Summary Of Bitches Ain 'T Shit'

1150 Words3 Pages
bulb-icon

Recommended: Sexism in rap music

"Bitches ain't shit but hoes and tricks / Lick on these nuts and suck the dick." Snoop Dogg sings in “Bitches Ain’t Shit.” Hip Hop music is becoming more misogynistic, or degrading to women. Misogyny is the dislike of, contempt for, or ingrained prejudice against women. It’s not a new thing for men to be singing about women in a bad way. Hip hop has always had a problem with females, they have been seen just as sexual objects or accessories for a long time. Kubrin stated that “gender stereotypes are abundant in popular music, where women are often presented as inferior to men or are trivialized and marginalized” (13). Some examples of misogyny are; violence towards women, sexual acts performed for men, and derogatory names for women. Many people believe that men use misogyny in hip hop for many reasons. Greenspan explains “that men may use it to; assert masculinity, demonstrate authenticity, reflect main-stream attitudes, or use it for commercial success” (2). Greenspan also states that “artists may think that hip hop provides an …show more content…

@AvaDuVernay. “To be a woman who loves hip hop at times is to be in love with your abuser. Because the music was and is that. And yet the culture is ours.” Twitter, 16 Aug. 2015, 11:33 a.m., twitter.com/ava/status/632953219824553984. Ava DuVernay is right, hip hop music is affecting women in negative ways, yet we still listen to it. An example when hip hop is being our abuser is "Once again I gotta punch a bitch in her shit / I'm icy bitch, don't look at my wrist / Because if you do, I might blind you bitch." By Jasper Dolphin of Odd Future. Men should not talk about women this way no matter the circumstances. This line is Jasper taking aim at a woman’s face with fists and jewelry without a hint of caring. Misogyny in Hip hop music has become so common we don’t even really think about it

Show More
Related

  • Analysis Of Joan Morgan's 'From Fly-Girls To Bites And Hoes'

    701 Words  | 2 Pages

    In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.

    Read More

  • Analysis Of Joan Morgan From Fly Girls To Bits And Hos

    945 Words  | 2 Pages

    She illuminates the hidden causes of the harsh sexism in rap music lyrics and argues that one needs to look deeper to understand why the misogyny exists and how women in her culture need to respond and also start taking responsibility for its existence in order for changes to begin to take place. In the article “ From Fly -Girls to Bitches and Hos “ the dysfunction of our black men is evident, but somehow it’s seen and admired manliness and success. For example the life of Notorious BIG was one of the rap kings that live a life of jail, sex , drugs and murder that “ the seeming impenetrable wall of sexism in rap music is really the complex mask of American often wear both to hide “ . Joan Morgan was vivid as to show the pain men must be feeling so badly that they had to use disrespectful slurs and hateful comment says their music lyrics. I agree with the fact that in today’s society the "bitches and hos" have become the norm. From my perspective that many guys often believe that is how all women act and that they are all pimps and

    Read More

  • Project Respect: Da Baddest B*tch by Rapper Trina

    826 Words  | 2 Pages

    The very title of the song endorses the use of the expression “bad b*tches”. In the music industry, the used of the word “b*tch” is not uncommon. It is most commonly used by men as a means of degrading women. Female rappers, like Trina, try to change what is a degrading word and turn it into a compliment. Female rappers like herself use this “bad b*tch” persona as a defense mechanism. They call themselves these distasteful words before a man has the chance to do it. They see it as strength and rejoice in beating them to the punch. It is a dangerous game they are playing. Throughout Trina’s song “Da baddest b*tch” she referred to herself as a bad b*tch multiple times. “I'm representin' for the bitches/All eyes on your riches” Trina’s depiction of a “bad b*tch” in this song is a woman that is concerned with money and the possession of money; A woman that would do anything to make money no matter the cost. This message is a harmful one. The word “b*tch” is not empowering; it is demeaning. Women give men an excuse to refer to them as “b*tches” because women call themselves’ and other women “b*tches” and “bad b*tches”. Women need to wake up and really that they will not be respected by men or either other women with such behavior. Calling yourself a “b*tch” or “bad b*tch” is a welcome mat to disrespect. Women should resist the catchy lyrics and clever hooks of the songs both me...

    Read More

  • Tricia Rose's Hip Hop Is In A Terrible Crisis?

    921 Words  | 2 Pages

    The semantics of the word “hoe” lead to defenders’ thoughts that a man can be a “ho” too. Men who defend this thought might point to the fact that a ho is “…anyone who has ‘too much’ indiscriminate sex…” (Rose, 171). In this instance, they are putting less weight into the fact that these words are used to put down women. Rappers might use these terms in lyrics in order to diss another man by attacking their manliness. Defenders of hip hop like rappers say that “bitches and hoes” are a specific type of girl, and that when they use those words, they don’t mean to reference all women. However, the reality is that rappers use these words pertaining to all women. Women who listen to the music are attracted to this demeaning image, because at least it would be “about them”. So, when hip hop’s defenders’ say that “there are bitches and hoes” to further their argument for hip hop, they reassure women that a hyper-sexualized image and lifestyle is acceptable. For this reason, this argument ignores the effects of these impressions on women, and attempts to legitimize the classification of women as figures existing to be used by

    Read More

  • Homophobia, Violence And Sexism In Tricia Rose's Hip Hop War

    1998 Words  | 4 Pages

    Hip hop is a form of art that African Americans have been using to get away from oppressions in their lives and allowed their voices to be heard in some type of way. As soon as big corporations seen the attention hip hop brought to the scene, they wanted to capitalize on it. These corporations picked specific types of attributes that some hip hop artists had and allowed it to flourish. The attributes that these artists carried were hypermasculinity, homophobia, violence and sexism. In the book, Hip Hop Wars by Tricia Rose discusses some of these specific attributes. One of the most damaging attribute is when hip hop is used to sexualize and demean everything about being a woman. Tricia Rose writes about this issue in chapter 5 of her book

    Read More

  • Analysis Of Objectification Of Women In Hip Hop Culture

    1128 Words  | 3 Pages

    “The widespread perception of Black women is based on mainstream misogyny” and because it is main, a social norm, and a way for young Black people to be unified “[Black females] accept stereotypical views and unconscious behaviors that devalue women and esteem men”(Henry, West, & Jackson 245). As long as hip hop continues to thrive on misogyny and people continue to ignore that it is an issue Black females will continue to reap the internal and sometimes physical

    Read More

  • Masculinity In Hip Hop

    1594 Words  | 4 Pages

    When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists

    Read More

  • Masculinity In Hip Hop Culture

    956 Words  | 2 Pages

    Certains ideals such as hyper sexuality, material possesions, and hegemonic masculinity found in hip hop certainly highlights some of its negative aspects. Hip-hop in a sense at times can promote feminism in the sense of sexual freedom (at least in the lyrics provided) where certain songs condemn women for the same freedoms. It is suggested that many young people especially young black people begin to monitor and interrupt some of the messages and ideals that are taken in /followed. Personally the ideals in much of hip-hop do not reflect my own values or views on femininity or masculinity although I do listen to most of the music. Being an educated young black man I in a sense can see through most of the gimmicks and fads that of the music portrays and keep to my personal values more times than not. That said there are times that I do find myself reciting lyrics or enacting the same negative ideals that I personally do not believe because I may like a song. This is where education and awareness comes in and I am able to recognize and correct my behavior which is something I would like to see become more popular amongst my

    Read More

  • The Exploitation and Objectification of Women in Rap

    1182 Words  | 3 Pages

    Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.

    Read More

  • Portrayal of Women in Rap and Music Videos

    1724 Words  | 4 Pages

    Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.

    Read More

  • The History of Hip Hop Music and Its Transition to Popular Music

    893 Words  | 2 Pages

    In conclusion, these theorists who explore hip hop all have generalized ideas of what hip hop represents. Johnson is more oriented towards the female side of hip hop, whereas Jeffries is focused on the unity side of what it offers and Smitherman thinks that it is a black CNN. Although each scholar focuses on different aspects of hip hop, it is evident to point out that all these aspects correlate with one another. Hip hop is a cultural tool formed out of a need to take a stance on the issues that relate to the black community. And that it’s a voice to relate and unite people who share the same struggles on which to advocate change.

    Read More

  • Rap Music Anti Feminist

    1736 Words  | 4 Pages

    Hip-hop and rap music are commonly criticized for its anti-feminist lyrics and degrading exploitation of women in music and music videos. (Sharpley-Whiting ) Many feminists have taken action against the music industry, which produces these messages in the music they release. However, in the hip-hop genre there are plenty of successful female rappers promoting feminist views, artist such as Queen Latifah and Mary J. Blige have made the choice to condemn the derogatory culture towards women. (Oliver, 382–384)

    Read More

  • The Objectification Of Women In Music Videos

    1834 Words  | 4 Pages

    The effects of objectifying women in music videos are entirely negative. Women grow up with the idea that they should always seek to attain a men’s attention. Hip-hop music videos do not represent females as the human beings that they really are. This creates an inequality o...

    Read More

  • Radical Feminism and Hip Hop

    1536 Words  | 4 Pages

    Today’s hip hop generation is criticized for its negative portrayal of women. Every music video that is produced features scantily clad women with dancing sensually. Feminists speak against them because they are continuing to sexualize the female form, degrade women by using terms such as “bitch” and “hoe” to describe them, and in all continuing to make them second class citizens. Radical feminism focuses on such oppression in society and the existence of patriarchy/male dominance. All of which is evident in Hip Hop.

    Read More

  • The Effects of Hip Hop on Today's Youth

    1578 Words  | 4 Pages

    Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT). Hip-hop originally appeared in the Bronx around the 1970s and steadily turned into the predominant mainstream music structure by the 1990s, representing a multi-billion dollar industry today (Selke INT). Hip-hop music can additionally have some positive impacts. For example, its verbal imagination can motivate audience members to play with dialect, and acknowledge musicality and rhyme (Selke INT). Just like poetry, hip-hop can be a way of expressing oneself.

    Read More

More about Summary Of Bitches Ain 'T Shit'

Open Document