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Strong Female Protagonist vs. Violence
Superheroes fight crime the whole purpose of superheroes is to stand against some kind of evil. In the standard American superhero narrative, superheroes all battle against villains and villains are almost always portrayed as being physically beaten by the hero. The appeal to superheroes is that they fight crime and beat evil, in any standard American superhero story it is seen that superheroes normally do resort to violence to fight villains. What normally is not shown is superheroes who defeat evil or villains without using any type of violence. It is a rarity in itself that there would be American superhero narratives that do not deploy the use of violence. Strong Female Protagonist is a comic that
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“Violence. Our superhero stock-in-trade” (Warren 185). Superheroes are normally associated with violence or action, the standard phrase to describe superheroes is “fighting” crime. The creation of superheroes meant that there had to be a villain, and the portrayal of superheroes having to “face villains with weapons or comparable superpowers, and not apprehending the villains will result in harm to others” (Martin 240). In the comic Strong Female Protagonist, it even shows how the protagonist Alison Green started her career as a superhero using violence in her everyday job as a hero. It is a norm that is depicted in her recollections of being a hero, for example, in one of her missions Alison, aka Mega Girl smashes her way through a wall when she could have just opened the door (Mulligan 3.5). This one scene shows how superheroes do use violence even for everyday things such as opening a door. Alison instantly defaults to using violence to get her way without even thinking whether or not the door was unlocked. This scene indicates how it is a standard for superheroes to instinctively rely on using force rather than considering alternative options. Though there are instances of Alison using violence what Strong Female Protagonist does is challenge this norm by having readers see how the protagonists examines the use of violence in her career and question if there are alternatives to this. A scene in Strong …show more content…
Superhero narratives rarely deviate from having violence as an effective means because “instrumental justification of violence is characteristic of superheroes in general” (Warren 180). This general belief is called into question by Strong Female Protagonists when the comic shows another superhero named Feral realizing that violence will not change any of the issues in society. Feral explains to Alison that she traveled the world and realized there using violence was not the solution, she says “I had lied myself into thinkin’ that killin’ bad guys was the best way to help. It wasn’t the best way, it wasn’t even a god way, it was just the easy way, the way I was good at” (Mulligan 3.31). This is important because Feral points out that there are alternatives to violence. This is a critical moment in the comic because it confronts the idea of violence being a good solution to solving issues when in fact it is considered the “easy way.” This is a pivotal moment in the comic because it directly calls out how violence is always a go to move for heroes in solving their problems. This moment makes readers realize that even though killing bad guys could minorly fix the problem, there are bigger issues that need to be solved that even violence can
Modern day superheroes still reflect the misogynistic and chauvinist society in which they were first created and this will be argued with reference to two of the films studied.
Superheroes are typically perceived as those who persevere through conflict by acting compassionately and courageously to save society. In reality, however, conflict reveals the adverse behaviours of individuals, including the use of selfish and violent means to protect oneself. The Wars, by Timothy Findley, shows that the worst aspects of humanity are exploited during war and are the cause of the destruction of all forms of life. First, the corruption of the pure elements highlights how individuals lose their innocence and act carelessly and viciously when faced with conflict. Second, the foil and mirror characters accentuate how it is impossible to hang onto purity, since humanity’s wicked tendencies result in a hopeless devastation for
In “Violent Media is Good for Kids” Gerard Jones introduces us to his fearful and lonesome childhood. He lived in a world where he was taught to be the violence fearing, and passive boy his parents wanted him to be. But, when one of his mother’s students gave him a Marvel comic book, his fearfulness was transformed into inspiration. He found a way to escape these discouraging feelings through the “stifled rage and desire for power” (Jones 285) that he had newly found. The popular comic book hero “The Hulk” freed him from his passive and lonely persona. Throughout the article he cites his testimonies and the testimonies of others as examples; and shows how they used violence as a positive realm for “overcoming powerlessness.” (Jones 287) Ultimately, Jones is trying to convey the message that violent media can provide kids with psychological tools for coping with the problems that they face as they grow. Although there are slight hints of biased evidence, “Violent Media is Good for Kids” should be considered for the top prize for persuasive essays.
In the current era of progressive feminism, a hotly debated topic has been what constitutes a strong woman, whether fictional or real. One side of the discussion argues that women must be shown as equal to men and therefore display manly or ‘macho’ traits. On the other hand, some women contend that, instead of filling the mold of what society deems strong (which often happen to be traditionally male traits), women should instead break that mold and redefine strength. In Elizabeth Alsop’s article, “Why TV Needs ‘Weak’ Female Characters,” she describes how female characters in some specific television shows today prove that other traits, particularly vulnerability, are just as important to display as strength. Alsop discusses how television shows
Women aren’t represented as incompetent, but rather as limited. In “The Woman Precedent Female (Super) Heroism on Trial”, Julie O’Reilly analyzes the distinctions between the ways male and female superheroes are “put to the test” in narratives. She also describes how male superheroes are the ones who are accepted into the world of fighting and protecting against evil; while the females have to go through much more than males in order to be recognized for their efforts. “What really is on trial, then, is a female superhero’s ability to be a fully recognized subject” (O’Reilly 452). The “heroine in her own right” should be acknowledged just like how male superheroes are recognized. Female superheroes deserve the right of being able to do just as much, and possibly even more, than a male superhero can and they should be given the appreciation as well as the acknowledgment that they rightfully deserve. For example, one book written by Stieg Larsson called “The Girl with the Dragon Tattoo” depicts the life of a very strong female protagonist. The literature illustrates two people who are trying to solve the mystery of the disappearance of a young girl in the 1940’s but the woman isn't getting much credit or motivation as the other characters.
“The essence of this trope is the suggestion that, while male villains can be evil by nature or by choice, such depths of evil are not natural for women, and so, if a female character has truly evil thoughts, a man must be ultimately responsible for putting them there, even if her actions and behavior don 't hint at it. Thus, when facing in-universe justice, she is more likely to receive a less severe fate for the same crimes as a male villain might.”
It has been happened frequently in today’s society that parents and teachers try to keep children away from violent media. Children are taught that violent is not right and dangerous. In the article, “Violent Media Is Good for Kids”, Gerard Jones asserts that allowing children to violent media instead of banned it can bring great benefit to children during their growing stage. By watching violent media, children learn to overcome fear, control the rage and prove the real self from the superheroes in the story. Jones believes that violent entertainment can assistance children to fulfill emotional and development need. In my opinion, Jones develops a persuasive argument because of his strong emotions, considerable evidences and reasonable assumptions.
Violence, although at times is morally wrong, is sometimes the best way to solve a problem, to reach a goal. Because violence is an exhibition of a man's powers, violence allow an individual to show his might and his prowess. Therefore, both violence and power are attributed to an individual's or society's ability to achieve what they yearn to accomplish.
Violence in all of its manifestations is based on an exercise of power. It represents a means to gain power, to maintain power, or as a response to a threat to one's power. As long as a society maintains the legitimacy of social hierarchies, of the right of some people to have power over others, there will be violence. One can either seek to diffuse the concentration of power or to control violence. By its very character, the attempt to control violence is self-defeating. The control will itself become violent.
Wonder Woman or so-called Diana Prince, her creator is inspired by the feminism. Wonder Woman skills were powerful, including bullet-pinging with bracelets, lassoing, basic psychology, great strength, and athleticism and being half-god. In 1970s TV version, she is always sort of naked. After cultural reset, she has thighs to kick things with, is a feminist act. Female protects the world from male violence with better violence, instead of nurture. Wonder Woman’s aunt, called Casting Robin Wright, visualizes the battle-axe as a battler again with an axe. A female German chemist decides to devastate humans. The above-mentioned are also feminist
In our society, certain ideals are held in high regard. Individuals relentlessly pursue these ideals to achieve a perceived perfection. These principles are often depicted in media that further glorifies and establishes a desire to pursue these paragons. In a medium such as comic books, however, these standards and perceptions are heavily distorted by the characterizations and settings. Particularly, the superhero genre absorbs the ideals we strive towards and regurgitates them in an extreme and unrealistic manner. The superhero genre is often reflective of societal changes in ideas and morals. These ideals are then molded into misleading representations that influence the behaviors of viewers. Comic books absorb elements of our society and transform them. For example, as the enemies of America change, so do the enemies of our superheroes. However, the enemies are transformed into supervillains that are extremely dark and villainous. Such characterizations cloud people’s understanding of real threats and enemies affecting our society. Also, to cater to the value that American society places on intelligence, attractiveness, and physical strength, comic books create characters that epitomize these characteristics. Though the represent society’s ideals, these characters manipulate the ideas and convey them back to the audience in an unrecognizable manner. In developing such distorted representations, the superhero genre affects human behavior and perceptions of these ideals.
In western culture, heroes are the one who gave us positive power to fight for the bad things until the end. And those heroes are always presented by Male. Batman and Iron Man are strong in muscle but the power that they can save the world is based on they have money or not. Because they are the rich people and they have their own company, they hav...
Throughout history literary works have forced political ideologies to evolve and expand, sometimes even breaking boundaries that would not have been broken otherwise. The works of women in literature have produced new ways of thought and introspective outlooks on life that have introduced many people in the world to the ideas of feminism. The writings of Gilman and Woolf allow readers to take a look into the lives of hard working women who have to deal with the everyday oppression of being a woman in times of inequality and political injustice.
Women have been viewed as the weaker vessel compared to their stronger male counterparts since the beginning of time. From ancient mythology to popular modern media, women are easily portrayed as the damsel in distress, unable to take care of herself and constantly in the desperate need of being rescued. Women who stand up against this belief and make effort to support themselves were usually deemed fools, prostitutes, or worse, witches. While there have been mentions of strong-bred women in history such as Margaret of Anjou and Eleanor of Aquitaine, it has not become common theme until more modern times. The archetype of the damsel in distress is still a popular trend in media, but in society, women are now considered equal to men and no longer need to be rescued from circumstances.
It will be one of the luckiest things in the world if people could just do what they love in their careers, and pursue their dreams without any fears or worries about how society and others judge them. However, women in this society do not obtain the same rights that men own; many inequalities hinder women to live and work. From this class, I learned a lot about gender affects work, and women and men’ roles can be very different in the work. In many industries, even though women get same education and professional degrees as men do, they are hired at lower rates than men are. Many women meet glass ceilings and find it is hard to attain the highest status in the profession, and this causes the society locks women out of higher level