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Music in a streetcar named desire
The streetcar named desire analysis essay
The streetcar named desire analysis essay
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The play A Streetcar Named Desire relies heavily on the use of sound for things that would normally be constrained to literary devices. The building of suspense isn’t conveyed by a shift in dialogue, but by the gradual quieting of the orchestra. Switching from a solemn event to a flash of excitement is emphasized by the key snapping from minor to major. To draw focus from the background to the foreground, laying the foundation for a shocking moment, the music is qued to stop altogether. The manipulation of music works as a precision tool, highlighting specific layers of a scene to build a story and change the viewer's perspective in a way that no other method can. In the same way that changing the view of a camera can completely change the …show more content…
On the surface, the tools used here where volume and key. “[The music of the polka rises up, faint in the distance.]” was a method used to make it seem like the actress was quieter than she really was. By bringing the music louder, and the actress lowers her voice, it seems exponentially quieter. Even more clever, the change from minor, a pause, then resuming in minor is an auditory que for the audience, making the scene seem much more exciting than it would be otherwise. Even the choice of polka was intended with an effect as polka is a song for partners, highlighting the distance between Blanche and Mitch during that scene until the …show more content…
The Blues is a genre typically associated with lyrics depicting the struggles of the writer’s life; they represent the pains of existing within whatever role is filled by this individual. The association built in between Stanley and Blanche is purposefully designed to be a sad or melancholy one, and the usage of the Blue Piano rising up into the ears of the viewer builds these emotions up after events like the fight at dinner and after Blanche’s rape create the sense of emptiness surrounding the bonds between these
“Sonny’s Blues” is a short story in which James Baldwin, the author, presents an existential world where suffering characterizes a man’s basic state. The theme of tragedy and suffering can be transformed into a communal art form such as blues music. Blues music serves as a catalyst for change because the narrator starts to understand that not only the music but also himself and his relationship with Sonny. The narrator’s view of his brother begins to change; he understands that Sonny uses music as an exit of his suffering and pain. This story illustrates a wide critical examination. Richard N. Albert is one critic that explores and analyzes the world of “Sonny’s Blues”. His analysis, “The Jazz-Blues Motif in James Baldwin’s “Sonny’s Blues”” is an example of how one can discover plot, characterization and jazz motif that builds this theme of suffering.
In the story, Sonny’s Blues, James Baldwin uses music, jazz, and hymns to shape the story and show how it shapes Sonny’s life and how music is inherent to his survival. All of this is seen through the older brother’s eyes; the older brother is the narrator and the reader begins to understand Sonny through the older brother’s perspective. Baldwin writes the story like a jazz song to make a story out of his father’s past and his brother’s career choice and puts them together, going back and forth, until it creates a blending of histories and lives. He shows how the father’s past is similar to the narrator’s life; the older brother has conflicts with his younger brother, Sonny. Music heals the relationship.
In both “Sonny’s Blues” and “The Weary Blues”, music serves as a form of catharsis; in “SB” Sonny is able to escape his troubled life, and in “WB” the Negro man expresses his sadness about his difficult life. The portrayal of music differs in that it’s more of a joyful presence in “SB” but a grim and depressing one in “WB”.
Deception is present in Tennessee Williams’s drama ‘A Streetcar Named Desire’, William Shakespeare’s Tragedy ‘Othello’ and L. P. Hartley’s novel ‘The Go-Between’; the writers choose to use characterisation to explore the theme in depth. Often the protagonists of each text are the primary offenders of deceit, though some supporting characters mislead as well; although Iago is the antagonist of ‘Othello’, he is incomparably the most deceitful character in the entire play. Similarly, Williams uses Blanche to develop the plot by misleading the other characters and even herself at times, though arguably, unlike Iago, Blanche is presented as a character who lacks the motivation to hurt anyone. Conversely Leo, although the protagonist and narrator of the novel, is not the most deceitful character – Ted Burgess and Marian Maudsley not only coerce him into the deceit, but they themselves are presented as masters of the game they play, however, this essay will focus on Leo as he is a unique symbol of deceit; he is unaware of the consequences of his actions.
Perhaps the blues was representation of optimism and faith for the entire city of Harlem and all of African-American descent. Music is portrayed fluently and abundantly throughout the entire story of “Sonny’s Blues”. Despite the fact that Sonny frequently plays the piano, there is always a juke box playing, the “humming an old church song”, a “jangling beat of a tambourine”, a tune being whistled, or a revival meeting with the singing of religious words (Baldwin 293-307). The repetition of music in the short story is a realistic portrayal of how regular the blues, musically and emotionally, was present in an African-American’s life during the era of racial discrimination. Flibbert explains that the rooted, burdensome emotion felt by African Americans is difficult to put to words, other than describing it as the blues. He best defines the blues as “a mental and emotional state arising from recognition of limitation imposed-in the case of African-Americans-by racial barriers to the community” (Flibbert). Though a definite definition exists, the blues cannot simply be construed. To cope with this unexplainable feeling of blue, the African-American folk genre of jazz music was created. Finally, the blues was something African-Americans owned and that the white man could not strip them of. Though music appears to show up at the most troublesome times in “Sonny’s Blues”, it brings along “a glimmer of life within the
For Stanley, the blues tell the stories of the African-American community. Some of the stories talk about the harshness of their lives, but they also talk about the good times they had. [People] play the blues to get rid of the blues not to get them." (Lamb, 1). When people play or even listen to the blues, they are letting all of their worries go. They are not worrying about their job, the bills, or their kids. They are just trying to enjoy the moment when the blues are playing. The blues are some people's release from the stresses of their lives.
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...
Our lives are consumed by the past. The past of what we once did, what we once accomplished, and what we once could call our own. As we look back on these past memories we seldom realize the impact these events have on our present lives. The loss of a past love mars are future relationships, the loss of our family influences the choices we make today, and the loss of our dignity can confuse the life we live in the present. These losses or deaths require healing from which you need to recover. The effects of not healing can cause devastation as apparent in the play A Streetcar Named Desire. The theme of A Streetcar Named Desire is death. We encounter this idea first with the death of Blanche and Stella's relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave, Blanche never could forgive her. This apparent in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche's animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve, leaving Blanche to handle the division of the estate after their parents die. As result of Stella's lack of support, we see Blanche become dependent on alcohol and lose her mental state. Blanche comes to be a a terrible reck through out the play as we learn of the details of her life at Bel Reve. Her loss of the entire estate and her struggle to get through an affair with a seventeen year old student. This baggage that Blanche carries on her shoulders nips at Stella through out eventually causing the demise of her relationship. As Blanche's visit goes on with Stella, the nips become too great and with the help of Stanley, Stella has Blanche committed to a mental hospital, thus symbolizing the death of the realtionship they once had. The next death we encounter in the film is the death of Stella and Stanley's marriage. Our first view of Stanley is of an eccentric man, but decent husband who cares deeply for his wife. However, as as Blanche's visit wears on, we come to see the true Stanley, violent and abusive.
Tennessee Williams was born Thomas Lanier Williams in 1911. As a successful playwright, his career was greatly influenced by events in his life. He was noted for bringing the reader "a slice of his own life and the feel of southern culture", as his primary sources of inspiration were "the writers he grew up with, his family, and the South." The connection between his life and his work can be seen in several of his plays.
The polka music displays its original musical style, whilst being used for far more striking and startling incidents su... ... middle of paper ... ... nough’ in many situations to get his point across. Stanley’s middle-scene entrance with meat underlines his primitive qualities as if he were taking it back to his cave fresh from the kill. It also displays a strong sexual bond between him and Stella which is also shown as noticeable by other characters.
Soyinka and Williams present their main characters, Blanche and Elesin, as victims of their own delusions by showing how they do not live in reality, but in their own worlds and how they never listen to anyone else when given advice. These two characters seem unstable in one way or another and their endings are unhappy ones. There are also times where these characters are completely different and their lives juxtapose one another.
Sonny’s Blues is a story all about music and what it represents in the lives of different people. It varys from the positive view of Sonny to the negative views of Isabel and her parents. However, the narrator of the story switches from being negative to positive as he becomes more educated. These views cover how many people view music and how it differently impacts
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
duction A Streetcar Named Desire, written by Tennesse Williams (1947), is often characterized as the most extraordinary play that portrays the authentic South American life in the late 40`s and reflects the psychological interactions between the realistic inhabitants of the crowded Elysian Street, a home for the working labor class. Also, the narrative discourse of the play, in a sensitive manner, reveals more profound psychological characterizations of the main protagonists and the background topics such as gender differences, sexual intercourses, the submissive women`s roles and the dominant and aggressive nature of the male in the heteronormative post-war society. Although it seems that the playwright is about the decadence of the working-class society, still, the internal background of the story shows sensitive topics such as fear od loneliness, the symbolism of madness and the consequences of the abusive and violent attitude towards women. The real significance of the notion "desire" is, in fact, related to the relationship between Stela, a young inferior wife, and her husband, the Polish officer Stanley