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Depiction of females in rap music
Depiction of females in rap music
Depiction of females in rap music
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Most generations have been influenced by a trend of music that inspires them to dress, behave, and talk in a certain way. There are people who have the special talent of making others relate to their emotions, thoughts, or ideas by creating music. In current society most artists decide to create videos to make their lyrics visual for their listeners and to earn more profit. The negative thing about the creation of music videos is the way in which females are stereotyped. In a lot of music videos, especially hip-hop/rap, females are portrayed in a negative way, which causes a harmful influence on the people who view them.
The most common theme in hip-hop music videos is the objectification of females. Women are portrayed as sexual objects throughout the videos. In some videos they are seen as a type of reward or trophy for the male. Other times they are seen holding money to gain the attention of men or are even portrayed as slaves willing to do anything to please the men in the videos. According to Catherine MacKinnon, “Objectification involves treating a person, someone with humanity, as an object of merely instrumental worth, and consequently reducing this person to the status of an object for use” (1989). Her point relates to the hip-hop music videos because the idea that they transmit is that women are only objects available at anytime for men’s use. When women are objectified men feel more “powerful” or “successful” by showing the have control over women.
The effects of objectifying women in music videos are entirely negative. Women grow up with the idea that they should always seek to attain a men’s attention. Hip-hop music videos do not represent females as the human beings that they really are. This creates an inequality o...
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...ality between males in females. They have succeeded in a lot of issues; but there is still a lot of work hat needs to be done to create a better world for women. The images we receive from the media clearly downgrade the capabilities of women by only focusing on their physical appearance. Hip-hop videos teach us that women are inferior to men, which is something many females have fought to end. The way in which women are portrayed in music videos influence the decisions we make every day. When young girls see those women dressed with provocative clothing, dancing in a seductive ways, and hear the names they are called, they create the ideology that those behaviors are acceptable. There is still a lot to do to end with the stereotypes that hip-hop videos have created, but if women unite to end this inequality and misrepresentation everything is possible.
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
I. Introduction Gender plays a big role in music, I became aware of gender role in music when noticing how most songs talks about women and how they are being either exploited or empowered. Most music videos even in the 80s either objectified women or respect sexuality. Women are usually sexually alluring in music videos, stage performances and even in the song lyrics. Most music video uses video vixens or video girls that are usually dressed or performing sexually. For example, “Siouxsie Sioux frequently performed wearing black leather and rubber bondage attire, as well as heavy eye make-up, making overt statements about her sexuality.
Will sexism ever come to an end in today’s society? Are women going to let men step all over them? Jennifer Mclune discusses in her article, Hip-Hops Betrayal on Black Women, how black male singers objectify and degrade black females in the music industry. The purpose of this article is to show how black women are being deceived in the hip hop industry and being used as sex symbols instead of showing them for their true colors. Mclune (2015) voices her strong argument in attracting her audience by using ethos, tones, and the use of word choices.
Hip hop is a form of art that African Americans have been using to get away from oppressions in their lives and allowed their voices to be heard in some type of way. As soon as big corporations seen the attention hip hop brought to the scene, they wanted to capitalize on it. These corporations picked specific types of attributes that some hip hop artists had and allowed it to flourish. The attributes that these artists carried were hypermasculinity, homophobia, violence and sexism. In the book, Hip Hop Wars by Tricia Rose discusses some of these specific attributes. One of the most damaging attribute is when hip hop is used to sexualize and demean everything about being a woman. Tricia Rose writes about this issue in chapter 5 of her book
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
The article discusses the fact that hip hop “provides a lens [through which white students and faculty at institutions] interpret Black culture” and that because of this not only is the Black female’s view of herself being manipulated, but black males expect what is being promoted by hip hop culture from them, and so does every other person (Henry, West, & Jackson 238). A professor at North Carolina Central University spoke about how he dislikes how hip-hop has influenced the way his students dress, he said “ They look like hoochie mamas, not like they’re coming to class” (as cited in Evelyn
In society today, media such as movies and music share huge roles in the dynamics of culture especially concerning communication. In Dream Worlds 3: Desire, Sex, and Power in Music Video we see how famous singers and producers in the making of their music videos have the power of illustrating our language and beliefs. From the music we listen to and things we watch, we are constantly gaining new knowledge by the message that is being presented to us. The main focus of this specific documentary was how women in the music or media industry all together are treated. From this documentary and lectures in class we see that media objectifies, stereotypes, and degrades women and their bodies as advertisements and money makers. Themes in the film discussed
This study works to examine the use of sexual objectification of women in music videos today. The primary purpose was to examine the differences between genres, specifically hip-hop and country. I tested the following; Women are more likely to be sexualized in hip-hop music videos than in country music videos.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
... educating at home, workshops, protest, and support of positive artists women can make larger steps to changing the portrayal of women in the rap music industry.
Today’s hip hop generation is criticized for its negative portrayal of women. Every music video that is produced features scantily clad women with dancing sensually. Feminists speak against them because they are continuing to sexualize the female form, degrade women by using terms such as “bitch” and “hoe” to describe them, and in all continuing to make them second class citizens. Radical feminism focuses on such oppression in society and the existence of patriarchy/male dominance. All of which is evident in Hip Hop.
A common trend in the entertainment industry today is the objectification of women in society. Sexualizing women are seen in media such as; movies, advertisement, television show and music video, where their main focus is providing the audience with an image of women as sexual objects rather than a human. This is detrimental to society since the media is producing social stereotypes for both genders, which can further result in corrupted social habits. Objectification in media are more focused on females than male, these false images of women leave individuals with the wrong idea of the opposite sex. As media continuously use sexual contents regarding women, the audience starts underestimating women. Specifically movies, it allows media to shape the culture’s idea of romance, sex and what seems
One of the most noteworthy features of modern music videos is the portrayal of gender according to the worldviews, experiences, and expectations of the music artistes, or in line with gender stereotypes associated with specific music genres (Conrad, Dixon, & Zhang, 2009). In this regard, this paper attempts a critical interrogation of gender representations in music videos, specifically in terms of how women and men are represented in music videos of artistes in the Hip Hop genre. In doing so, this paper seeks to determine the stereotypes that underpin gender portrayal in hip hop music videos, contextualize the factors that may be responsible for the propagation of such stereotypes in music videos, and explore the implications for audiences – particularly teenagers and young adults who constitute much of the fan-base for the hip hop music genre.
There is a direct relationship between what is portrayed in music and the effect it has on its audience. Generally speaking, in modern music, woman have been placed in a certain mold. The molds portrayed in music have caused women to have negative self-perception. Through the lyrics presented in the songs and the images portrayed in the music videos, certain hip-hop songs may cause women to view themselves in the same light portrayed in the songs. The tone, lyrics, and images presented in the songs effect the intended audiences immensely. Hip hop music that objectifies black women negatively affects their self-perception because they view themselves as commodities.
Similarly to other industries, females are unequally represented within Hip Hop culture across the board. From the start, emcees were traditionally males, proving the struggle for a woman to pursue a career in Hip Hop difficult. In modern society, it seems the culture is obsessed more with how a woman is portrayed rather than if she is a talented artist. For advertising and recognition, it is almost imperative that a female artist wears tight, skimpy clothes and “give the audience a show” with provocative dancing and lyrics. For women, beauty is basically expected by society. Keyes might refer to most of today’s female artists as “fly girls” (2016). Salt N Pepa and TLC are prime examples of prominent female figures within Hip Hop culture that dressed in a way to attract attention. For these women, the outfits merely grab the attention of the audience so they can then focus on the message behind their lyrics. While women are already underrepresented in the field, they also have to work harder for the same success that male counterparts