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Psycho alfred hitchcock film analysis
Psycho alfred hitchcock film analysis
Psycho alfred hitchcock film analysis
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Studying Four Films by Alfred Hitchcock
In this piece of media coursework, I will study four films, which were
directed by Alfred Hitchcock. These films are called "North by
Northwest", "Vertigo", "Psycho" and "The 39 Steps". I will explain
what the films are about and explain how the three films start. I will
also explain how the three film titles are written and the colours of
the films.
Alfred Hitchcock was born in 1899 in England and he died in 1980 in
America. His full name was Alfred Joseph Hitchcock and he lived for
most of his life in California, America. He made thriller, love and
action films. We remember him now because he was a high-quality
director. He made excellent films and people still watch his films
today.
The films he made in Britain in the 1920s and 1930s are called "Boy's
Flat Caps" [1920s] and "The Rise of the Great Escape" [1930s]. In his
early films his wife, Alma Reville, helped him. Three other examples
of his Hollywood films are "Rebecca" [1940], "Suspicion" [1941] and "Saboteur"
[1942].
The first film we watched was called "North by Northwest". In the
first fifteen minutes I think the film is about kidnapping a man
because of a misunderstanding and I also think it is about action and
thriller.
The first dominant colour, which comes on the screen, is green to show
the idea that somebody is being gullible. Roger Thornhill is being
gullible. The writing comes on the lines and then the lines change to
a building. On that building you can see the shape of yellow taxis and
the shape of the houses and therefore the city must be New York City.
The title moves from top to bottom and from left to right.
A good example of tension is when the scene where the man is standing
beside a road waiting for Caplan. The man is in the middle of nowhere.
He can only hear the sound of the cars, buses and plane noises. He can
see only cars and buses.
to the film. Psycho is a fifteen in England to buy on video these days
First, one must understand the distinction between hearing and listening. Hearing is simply the reception of sound waves by the ears. This may happen unconsciously, as is usually the case with soft background noise such as the whoosh of air through heating ducts or the distant murmur of an electric clothes dryer. Sometimes hearing is done semi-consciously; for instance, the roar of a piece of construction equipment might momentarily draw one's attention. Conscious hearing, or listening, involves a nearly full degree of mental concentration. A familiar i...
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
us enquiring such as who lives is in the house or is the house owned
My Thesis aims at observing the suspense and fear showed through themes and techniques in films directed by Alfred Hitchcock’s movies Dial M for Murder, Rear Window, The Wrong Man, and The Man Who Knew To Much. He controlled when the audience felt certain emotions by filming with different camera cuts, close ups, different camera angles, contrasting between light to dark scenes, and adding certain music to different scenes.
The cast members were classically trained theatrical actors, and none had ever made a movie. While there are many unimpressive performances in Citizen Kane none of them were weak. It was filled with an A-rate cast and the actors worked together well as an ensemble. Perhaps, no performance was better than Orson Welles portraying all of Kane’s walks of life. From young and charismatic, to middle aged somber and assuming the end justified the mean instead of arguing it, to old quiet and wounded a man who had fought and lost time and time again Orson Welles delivers stunningly convincing performances at every “age”.
As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...
The medium of film, while relatively new and unexplored compared to other visual arts, has proven itself time and time again to be extremely versatile and fascinating with regard to aesthetic properties. At times, film can be used to enhance or respond to another piece of art—for instance, the adaptation of novels or other works that inspire or serve as the basis for a film. An adapter by nature, Alfred Hitchcock often used other works as inspirations for his films. Hitchcock’s filmography contains predominantly adapted works, though these adaptations are usually loose and edited to fit Hitchcock’s aesthetic and common themes. For his acclaimed film Vertigo, Hitchcock drew from Pierre Boileau and Thomas Narcejac’s novel D’entre les morts (or
object as she slowly takes a sip. In a later scene, Mrs. Sebastian pours the
The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane has achieved the status of greatest film ever made.
minds of a new day, people waking up on a summer morning. We know it
Auditory localization is the ability to recognize the location from which a sound is emanating (Goldstine, 2002). There are many practical reasons for studying auditory localization. For example, previous research states that visual cues are necessary in locating a particular sound (Culling, 2000). However, blind people do not have the luxury of sight to help them locate a sound. Therefore, the ability to locate sound based only on auditory ability is important. It is also important to study different auditory processes. For example, when studying a way for a blind person to maneuver through an environment, it is helpful to know that people can most accurately locate sounds that happen directly in front of them; sounds that are far off, to the side, or behind the head are the least likely to be properly located (Goldstein, 2002).
In his book, Horror and the Horror Film, author Bruce F. Kawin remarked “horror itself resists formulation and can be difficult and unpleasant to contemplate.” This year was a phenomenal year for both horror and contemplative movies. Two prime examples: Get Out and mother!. Despite being both horror films with subliminal messaging and allegories, they had drastically different reactions and box office performances. To understand why this happened, it is imperative to analyze marketing, storyline, climate, and audience interpretation.
The art of filmmaking has been around for over a hundred years and now has over a hundred different specialized jobs in its field. According to the Bureau of Labor Statistics, “key grip, gaffer, best boy, boom operator, and director of photography are just a few of the jobs in the field of filmmaking that are essential to the process of creating a movie or TV show” (From Script #1). But before any of these people are able to get a job, they must go through an average of four years of college in order to specialize in film (Zeke). Filmmaking is a very complex and involved career that is crucial to the pursuit of happiness on earth and the telling of history.
Those not thoroughly educated in communication tend to confuse the terms “hearing” and “listening.” Although they appear to mean the same thing, utilize the same body part, and are both required for functional communication, there is a great difference between these two actions. Hearing involves the perception of sound using the ears, while listening is based upon giving attention to the sound being perceived. Additionally, because these concepts are different, there are also several different ways of improving hearing and listening. Thus, there are several differences between these two concepts, and it is important to signify these differences in order to practice effective communication.