Superheroes are typically perceived as those who persevere through conflict by acting compassionately and courageously to save society. In reality, however, conflict reveals the adverse behaviours of individuals, including the use of selfish and violent means to protect oneself. The Wars, by Timothy Findley, shows that the worst aspects of humanity are exploited during war and are the cause of the destruction of all forms of life. First, the corruption of the pure elements highlights how individuals lose their innocence and act carelessly and viciously when faced with conflict. Second, the foil and mirror characters accentuate how it is impossible to hang onto purity, since humanity’s wicked tendencies result in a hopeless devastation for …show more content…
all. By using the motif of the elements and foil and mirror characters, Findley emphasizes how trauma, such as war, reveals the true horrors of human nature, ultimately resulting in destruction. To begin, the corruption of the elements highlights the reckless and merciless aspects of society, which cause the downfall of civilization.
First, the pure elements, which are vital to human survival, become corrupted by the careless actions of mankind. Before the war, they are portrayed as life-giving. For example, preceding his enlistment, Robert is able to lie “in the bathtub, soothing his aches and bruises with water,” and, while he is training, the water is pure enough that Robert can “proceed to the water’s edge to drink” (Findley 21, 27). However, in the war, “the earth [becomes] baked beneath their feet and the air [becomes] filled with a fine, grey powder that [mattes] in their hair and [scours] the rims of their eyes. The only water [lies] out in the marsh beyond the flaming hedgerows” (Findley 186). The pollution of the elements shows that soldiers are desperately attempting to protect themselves and are disregarding the effects which their actions have on nature; their careless deeds destroy their necessities. The corruption of these elements reveals that humans tend to act recklessly when confronted with trauma, resulting in destruction. Second, the purposeful manipulation of the elements for the use of deadly weapons shows …show more content…
that humanity is completely evil and violent, ruining all forms of life during a crisis. For example, when Robert and his men are in the crater, they become “trapped in the bottom of a sink hole, either about to be drowned or smothered to death with gas” (Findley 124). The sinkhole with water had been created by the intentional use of bombs to destroy earth and soldiers, and the air had been purposefully introduced to weaponized chlorine gas. Both the elements and humans are targeted, revealing the barbaric and ruthless actions of society and proving that, due to the innate evil in mankind, “there [are] no acts of mercy, [and] there [is] no ammunition to be spared” (Findley 187) in war. The natural tendency of individuals is to show no mercy to animals, nature, nor human beings. Overall, the corruption and intentional manipulation of the elements expose the cruel and reckless aspects of humanity and emphasize the damage that results. In addition, the contrasts and parallels between characters highlight the futility of attempting to hold onto innocence and the destruction that the horrors of humanity bring.
To start, there are many characters which mirror Robert in their attempts to maintain purity and understand human nature throughout the war. Robert and Rodwell both have a close association with animals, as well as an abhorrence of violence. Moreover, Robert and Mrs. Ross share a common desire to preserve life. Although they all try to cling to purity and understand human nature, their attempts result in failure. When fellow soldiers realize that Rodwell cares deeply for animals, they intentionally slaughter “rats and mice – burning them alive in their cooking fires” and force Rodwell “to watch the killing of a cat” (Findley 135). Since Rodwell is unable to comprehend the justification for these horrible actions, he decides to end his own life. Likewise, Mrs. Ross cannot cope with the atrocities of mankind, which are revealed through the war. As a result, when it is reported that Robert is missing in action, she becomes blind, and “there [is] not a trace of emotion left in her voice” (Findley 186), displaying her defeat. Parallel to both Mrs. Ross and Rodwell, Robert struggles to comprehend the horrors of civilization. He finally gives up hope when he burns his picture of Rowena, a symbol of innocence: “This [is] not an act of anger – but an act of charity” (Findley 178). Robert, like Rodwell and Mrs.
Ross, fails to cling to purity, proving that this feat is impossible because humanity is immensely evil. On the other hand, Taffler is a foil to Robert, and their identical fates prove that the horrors of society bring destruction to all. Despite their differences in personality, both characters end up utterly incapacitated by the war since, for Taffler, “the stumps where his arms had been [are] raw,” (Findley 192) and, for Robert, his face is barely recognizable due to the severity of his burns. This emphasizes that the horrors of human nature, which had originally caused the war, result in complete destruction. In all, the use of foil and mirror characters reveals that it is impossible to preserve innocence, since the atrocities of humanity cause an inescapable downfall for all. In conclusion, the use of the motif of the elements and foil and mirror characters shows that the wicked aspects of human nature cause the utter and unpreventable downfall of all. Regardless of personality, trauma magnifies the display of the evil attributes of mankind, including reckless, vicious, and evil behaviours. Although society tries to promote an “ideal” personality, consisting of exceptional qualities, it is important to recognize that this perfection can never be achieved. The reality is that human nature is depraved and corrupted, and it is mankind’s own fault for the destruction of civilization.
Robert returns to the front on an ammunition convoy towards Wytsbrouk. He encounters some shelling but his life is spared. On the seventh day since returning from the front Robert is with Captain Leather and thirty horses and mules. When the German’s begin to bomb their location Robert asks Leather if he can release the animals in order to save them, but Leather was in a panic under a table and refused. However, Robert convinces Devlin to open the gate to release the animals. When Leather witnesses what Devlin is doing he fires and shoots Devlin in the head. Shells begin to land in the barns and as Roberts attempts to kill the wounded animals he thinks that if Leather was an animal he was be deemed mad and be shot.
While his connection with animals gets stronger; his bond with humans happens to fade away. He goes on a ship with other soldiers to go fight in the war. After Harris is taken ill, Robert then has to be the one responsible for taking care of the horses on the ship. Even though having to stay with the horses is a horrible duty of a soldier because of the smell, the insects, and the rats, “[Robert] found it was a marvelous cure for seasickness” (Findley 63). He enjoyed staying with the horses to the point where he “became completely disengaged from the other life on the upper deck. He even went below off duty” (Findley 63). Robert found himself a place where he belongs and is most comfortable in on that ship; not with humans but with the horses. After Robert spends a decent time with the horses, one of them has broken its leg, and Robert is called to shoot it since he is an officer with a gun. Robert hesitates and becomes nervous, “he has never squeezed a trigger against a living creature in the whole of his life” (Findley 64). Robert starts desperately thinking of ways to avoid what he had been asked to do. He thought to himself “why couldn’t Battery Sergeant-Major Joyce do this? Hadn’t he been in the army all his life?” (Findley 64). This demonstrates that Robert strongly does not want to be the one causing
Timothy Findley Creates a fictional world through his novels, where readers can relate to the situations and characters. The protagonists that Findley creates are often similar and connected to the hardships that they eventually encounter and defeat or that which they are defeated by. Findley takes his readers back in time to the First World War, displaying his knowledge of history and research, where the hardships of a young soldier’s battles internally and externally are brought to the reader’s attention in his historical-fiction novel The Wars. Findley writes about the reality and absurdity of the First World War, and takes the reader’s on a journey through the active reading process to find what is “sane” and “Insane” throughout the duration of the novel. Following the journey of the protagonist, Robert Ross as he enlists in the Canadian Army after the death of his sister Rowena, and undoubtedly is the turning point of the text and ideally where Findley initiates the active reading process, and where the contents placed in the story by Findley, are analyzed and opinionated based on the reader’s perception and subjectivity of truth. Essayist Anne Reynolds writes “ Findley manages, through technical prowess, to combine Hemingway-like choices of clear moment searing horror and truth at the battlefront with scenes depicting the effects of war on the families and lovers of the soldiers.” (Reynolds, 4) According to Reynolds Findley has been able to display the absurdity and affect that not only the First World War has caused but the ludicrousness war in general has caused the families of soldiers, and society as a whole. Using the literary theory of deconstruction many aspects and scenarios in The Wars can be analyzed, as Fin...
Very early in the novel, Robert’s sister Rowena dies from a fall. Robert takes this accident personally, believing “It was Robert’s fault. Robert was her guardian” (16). Although Robert could have done nothing to prevent Rowena’s death, he takes it very personally and isolates himself from his family. The situation is made worse when his mother demands Robert kill his sister’s pet rabbits simply “Because a girl had died – and her rabbits had outlived her” (21). Although Robert does not kill the rabbits personally, they are killed regardless. Rowena’s rabbits rely on Robert to protect them, much like she relied on him, enhancing Robert’s sense of failure. This initial experience with death causes Robert to escape his previous life by joining the war, an unwise decision considering his initial reaction to death and violence. A similar event occurs while Robert is travelling across the Atlantic Ocean when he is told “one of them horses of yours has gone and broke its leg” (57). Robert is told that he must shoot the horse because “an officer had to do it. They were the only ones with guns” (57). Unlike the killing of the rabbits, Robert is required to kill the horse by himself. Robert displays a strong connection with animals throughout the novel and is appalled at the thought of killing
War has been a constant part of human history. It has greatly affected the lives of people around the world. These effects, however, are extremely detrimental. Soldiers must shoulder extreme stress on the battlefield. Those that cannot mentally overcome these challenges may develop Post Traumatic Stress Disorder. Sadly, some resort to suicide to escape their insecurities. Soldiers, however, are not the only ones affected by wars; family members also experience mental hardships when their loved ones are sent to war. Timothy Findley accurately portrays the detrimental effects wars have on individuals in his masterpiece The Wars.
Robert Ross becomes the anti-hero because of his need of to save others but inability to do so; Robert, himself, is not aware of the fact that all he wants to do is save others because he could not save the one person he cared about, Rowena: “It wasn’t Stuart’s fault. It was Robert’s fault. Robert was her guardian and he was locked in his bedroom. Making love to his pillows.” (16) Furthermore, Robert tries to save Rowena’s rabbits: “I’ll look after them. […] I’ll take care of them. Please!!!” (18) Meanwhile, he fails again when someone else was hired to do so: “It took him thirty seconds to emerge from his pain and to realize why Teddy Budge was there.” (20) Robert unknowingly feels the need to be a savior for the people in his life, but constantly fails to do so with every attempt. Throughout the book, Robert blames himself for not being able to save Rowena or her rabbits. Another reason Robert enlists in the war is to unintentionally make up for the lack of lives he could not save in his own household.
Timothy Findley pieced The Wars together like a giant jigsaw puzzle. When putting a puzzle together, a person must start off on the outside and work his/her way in, slowly adding piece upon piece until a clear overall picture is seen. Readers have to realize that the themes, characters, and setting within this book operate like puzzle pieces; they each weave themselves within the story and within each other. Their connections are the bonds that hold the book together, and one of the bonds at this puzzle's core is madness. To understand how madness appears to play a major role in the events of the war, we have to know the characters that are mad, the characters that are believed to be mad and how madness affects masculinity.
The Wars written by Timothy Findley shares a great relation to many of the ideas surrounding postmodern society, thus implementing many of the prominent ideas of the time around politics and societal norms into the plot of the story itself. Findley successfully depicts the plot of the novel taking place in the early 1900's; a time in which the western world was emerging from an industrial revolution, bringing radically foreign ideas on politics in the world, including the materialization of the Marxist political theory. The seemingly negative reception of the Marxist theory has denied it the right as a valid political view. One thing that cannot be denied is that a majority of the foundational ideas of the theory, describe basic human society and nature very accurately, which is something Findley explores in depth. The ideologies of power, class, and struggle are key factors in Marxism. These are the ideas that usually dictate; many of the actions that we make as people and in the journey's that we encounter in our lives. "Marxism attempts to reveal the ways in which our socioeconomic system is the ultimate source of our experience" (Tyson 277). The protagonist in The Wars ,Robert Ross, is an example of this experience. He is a young man from an elitist family that encounters these ideologies throughout his journey. The archetypal journey of Robert Ross in The Wars contains many elements of political theory from Marxism, showcased through the class system, the distinction between the oppressors and the oppressed, and the revolutionary actions that occur.
The Struggles in life is something everyone is faced with whether it is physical, emotional mental or personal struggles. These struggles are capable of shaping an individual’s personality and outlook on life. Timothy Findley’s novel The Wars, shows that struggles lead to the character’s ultimate inner struggles, outer struggles and self-discovery. War exists in a person’s physical and psychological aspects. In The Wars, Robert Ross goes to war and fights a personal and physical battle.
To conclude, the graphic novel Watchmen presents the non-fantastic representation of a superhero, implying that not all heroes are like Superman. This notion is explored within the novel by mentioning the realistic motives of the characters choosing to become superheroes, by Rorschach’s representation and through the heroic reactions of the New Yorkers to a street crime. These elements all contribute to Watchmen’s uniqueness and complexity as a superhero comic.
Hughes, Jamie A. "Who Watches the Watchmen?: Ideology and 'Real World' Superheroes." Journal of Popular Culture39.4 (2006): 546-557. SPORTDiscus with Full Text. EBSCO. Web. 25 Feb. 2010
The animals in this story are closely related to the characters, especially the character of Robert. Rodwell acknowledges Robert's close union with animals when he draws Robert in his sketchbook as "the only human form" among sketches of animals (155). When Robert sees the drawing, he notices that "the shading [is] not quite human"; it is a combination of animal and human qualities, like Robert's own personality (155). "Modified and mutated, he [is] one with the others" (155). Rodwell's sketchbook reveals the melding of Robert with the animal world.
The War in the West was a series of battles in the revolutionary war on the frontier. The War in the West is also known as the Western Theatre of the American Revolution. The War in the West was fought between the Colonies, later the United States, with Spain and some Native Americans versus Great Britain with 5 Indian tribes between 1775 and 1782. The Native American tribes that supported Great Britain were the Shawnee, Seneca, Delaware, Lenape, Miami, and Wyandot. This was fought west of the Appalachians in the Ohio Valley and the Great Lakes Region. Many of the battles were fought close to or on battle sites of the French and Indian War (also known as the Seven Years War). One of the most famous battle sites fought in both
The Thirty Years War was a series of conflicts, not-knowingly involving most European countries from 1618 to 1648. The war, which was fought mainly in Germany, was started when Bohemian Protestants furiously attacked the Holy Roman Emperor in terms to impose a restriction on their religious and civil liberties. By understanding the Thirty Years War, you will notice the notable religious, political and social changes. The changes paved the religious and political maps of Europe. Not only did this war affect the religious and political demographic, it caused populations to perish and lose large amounts of their goods. What was known as a religious battle, turned out to be a political feud in competition of which state has the greater power affecting men, women, soldiers and civilians. “[The bohemians] had no idea that their violent deed would set off a chain reaction of armed conflict that would last thirty years and later be called Europe’s “first world war” of the modern era.” When the war ended, the lands were defiled and over 5 million people were killed.
Theme is a literary element used in literature and has inspired many poets, playwrights, and authors. The themes of love and war are featured in literature, and inspire authors to write wartime romances that highlight these two themes. Ernest Hemingway’s A Farewell to Arms deals with the collective themes in the human experience such as love and the reality of war. A Farewell to Arms is narrated from the perspective of Fredric Henry, an ambulance driver in the Italian army, and pertains to his experiences in the war. The novel also highlights the passionate relationship between Henry and Catherine Barkley, a British nurse in Italy. Henry’s insight into the war and his intense love for Catherine emphasize that love and war are the predominant themes in the novel and these themes contribute to bringing out the implicit and explicit meaning of the novel. Being a part of the Italian army, Henry is closely involved with the war and has developed an aversion to the war. Henry’s association with the war has also made him realise that war is inglorious and the sacrifices made in war are meaningless. Specifically, Henry wants the war to end because he is disillusioned by the war and knows that war is not as glorious as it is made up to be. The state of affairs and the grim reality of the war lead Henry towards an ardent desire for a peaceful life, and as a result Henry repudiates his fellow soldiers at the warfront. Henry’s desertion of the war is also related to his passionate love for Catherine. Henry’s love for Catherine is progressive and ironic. This love develops gradually in “stages”: Henry’s attempt at pretending love for Catherine towards the beginning of the novel, his gradually developing love for her, and finally, Henry’s impas...