In her essay, “A Child’s Garden of Subversion,” Cornell professor Alison Lurie reminds adult readers of the ‘sacred texts’ of childhood, which “recommended—even celebrated—daydreaming, disobedience, answering back, running away from home and concealing one's private thoughts and feelings from unsympathetic grown-ups” (Lurie 131). Such subversive books “overturned adult pretensions and made fun of adult institutions, including school and family” (Lurie 131). In other words, these books are unlike the moral didactic books, wherein a ‘bad’ child undergo a pivotal occurrence ultimately making them seek out help from their caregivers, and reforming them into a ‘good’ child; however, realizing that this philosophy is irrational, authors of subversive works celebrated the fact that children are indeed, children and should be children to their fullest potential while they are in this “unusual, partly savage tribe, ancient and widely distributed” (Lurie 130). …show more content…
One example of this is shown in Annie Barrow’s Ivy and Bean series, specifically Ivy and Bean: Bound to Be Bad, in which both Ivy and Bean set out on a daylong quest searching for their innate goodness and vowing to not look back on their past unscrupulous and rambunctious natures.
The girls ambition was to be so “good that birds land on [her] fingers and wolves come out of the woods and follow [her] down the street” (Barrow 28), just as Noah was recognized as the man who directed two of every living creature into his ark, a safe dwelling from the flood of waters which flowed from the rivers of heaven to cleanse the earth of its iniquity. But for a moment let us explore what it is to be exactly good or
bad. What does it mean to be good or bad? I once heard the statement that good and bad is only relative to the culture, in which you are submerged in and cannot be deemed based solely off of a dictionary denotation. This is a simple case of ethical relativism a philosophical theory that “holds that morality is relative to the norms of one's culture…That is, whether an action is right or wrong depends on the moral norms of the society in which it is practiced. The same action may be morally right in one society but be morally wrong in another” (SCU). This concept of ethical relativism varies from country to country, culture to culture, religion to religion, and even more narrowly, every household. For example, the forces beyond Bean’s control that coerced her gustatory senses to taste the “streaks of leftover syrup” on her plate for breakfast (Barrow 7), Crummy Matt’s maltreatment of Blister, Katy’s kleptomaniac inclinations, etc. does not make the children ‘bad’, and neither does it determine if their behavior is objectively ‘right’ or ‘wrong’. However, in American culture such acts are considered to be immoral and unethical, or in other words, not socially acceptable. From the moment we are emerged from our mother’s womb into this sublunary big, blue marble we are undergoing a process of internalization that teaches us norms and conventions we are to reverently follow, and deviances we should abstain conforming to. The societies, in which we reside has a great deal of influence on what we judge as ‘good’ and ‘bad’, but such ways of thinking is mostly attributed to adults. Children on the other hand, are not defined solely by their cycle of socialization as adults are, and in Ivy and Bean: Bound to Be Bad, which advocates that children be children and that adults should teach children how to think for themselves and express themselves in their youth without having to be anxious rather or not they are being accepted or conventional. Children are free-spirited eggs in a shell anxiously waiting for that shell to crack so that they can free themselves and truly be genuine representations of their inner-self’s. Bean was at constant warfare with her internal self all throughout the story, a war that her external side always suffered defeat and her internal side was the flawless victor. She had a difficult time changing who she was just to be accepted, and no child should live their life’s trying to please everyone, because it is impossible to do so and in the end they will be the ones unhappy and displeased with themselves. Childhood is supposed to be fruitful with the aim of achieving “love, joy, peace, longsuffering, gentleness, goodness, faith, meekness, temperance” (Galatians 5:22), not trying to achieve social acceptance and be ‘good’ as society itself defines it for us. Who are we as adults to limit kids from being kids, and prevent them from fully experiencing the wonders of childhood? Although it is true that there are limitations to this notion, there are also limitations to how we should be training our children up and selfishly shaping their paths for them.
The telling of this story provokes many questions. Why didn’t God, being all-good and benevolent, "immediately restore His fallen creatures to their original union with...
Are adults overprotective of their children? To what point do we protect children? Where should the line be drawn? Along with those questions is how easily children can be influenced by these same adults. Two poets, Richard Wilbur and Billy Collins, express the ideas of how easily children can be manipulated and how sometimes adults think they are protecting their innocent children, when in reality they are not. Wilbur and Collins express these ideas in their poems through numerous literary devices. The literary devices used by Wilbur and Collins expose different meanings and two extremely different end results. Among the various literary devices used, Wilbur uses imagery, a simple rhyme scheme and meter, juxtaposition of the rational and irrational, and a humorous tone to represent the narrator’s attempt to “domesticate” irrational fears. Conversely Collins uses symbols, historical interpretations, imagery, diction and other literary devices to depict the history teacher’s effort to shield his students from reality. In the poems, “A Barred Owl,” by Richard Wilbur, and “The History Teacher,” by Billy Collins, both poets convey how adults protect and calm children from their biggest, darkest fears and curiosities.
On the surface, O'Connor's A Good Man is Hard to Find appears innocent enough in its content. But as the reader becomes more and more involved in the symbolic underpinnings that embody the story, it is quite clear that there is a distinctive flavor of evil versus Christianity. In fact, it has been argued that the extent to which O'Connor utilizes the central theme of Christianity is as a subtle, symbolic plot to convert her readers, whom she had envisioned as nonbelievers. By demonstrating to her audience all the good that comes from faith, along with all the bad that merely begets more evil, it was her intention to enlighten her readership down the right path.
Through her many allegories, Hurnard echoes God’s call for His children to joyfully love, trust, and obey Him. She encourages her readers through the call of the Shepherd to strive after true satisfying love by forsaking thei...
Children have often been viewed as innocent and innocent may be a nicer way to call children naive. Since children’s lives are so worry free they lack the knowledge of how to transition from being a child to becoming an adolescent. Their lack of knowledge may be a large part of their difficulties growing up, which could be a few rough years for many. In books like the boy in the striped pajamas the story is told from the point of view of a little boy, this way we get a full view of how innocent he is. In this book the writer shows the reader first hand how a child viewed the holocaust and how his innocence cost him his life. Then in books like the perks of being a wallflower Charlie is a teen whom is struggling with the transition from being a child to becoming an adolescent. In this book the writer gives a first hand look at how difficult it can be to transition into an adolescent. Charlie has many difficulties in this book; he is in search of his identity and how to fit in.
Children are common group of people who are generally mislabeled by society. In the short story “Charles’’ by Shirley Jackson and ‘’The Open Window” by Saki showed examples of the labeling of children. In “Charles” the concept of parents labeling their children as being pure and sincere was shown. As in “The Open Window” by Saki “used the notion that girls were the most truthful sex and gives her a name that suggests truthfulness to make her tale less suspect.”(Wilson 178). According to Welsh “Because the fantasy is so bizarre and inventive and totally unexpected from a fifteen-year-old girl, the reader is momentarily duped.”(03). This showed that even we as the readers were a victim of misleading labels of society.
When anyone thinks of the word “evil” they do not think it is within themselves. In reality, without a structured and well-followed society, people are apt to follow their own corrupt desires and neglect the thought of consequence. In the allegory, Lord of the Flies, William Golding reveals that man’s selfishness and sinful nature will be unmasked when the structure of a society deteriorates.
My thesis statement is that children’s innocence enables them to cope in difficult situations. Children generally have a tendency to lighten the mood in sad situations because of their innocent nature. They turn even the saddest situations to mild, innocent situations. This is evident when Marjane says “these stories had given me new ideas for games”, (Satrapi, 55). By saying this she refers to her uncle’s stories of how he and other prisoners were tortured in prison. Stories of torture have never been easy to hear even for adults but Marjane so innocentl...
The Catholic writer, Flannery O’Connor, has compiled two short fictional stories that share a similar view point into the hidden evils of life. These stories use characters, events, and objects to portray this idea. The two stories take an identical route to display that evil is concealed in the world, even in some of the purest things. These stories use characters, events, and objects to portray this idea. The stories she has written to support her argument are Good Country People and Enoch and the Gorilla
As a culture, again with religious fundamentalist and perhaps politically-correct feminist exceptions, we pretty much take these literary forms for granted in terms of their violent and seemingly antisocial content. Parents lovingly read their children to sleep with images of forced drudgery, painful mutilations, and vengeful retribution. Teachers and preachers alike use these quasi-historical and metaphorical tales of aggression and hostility to inspire and enlighten. Little thought, if any, is given to the possibility that we are putting dangerous ideas into the heads of our youth that will result in violent displays of antisocial mayhem. And, in fact, there seems to be little evidence that this true. For the most part, our children seem to have a healthy relationship to these stories in which the violence and sexuality does tend to help th...
Childhood is represented in the media as a special time in life. A ‘walled, protected garden ‘with adults patrolling the outside to keep the innocents within safe from the hostile world outside. This image of childhood has been reinforced by a number of films churned out by the Hollywood movie machine to reinforce the romanticized view that the life of children is somehow more innocent, simpler and full of wonder. There are some films, however, that challenge these nostalgic visions of childhood and instead represent a view that childhood is a complex and challenging. Guillermo del Toro’s 2006 film ‘Pan’s Labyrinth boldly subverts ideas about childhood and attempts to see that children confront harsh realities at an early age and often show amazing resilience and bravery in confronting them. Through controlled use of cinematic and narrative conventions, Del Toro reveals the need for disobedience and non-compliance with the adult world when it offers no moral direction or protection.
Holt, J. (2013). Escape from childhood. In J. Noll (Ed.), Taking Sides: clashing views on
There are proponents of the debate that childhood is disappearing which will be discussed in this section which include Postman (1983), Elkind (1981) and Palmer (2006). In considering these points of view which are mostly American, one must firstly set in context what is meant by the disappearance or erosion of childhood. This key debate centres on Postman (1983) who wrote “The disappearance of childhood” which is a contentious book about how childhood as a social category which is separate from adulthood is eroding. He defines a point where childhood came into existence, which was treated as a special phase in the middle ages based on the work of Aries in his book “Centuries of childhood” (1962, cited in Postman 1983). According to Postman, a major influence on how childhood was perceived differently to adulthood was the invention of the printing press and literacy in the mid sixteenth century. That is to say children had to learn to read before the secrets of adulthood in particular sex and violence was available...
Robert Cormier is one of the most controversial authors of his time. His novels, particularly his novel The Chocolate War, have been considered to be banned from several high school and college libraries on multiple occasions. Critics bash Cormier’s controversial language used to describe the actions of his characters as well as his themes of triumphant evil that wouldn’t normally be seen in realistic fiction novels. Because this type of writing was “not meant for children” according to the critics, it was almost banned from these libraries (“The Chocolate”). What these critics fail to see, however, is that this book is not meant to be read by children, but by young adults. These themes and language are meant to be read and to be related to