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The essay obseesive compulsive disorder
Obsessive compulsive disorder paper
Essays on Obsessive compulsive disorder
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The excerpt An invisible sign of my own by Amiee Bender is about narrator Mona who is forced to move out of her own home for her own good. The title of the novel “invisible” is linked with her OCD because she is unaware of it herself until she is forced to see her disorder by being pushed out of her parents house. Also the structure of the excerpt is written as a frame story. Amiee Bender uses repetition and diction to present the story of Mona who is forced to move out of her own home for her benefit. The overall theme presented is that man needs security in a time of change. In the opening line “I’d long quit the idea of living away from home”, she begins to tell her story as to why she now does not want to be away from home. As her flashback …show more content…
The number 19 is mentioned in the novel 4 times in paragraph 1 and 6. She then goes on to describe the number 19, that it is the “third centered hexagonal humber and a prime.” Mona is forced to be moved out of her house at the age of 19. In the 6th paragraph she decides to rely on the number 19 to keep her calm in looking for a new home. Mona decides to choose an apartment that has the address 9119. The number 19 is giving Mona reassurance when making her decision. In paragraph 10 more repetition is being used where she describes her paranoia in a new place she has never been in. She goes on to use the plant her mother gave her to remind her of her parents home. Her OCD begins and knocks on the wood, later to have knocked 150 times. She later begins to feel at ease inside and begins to knock more. To calm herself Mona knocks on the door for a year, stops then knocks more. By this time Mona realizes that she has OCD because she stops to think that her compulsion is how it would be like to take drugs, where it becomes addictive and difficult to stop. After Mona realizes that she has a disorder she thinks to herself of knocking “one more time..exactly right…and be done for the rest of my
Although, for her, she has nothing more to focus on she trusts her imagination to pass the time. Over time she becomes more and more obsessed with the yellow wallpaper, which leaves her in shock. “The wallpaper becomes a projection screen of the narrator growing fright.” (Berman, p.47) This means that the narrator goes to herself on the wall. The isolated woman in the yellow paper is her own reflection. Something that the narrator still does not realize, she only feels the need to release the woman trapped in the wall. She refers to her room as a prison continuously. As she begins to feel isolated she projects her feelings on the yellow wallpaper, but the idea that the room is her prison goes from figurative to reality as insulation deepens her need to escape in some way. “Every time the narrator speaks, she is interrupted and contradicted until she begins to interrupt and contradict herself.” (Berman, p.55) She has her own plan for recovery. But unfortunately, her husband does not listen. For him, the only
She started to try and forget and just fall asleep, but her thoughts would always wander too far for her to return to her natural state of mind. She contemplated with herself, why she was running away? What she was running away from?
She lived in a sheltered world—a world she did not see. She saw what she could get out to see--almost what she could steal--even in her mind.
she originally planned, getting anxious to finally be free from the horrible city, she stays
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
For much of her life, Mona Gray has lived a strange life after her father contracted an unknown disease. Mona soon becomes a quitter, and although she excels at many things, she always forces herself to quit. All of this changed when Benjamin Smith, the new science teacher, arrives. With his eccentric ways he is able to see through Mona when most people were not, including her family. Mona's perfect little world is threatened when she crosses paths with love and her soul mate, Benjamin Smith.
In Ralph Ellison’s novel Invisible Man, one of Ellison’s greatest assets is his ability to bestow profound significance upon inanimate objects. During the narrator’s journey from the bar to the hole, he acquires a series of objects that signify both the manifestations of a racist society, as well as the clues he employs to deconstruct his indoctrinated identity. The narrator’s briefcase thereby becomes a figurative safe in his mind that can only be unlocked by understanding the true nature of the objects that lie within. Thus, in order to realize who he is, the narrator must first realize who he is not: that unreal man whose name is written in Jack’s pen, or the forcibly grinning visage of Mary’s bank.
...the journey that lead her to self discovery: "Once home was a long way off, a place I had never been to but knew out of my mother's mouth. I only discovered its latitudes when Carriacou was no longer my home" (256). This emphasizes Lorde's argument that Carriacou was an idea not a place, and once she came to terms with herself, and her differences, she did not need this idea of home anymore, and she found that her home right here.
The story starts out with a hysterical.woman who is overprotected by her loving husband, John. She is taken to a summer home to recover from a nervous condition. However, in this story, the house is not her own and she does not want to be in it. She declares it is “haunted” and “that there is something queer about it” (The Yellow Wall-Paper. 160). Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feeling that there is something strange about the house. It is not a symbol of security for the domestic activities, it seems like the facilitates her release, accommodating her, her writing and her thoughts, she is told to rest and sleep, she is not even allow to write. “ I must put this away, he hates to have me write a word”(162). This shows how controlling John is over her as a husband and doctor. She is absolutely forbidden to work until she is well again. Here John seems to be more of a father than a husband, a man of the house. John acts as the dominant person in the marriage; a sign of typical middle class, family arrangement.
Do you know how it feels to constantly be picked on for your race? Martin Espada’s free verse poem, “The Sign in My Father’s Hands,” directly portrays what it is like to be a child, more specifically a Latino child, who is forced at a young age to learn what it is like to constantly be treated unfairly and a victim of racism. Martin Espada uses his father's story and what he had to witness as a child to convey the theme of how Latinos are often victims of racism and constantly treated unfairly.
Inevitably, her escape was against her father’s wish as he believed that she would not be capable of successfully making through this trip by herself. However, she shows autonomy after being left alone by a guardian set up by her father, half way through the journey, she was able to, she was able to fix this situation on her own. With minimal help, she makes it to the cottagers defining that she set her own path for the continuity of her life. This independence is also expressed in such ways where she teaches herself social and language aspects of the cottagers. She did not rely on Felix to help her make it through this new life. Therefore, giving herself the freedom to educate herself in order to survive in this new
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The story begins when she and her husband have just moved into a colonial mansion to relieve her chronic nervousness. An ailment her husband has conveniently diagnosed. The husband is a physician and in the beginning of her writing she has nothing but good things to say about him, which is very obedient of her. She speaks of her husband as if he is a father figure and nothing like an equal, which is so important in a relationship. She writes, "He is very careful and loving, and hardly lets me stir without special direction." It is in this manner that she first delicately speaks of his total control over her without meaning to and how she has no choices whatsoever. This control is perhaps so imbedded in our main character that it is even seen in her secret writing; "John says the very worst thing I can do is to think about my condition...so I will let it alone and talk about the house." Her husband suggests enormous amounts of bed rest and no human interaction at all. He chooses a "prison-like" room for them to reside in that he anticipates will calm our main character even more into a comma like life but instead awakens her and slowly but surely opens her eyes to a woman tearing the walls down to freedom.
“John is so queer now, that I don’t want to irritate him. I wish he would take another room! Besides, I don’t want anybody to get that woman out at night but myself.”(Gilman) She is now imagining the woman out of the paper and creeping around outside. She wants to catch her even though there is no one to even catch, but she doesn’t know that. Her husband is at work all day which gives her the opportunity to creep around, explore and find this woman. Her husband John would suspect her of something if she left the room at night so she must do it during the day. This quote shows symbolism in relation to the fact that the woman in the paper is symbolizing the narrator wandering around outside. Moreover, she is clearly hallucinating about this woman in wallpaper. Her visibility of insanity is quite clear when the author says, “That was clever, for really I wasn’t alone a bit! As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her. I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.” (Gilman) The narrator is imagining interactions that have occurred with the woman she sees in the wall. They begin to peel off all the paper, working together in her mind. She then begins to imagine the wallpaper laughing at her when the sun is out. It can be concluded that her husband should not be taking care of her because he is the sole reason she is insane in the first place. This quote demonstrates symbolism because the woman in the wall represents the psychotic state that the narrator’s husband has driven her to. With this in mind, the narrator becomes connected with the woman in the wall. “I have locked the door and thrown the key down into the front path. I don’t want to go out, and I don’t want to have anyone come in, till John comes. I want to astonish him. I’ve got a
she always used to wish for a way to escape her life. She saw memories