of Baldwin’s literature pieces was Sonny’s Blues in which he describes a specific event that had a great impact on his relationship with his brother, Sonny. Having to deal with the life-style of poverty, his relationship with his brother becomes affected and rivalry develops. Conclusively, brotherly love is the theme of the story. Despite the narrator’s and his brother’s differences, this theme is revealed throughout the characters’ thoughts, feelings, actions, and dialogue. Therefore, the change in the narrator throughout the text is significant in understanding the theme of the story. It is prevalent to withhold the single most important aspect of the narrator’s life: protecting his brother.
Several passages found throughout "Sonny's Blues" indicate that as a whole, the neighborhood of Harlem is in the turmoil of a battle between good and evil. The narrator describes Sonny's close encounters with the evil manifested in drugs and crime, as well as his assertive attempts at distancing himself from the darker side. The streets and communities of Harlem are described as being a harsh environment which claims the lives of many who have struggled against the constant enticement of emotional escape through drugs, and financial escape through crime. Sonny's parents, just like the others in Harlem, have attempted to distance their children from the dark sides of their community, but inevitably, they are all aware that one day each child will face a decisionb for the first time. Each child will eventually join the ranks of all the other members of society fighting a war against evil at the personal level so cleanly brought to life by James Baldwin. Amongst all the chaos, the reader is introduced to Sonny's special secret weapon against the pressures of life: Jazz. Baldwin presents jazz as being a two-edged sword capable of expressing emotions like no other method, but also a presenting grave danger to each individual who bears it. Throughout the the story, the reader follows Sonny's past and present skirmishes with evil, his triumphs, and his defeats. By using metaphorical factors such as drugs and jazz in a war-symbolizing setting, Baldwin has put the focus of good and evil to work at the heart of "Sonny's Blues."
Baldwin, James. "Sonny's Blues." The Oxford Book of American Short Stories 1992: 409 - 439.
In conclusion, the short story "Sonny's Blues" by James Baldwin brings out two main themes: irony and suffering. You can actually feel the pain that Baldwin's characters experience; and distinguish the two different lifestyles of siblings brought up in the same environment. The older brother remaining nameless is a fabulous touch that really made me want to read on. This really piqued my interest and I feel it can lead to many discussions on why this technique was used. I really enjoyed this story; it was a fast and enjoyable reading. Baldwin keeps his readers thinking and talking long after they have finished reading his stories. His writing technique is an art, which very few, if any, can duplicate.
James Baldwin's short story "Sonny's Blues" highlights the struggle because community involvement and individual identity. Baldwin's "leading theme - the discovery of identity - is nowhere presented more successfully than in the short story 'Sonny's Blues" (Reilly 56). Individuals breeds isolation and even persecution by the collective, dominant community. This conflict is illustrated in three ways. First, the story presents the alienation of Sonny from his brother, the unnamed narrator. Second, Sonny's legal problems suggest that independence can cause the individual to break society's legal conventions. Finally, the text draws heavily from biblical influences. Sonny returns to his family just like the prodigal son, after facing substantial trials and being humiliated. The story's allusion to the parable of the prodigal son reflects Baldwin's profound personal interest in Christianity and the bible.
The short story Sonny’s Blues by James Baldwin is written in first person through the narrator. This story focuses on the narrator’s brother sonny and their relationship throughout the years. This story is taken place in Harlem, New York in the 1950s. The narrator is a high school algebra teacher and just discovered his brother in the newspaper. This story includes the traditional elements to every story, which consist of the exposition, conflict, rising action, climax, falling action, and the resolution.
Baldwin, James. “Sonny's blues.” Baldwin, James. Going to meet the man. New York: Dial Press, 1965.