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Historical context for Shakespeare's plays
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Ramsey Parra IB English 12 Period 5 Ms. Reynolds A Streetcar Named Desire 3/27/15 Pages 13-27 • The play takes place in a house in New Orleans called Elysian Fields. The house is between a river and some train tracks. • Stanley arrives and yells for Stella, his wife, to catch a package of meat. He then goes bowling and Stella follows. Here, we can see gender roles early on in the play. • Eunice lets Blanche into the apartment and goes after Stella. Soon after, Blanche finds a bottle of whiskey and takes a drink. • Blanche talks about the quality of the apartment, asking how Stella could live here. Stella tries to explain that New Orleans is different and that the apartment isn’t so bad. Blanche promises to say no more about …show more content…
it. • Blanche explains to Stella that she had to quit her high school teaching position due to her nerves. It was so sudden that she wasn't able to let Stella know about it. However, we know this to be a lie later on in the story. • Blanche notices that the apartment has only two rooms and she asks where she will be sleeping. Stella shows her the folding bed and explains that Stanley won't mind the lack of privacy because he’s Polish. Blanche makes it clear that she needs to stay for a while because she hates to be alone. • This leads Blanche to tell Stella that Belle Reve, their ancestral home, has been lost. When Stella asks how it happened, Blanche reminds Stella how there has been a long line of deaths in the family and that she had to stay there and fight while Stella was "in bed with your — Polack." Quotes 1) “Stanley carries his bowling jacket and a red-stained package from a butcher’s.” It is noticeable how Williams uses props to emphasize Stanley’s "primitive" masculinity. Here is where the reader gets a first glimpse of Stanley’s masculinity. He shows the qualities of a stereotypical male by carrying a bowling jacket and butcher’s package. 2) “My clothes are stickin’ to me. Do you mind if I make myself comfortable? [He starts to remove his shirt.]” Stanley’s ease and comfort contrast sharply with Blanche’s rigid sense of sexual propriety and the hidden shame she harbors. Here is the beginning of the sexual tension between the two. 3/28/15 Pages 28-73 • Stella mentions to Stanley that she is taking Blanche out for dinner and a show during his poker game at the apartment. This bothers him because he has to eat a cold plate of food Stella left for him. • Stella tells Stanley that they have lost Belle Reve. Stanley demands to see a bill of sale or papers proving this. Stanley reminds her of the Napoleonic Code, which says that anything belonging to the wife belongs also to the husband. Therefore, if the wife is swindled, then the husband is swindled and Stanley doesn’t like to be swindled. • Stanley looks through all the furs and jewelry Blanche has brought with her and demands to know where the money for those items came from. Stella explains that it’s all just artificial stuff and it is all cheap. • Blanche then gives Stanley the papers from many firms, which had made loans on the plantation and says that it’s fitting all these old papers should now be in his hands. • He takes the papers and tries to justify his suspicions by explain how he has to be careful now that Stella is going to have a baby. • Later that night Mitch, Stanley's friend, meets Blanche. There is an instant attraction between the two. As Stella comes out of the bathroom, Blanche turns on the radio and begins a little waltz, and Mitch tries to follow her lead. • Unexpectedly, Stanley comes into the room and throws the radio out the window. Stella screams at him and yells at everyone to go home. Stanley becomes angered and strikes Stella. The men hold Stanley while the women leave. They force him under the shower and then leave. • After the women leave, Stanley begs to see Stella and continues to call for her until she comes down and makes up with him.
Mitch assures Blanche that everything will be fine. • Blanche cannot believe Stella returned to him that night. She assures Blanche that Stanley was calm. Stella continues to convince her that she is quite content and happy in their current situation. Blanche ignores Stella and attempts to think of some way out of the situation, even though Stella repeatedly says she doesn't want out. Quotes 1) "after all, a woman's charm is fifty percent illusion," Throughout the play, Blanche attempts to put up a façade concealing her true identity. She lies to keep up the appearance of a wealthy southern belle. She also uses the darkness to hide her true age from Mitch 2) “I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action.” Blanche takes the naked truth - the stark bare lightbulb, the rude remark - and dresses it up prettily to make everyone happier and everything easier. That she speaks of talk and action as analogous to a lightbulb shows that she considers the remedy for uncouth behavior and appearance to be a paper lantern, an external cover, rather than a change from
within. 3/30/15 Pages 106-122 • Later that evening, Blanche, Stella, and Stanley are finishing with Blanche's birthday party. Blanche does not know why Mitch hasn’t arrived yet • Stella says that Stanley is busy eating and tells him to go wash and help her clear the table. Stanley explodes in anger, throws his plate to the floor, and warns Stella never to use such words to him again, that he is "king around here." • Blanche plans on calling Mitch, but Stella asks Blanche not to. She still calls, but he is not home. • The phone is ringing and when Stanley comes back from answering it, he tells Blanche that he has a birthday present for her. She is surprised and happy until she opens it and sees that it’s a bus ticket back to Laurel scheduled for Tuesday. The polka music begins to play as Blanche is unable to do anything except run away. • Stella does not know why Stanley treated Blanche so brutally, especially since she is so nice and delicate. • Suddenly, Stella asks Stanley to take her to the hospital, as she is expecting the child. • Later that evening, Mitch comes to confront Blanche about her past. He turns on the lights to show Blanche’s true age. He continues, saying that he knows about how her teaching career ended. Blanche confesses to this, and goes on to talk about her other sexual encounters. • Mitch demands to have sex with Blanche, but Blanche refuses unless he marries her. Mitch says that she’s not good enough and Blanche screams “Fire!” until he leaves. Quotes 1) “Mr. Kowalski is too busy making a pig of himself to think of anything else!” There is a tension in the air which explodes when Stella tells Stanley that he is making a pig of himself and that he should wash and help her clear the table. Stanley violently throws his dishes away and then announces that he is king here. This type of scene wouldn’t have happened if Blanche wasn’t living with them. However, Stanley feels the need to display his dominance in front of the women. 2) “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that's stronger than this--kitchen--candle.” Blanche is telling Mitch the sad details of her marriage to Allan. She loved him truly, despite her disgust at his homosexuality, and something broke inside her when he died. She ties this loss to the theme of light. Blanche hides from bright lights because they expose the truth, but she also avoids them because there is no longer any light inside her to match. 3/31/15 Pages 123-142 • Blanche is wearing an old, faded gown and has a rhinestone tiara on her head. Blanche has been drinking a lot since Mitch fled. She begins talking to herself until Stanley enters. • Blanche tells Stanley how Mitch came to her, asking for her forgiveness, but she sent him away because deliberate cruelty is not forgivable. • Stanley attacks Blanche, saying that Blanche is lying. Blanche flees to the telephone trying to contact Shep Huntleigh, but Blanche cannot seem to make a message. She leaves the phone to get the address. Stanley replaces the phone on the hook. Blanche wants him to stand aside so she can pass, and Stanley thinks that it might not be too bad to interfere with her. As he advances toward her, Blanche breaks a bottle. He jumps on her as she sinks to the floor. He picks up her inert body and rapes her. • Several weeks later, Stella is seen packing some of Blanche's things. There is another poker party going on. This time, Stanley is winning. This is symbolic of Stanley’s win against Blanche. • Blanche speaks suddenly with a hysteria demanding to know what is going on. She feels trapped and wants to get out of the trap. Stella and Eunice help her get dressed. Blanche eats some unwashed grapes and thinks that she would like to die somewhere on the sea from eating unwashed grapes and be buried in a clean white sack. • Blanche becomes hysterical not wanting to leave yet until the doctor approaches her softly and quietly. She says that she has "always depended on the kindness of strangers." The doctor leads her out and Stanley comes to comfort Stella by fondling her breasts. Quotes 1) “We've had this date with each other from the beginning.” This is Stanley's implicating moment. In a fundamental way, Blanche and Stanley have always been the only ones who knew what was going on. Blanche knows what part of her story is illusion, and Stanley sees through it all. The conflict of that dynamic was destined, according to Stanley, to come to a head in the bedroom. But this statement also turns Blanche's rape into a premeditated act, turning Blanche for once into as much a victim as she has long painted herself to be. 2) “Whoever you are—I have always depended on the kindness of strangers.” These words, which Blanche speaks to the doctor in Scene Eleven, form Blanche’s final statement in the play. She perceives the doctor as the gentleman rescuer for whom she has been waiting since arriving in New Orleans. Blanche’s final comment is ironic for two reasons. First, the doctor is not the chivalric Shep Huntleigh type of gentleman Blanche thinks he is. Second, Blanche’s dependence “on the kindness of strangers” rather than on herself is the reason why she has not fared well in life. In truth, strangers have been kind only in exchange for sex. Otherwise, strangers like Stanley, Mitch, and the people of Laurel have denied Blanche the sympathy she deserves. Blanche’s final remark indicates her total detachment from reality and her decision to see life only as she wishes to perceive it.
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
“I can 't stand a naked light bulb, any more than I can a rude remark or a vulgar action.” - Blanche (p. 60). The fear that bright light has the power to reveal the truth is a reoccurring theme throughout the play, embodying the threat that follows Blanche everywhere she goes. In scene nine, Mitch comments on this, saying that he has never seen Blanche in daytime. She makes a series of excuses after which Mitch points a light at her. When this happens, Blanche confesses she only says what ‘ought’ to be true. This doesn’t make Mitch any more sympathetic towards her and she carries on, saying “I don’t want realism, I want magic!” whilst still standing in the light. This makes it clear that it is her own choice to stay in the darkness, and reality would only cause her to suffer. Confirming this, when Mitch turns the light off again, she bursts out crying, as if allowed to pretend again, not being forced by the light to keep on showing her true self, especially her age. She might feel that the light on her face brings out the whole truth, which is too painful for her to bear. The other characters in the play feel it is not correct for her to hide the past and nobody questions whether it is acceptable to live in deceit. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that 's stronger than this--kitchen--candle.”-
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
By believing her own lie, Blanche disconnects herself from the reality in which she lives. She becomes so immersed in her lies that she herself is unable to tell where her fantasies end and reality begins. It is no longer a lie to maintain her appearance but a delusion that she believes in. In her mind she is not an aging women with few social contacts but a proper young lady with friends of high standings.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Soon after Blanche arrives to live with her sister in New Orleans, she comes up with the plan for her pregnant sister, Stella, and herself to
She looks for empathy in all the wrong places. She looks for it when with strangers, with Stanley, Mitch, and Stella. The tragedy of Alan’s death is a leading cause for Blanche’s desire for attention and empathy. After his death he becomes involved with the hotel “flamingo”. It is here where she mistakenly thinks that sex, is a form of empathy. This empathy causes her character to have a blackened image of how to gain empathy from others. Once she gets run out of the flamingo she attempts to gain attention from Stanley. “It 's mine, too. It 's hard to stay looking fresh. I haven 't washed or even powdered my face and here you are!” Blanche understands that Stanley is a man who can at least support his wife. She flirts with Stanley, in a desperate need to feel, safe and cared for. Stanley understands that Blanche is manipulative, and he does not give empathy towards her. The tragic Irony with Blanche is that she does not recognize true empathy when it is given to her, Mitch has a deep care for Blanche, to the extent that he is willing to marry her. “You need somebody. And I need somebody, too. Could it be—you and me, Blanche?” Mitch shows a great amount of compassion towards Blanche, but blanche cannot recognize this empathy and sees it more as an opportunity to manipulate him, which doesn’t turn out well in the end. Stella is the
This can be symbolized by light. Blanche hates to be seen by Mitch, her significant other, in the light because it exposes her true identity. Instead, she only plans to meet him at night or in dark places. Also, she covers the lone light in Stella and Stanley’s apartment with a Chinese paper lantern. After Blanche and Mitch get into a fight, Mitch rips off the lantern to see what Blanche really looks like. Blanche angrily replies that she’s sorry for wanting magic. In the play, Blanche states “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!”(Williams 117). Blanche wants to escape reality, but this only leads to her self-destruction. It is the men in her life and past experiences that is the main cause of her self - destruction. One of these being the death of her young love, Allen Grey. During their marriage, Blanche, attached to the hip to this man, walked in on him with another man. She then brought the incident up at a bad time; soon after, Allen took his own life, which I believe was the first step to this so called “self-destruction. Blanche could never forgive herself of this. This is the truth of her past, therefore,
The writer, Tennesse Williams uses symbolism and imagery to help convey the idea that Blanche is deceptive, egotistical and seductive. We can clearly discover how deceptive Blanche is by the symbolism that Williams uses throughout the play. One can note how Blanche continually wears white dresses or a red kimono when she is being especially flirtatious, so that she makes people think that she is innocent and pure. In Scene Five Blanche's white dress, a symbol of purity is stained which is symbolic of the fact that Blanche if far from being pure. Blanche's world hinges on illusion and deception as can be seen when Blanche pours her heart out to Stella in scene five, "soft people... have got to be seductive... make a little - temporary magic". Blanche feels that she must trick and deceive in order to survive in a world where she is "fading now!" and her looks are leaving her. We are introduced to Blanche as a "delicate beauty" that "must avoid strong light". Williams, portrays Blanche as an uncertain character who hides behind the veneer of outer beauty and who when is placed under the spotlight, fails to live up to the person she would like people to think that she is. Williams also provides strong imagery of her as a moth, as she is dressed in white clothes and is fluttering. This imagery of Blanche as a moth is further emphasised when Blanche herself later states, "put on soft colours, the colours of butterfly wings and glow".
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?