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Importance of minor characters in a novel
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Actions and motives are wide reaching in terms of who they effect and the extent of their effectiveness. One may suppose that a small lie has little impact on those around him or her. Leo Tolstoy, as evidenced in his story, The Forged Coupon, argues against this assumption in regards to the role individual actions play in the creation of communal history. Throughout the fictional text, Tolstoy utilizes powerful visual diction to portray plausible public implications for small private acts. Tolstoy moves from a simple writing of history that turns past events into human documentation by expounding on social and cultural factors that influence causation and its role in future history. In order to achieve this goal, Tolstoy makes clear his debatable …show more content…
beliefs in two primary areas: the hypocrisy of the clergy and the government and the unjust inequality between the ruling class and the peasants. The elect religious, spiritual, and political leaders of the time were hypocritical.
Instead of mirroring their lives based on the life of Christ, the clergy mirrored their lives based on the lives of the Pharisees and focused on works and made it difficult for the non-clergy to encounter Christ. Men were prosecuted for attempting to pursue Christ more fully when it opposed the outward-exemplifying works-oriented gospel that the clergy of the day was promoting. Religious piety was used as a form of political power to keep the citizens content in following the laws of the government. Unfortunately, the clergy themselves failed to denounce this adulterated piety. They were content to accept this lackluster religion as truth and denounce any citizens who opposed them. The idea of hypocrisy in the clergy can clearly be seen in the interaction between Father Michael Vedensky and Mitia Smokovnikov’s father, Fedor Mihailovich and the ensuing explanation given by …show more content…
Tolstoy. ‘It is my duty as a priest to look after the religious and moral education of our pupils. Oh, cease your pretence to be religious! Oh, stop all this humbug of religion! As if I did not know that you believe neither in God nor Devil. I consider it beneath my dignity to talk to a man like you,’ said Father Michael, very much hurt by Smokovnikov's last words, the more so because he knew they were true. Michael Vedensky carried on his studies in the academy for priests, and that is why, for a long time past, he ceased to believe in what he confessed to be his creed and in what he preached from the pulpit; he only knew that men ought to force themselves to believe in what he tried to make himself believe (Tolstoy Part First, sec. XII). Apparently, the moral integrity of the clergy is not established in Christ and the gospel, but on religious intellect and human work. This insincere outward act of religious fervor and opposition to the truth was seen when Isidor was thrown in prison for preaching the truth to the Emperor. It required rebuke from Isidor and repentance on the part of Father Missael in order for this man to be pardoned from his authentic religious zeal that opposed the governing authorities. While it is important to note that some individuals of the clergy, such as Father Missael, did eventually repent of their hypocrisy, Tolstoy limits these instances and instead utilizes many more examples of the clergy and government acting in hypocrisy. Because of this, it is rational to assume that Tolstoy views the majority of the governing political and religious bodies as hypocritical, yet extremely influential in spreading this hypocrisy within the country (Tolstoy Part Second, sec XVII). Throughout the story, there is also a great emphasis placed on the interaction between the poor and the wealthy.
Tolstoy condemns this corrupt relationship by showing the immorality of how the wealthy take advantage of the peasants and how—in reciprocation—the peasants steal from the wealthy. This can be seen early in the story when Eugene Mihailovich exploits Vassily—with persuasion in the form of a bribe—to promote his distorted lie. Tolstoy then ties his beliefs with that of Vassily in explaining Vassily’s new worldview in this brief excerpt.
Previous to the incident of the forged coupon, Vassily could not actually believe that rich people lived without any moral law. But after that, still more after having perjured himself, and not being the worse for it in spite of his fears—on the contrary, he had gained ten roubles out of it Vassily became firmly convinced that no moral laws whatever exist, and that the only thing to do is to pursue one's own interests and pleasures. This he now made his rule in life (Tolstoy Part First, sec VIII).
Later in the story, Tolstoy shows how this small act of perjury corrupts Vassily and changes him. This interaction producing more corruption is the manner in which Tolstoy believes his culture and society
function. With the two summaries demonstrating hypocrisy and inequality, Tolstoy’s image of his own culture becomes a little clearer. Due to his usage of these two social and cultural factors, we can see how Tolstoy believes they are influencing history. The apparently miniscule actions that humans do on a daily basis influence the social and cultural aspects of life. Typically, it is not one or two major actions that change a culture and society. In actuality, it is a combination of many trivial actions that, as time continues, shapes and forms the culture of the community. As time progresses, these aspects begin to shape the community. As the community changes and advances, history is shaped and formed based on the ideals of that culture and society. This is why the ideals, morals and actions of individuals within a community can greatly affect the culture and society of that community. Tolstoy subliminally illustrates to the reader that individual actions carry great merit in the nature of history and its all-encompassing arc as time progresses.
The readers discover that Tolstoy’s motivation for writing “Sevastopol in May” was to provide Russia with an honest war narrative, not a literary cornerstone or a piece of light reading material. This realization is the clean ending that gives readers the they closure desire. By including an explicit declaration of theme and purpose at the
Outside Quote: “It was becoming clear to him that any system of morality-one of the things for which he had searched dur...
The short story “The Death of Ivan Ilych” is about a man who realizes he is dying and that no one in his life cares about him. Even more disappointing for Ivan is the realization that besides his success as a high court judge, he has done nothing else to make his life worth saving. The death of Ivan Ilyich, sadly, comes as a release of stress to all. In the end, Ivan is soothed by the release of death, his family and friends are relieved of having responsibility of Ivan taken off their shoulders, and the reader is released from the stressful journey. Tolstoy teaches the audience through the structural elements of the “black sack” metaphor and pathos about the unavoidability of death and the relief of accepting it.
He opposed the war due to his fear, but he felt as if he had t...
Merriman, C.D.. "Leo Tolstoy." - Biography and Works. Search Texts, Read Online . Discuss.. Jalic INC., 1 Jan. 2007. Web. 16 May 2014. .
he was able to come to the realization that he is not as honest or brave as he
The story of In "The Death of Ivan Ilych", was written by Leo Tolstoy around who examines the life of a man, Ivan Ilyich, who would seem to have lived an exemplary life with moderate wealth, high station, and family. By story's end, however, Ivan's life will be shown to be devoid of passion -- a life of duties, responsibilities, respect, work, and cold objectivity to everything and everyone around Ivan. It is not until Ivan is on his death bed in his final moments that he realizes that materialism had brought to his life only envy, possessiveness, and non-generosity and that the personal relationships we forge are more important than who we are or what we own.
First, Dostoevsky gives the reader the character, Raskolnokov. He is the main character, whom Fyodor uses to show two sides of people their admirable side and their disgusting side. He loves Raskolnokov, which is why Fyodor uses Raskolnokov’s point of view throughout the whole novel. Personally, Fyodor dislikes some of his qualities but understands that all people are plagued with some bad traits, and that Raskolnokv is trying to make emends for some of his wrong doings, i.e. the murder of the pawnbroker and her sister. He knows that what he did was wrong and is willing to suffer for his crime, and he does throughout the whole book with his constant depression. Dostoesky believes in punishment for your crimes, this is why he shows Raskolnokov suffering through most of the novel, to show his great love for penance. Dostoevsky likes the kind giving nature of people; this is why he portrays the main character as a kind, gentle, and giving, person. Often, Raskolnokov thinks only of others benefits such as when he helped Katerina by giving her all his money for Marmelodov, as well as his caring about what happens to his sister with her marriage to Luzhin. Raskolnokov hates Luzhin’s arrogant and pompous attitude, which reflects Dostoevsky’s animosity of the same qualities in people in the real world.
Through this book, we can see his perspective towards what’s happened to him and his country at that time. We can see the symbols, motifs and strand of imagery from the book representing of the situation in Russia back then when the World War 2 happened to the people who are imprisoned. From the history we’ve all familiar with how cruel and barbaric the war was, just from what happened to all the innocent people. Now imagine what happened to those who are imprisoned for their crime. What we meant by crime was activity such as speaking up your mind, practicing your religion or having contact with
"The conclusion that we have reached thus far indicate that a mind that is in control, one that possesses virtue, cannot be made a slave to inordinate desire by anything equal ...
For Leo Tolstoy, in order for something to be considered art, it must evoke some form of emotion that acts as a means of unification and communication for humanity. As long as the intent of the artist hopes to unify, it is a positive necessity for the human experience, “art begins when one person, with the object of joining another or others to himself in one and the same feeling, expresses that feeling by certain indications.” For Tolstoy’s theory, the idea of intent is paramount to the execution of art. If something is not made with the intent of evoking a pure emotion, then it is not art. Tolstoy believes that art is “a means of union among men, joining them together in the same feelings and indispensable for the life and progress toward well-beings of individuals and of humanity.” When m...
his pride in lack of fear and thought that he was not scared of him.
A. The Epic of Russian Literature. New York: Oxford University Press, 1950. 309-346. Tolstoy, Leo. "
Alongside with these historical events, Tolstoy describes the different classes of Russian society in terms of their participation in the war and what kind of an impact war had on their lives. In the beginning of the novel, the Russian aristocratic class, which was in the czar’s circle, wanted Russia to participate in the war. They wanted a quick victory and pride for the Russian nobility. They did not anticipate that the war would destroy homes, agriculture, and take many Russian lives. This class is shown in Anna Pavlova Sharer’s salon, with it’s upper class aristocracy, who talk only in French, viewing the Russian language as uncivilized and useful only for peasants. They adopted French culture and wear French style clothing, and at the same time they want to fight Napoleon. However, the majority of this class doesn’t want to participate themselves in the war, but want to win the war with the hands of the peasants. These aristocrats, despite their high education and power, will do nothing to help win the war. They live like parasites on the body of Russia’s society. This is how Tolstoy describes this class in general, but he also depicts two representatives of this upper class, Andrew Bolkonsky and Pierre Bisuhov, who were the more intellectual ones, and whose lives and views of war and life changed as the result of the war.
Both Sasha and the banker share the character trait of dubiousness. Sasha’s dubiousness was shown when he “cashed at one of the banks a false promissory note.” (Chekhov “A Problem” par. 3). This was the first hint to the reader about Sasha’s character, expressed by his actions. Also, It was revealed to the reader that the banker also shared the same character trait when he contemplated that “the one means of being saved from from bankruptcy and disgrace is the death of that man” (Chekhov “The Bet” par. 17). That thought expressed the fact that the banker is problematic which formed his character like a woodcutter