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Marketing analysis on Netflix
Marketing analysis on Netflix
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Stranger Things: Netflix’s New Cult What do shows Spongebob Squarepants, Orange is the New Black, Scandal all have in common? They all possess extremely vast audiences and loyal viewership that they are referred to as having a “cult following.” These shows have influenced today’s pop culture and formed the way audiences expect to receive forthcoming media products. This essay will explore how Netflix’s new series Stranger Things’ production and distribution lead to new and innovative exhibition practices, how their integrated advertising helped create a new wave of cult followers, and lastly, how it’s popularity makes it a cult classic. Stranger Things: In a nut shell The 2016 Netflix series, Stranger Things is a science-fiction thriller brilliantly …show more content…
One the bike ride home, Will is suddenly interrupted by the extraterrestrial monster, causing him to crash his bike in some woods. Will runs through the woods home, knowingly followed the creature. He makes it in his house only to find that his mom and brother aren’t there. Alone in the house, he spots the creature outside his window and then runs for safety in a shed in his backyard. While attempting to hide out, he is discovered by the monster and in an instant he vanishes. The rest of the series follows the the remaining three friends as they conduct their own investigation to find Will with the escaped laboratory patient Eleven, who uses her telekinetic powers to aid …show more content…
In this case, Netflix used as much product placement as possible when trying to recreated the 80’s in Stranger Things (Keating, 2016). Everything from 1980’s wardrobe to 1980’s wallpaper was used in creating the mis-en-scene. The series displayed brands like Snack Pack, Freeland Dairy, Upwords, Designer Series: Trapper Keeper, Pullman Penetrating Graphite Oil, and Santa Trim Christmas Lights. They even included brands that are popular today such as Tide, Jif Peanut Butter, Coke, and Eggo Waffles. There is no doubt that these popular 80’s brands brought upon a sense of nostalgia, but there is no word yet on whether these brands and Netflix made any product placement deals. We can also see advertainment efforts made in Old Navy’s 2016 Black Friday Campaign. Old Navy used Gaten Matarazzo who plays Dustin in Stranger Things as their lone star in advertising for their Black Friday scratch off savings. What makes this campaign advertainment is that Matarazzo wears the same signature baseball cap that he wears through out “Stranger Things”, solid red on the sides and white on the face of the cap. Like the series, Old Navy also paid homage to the 80’s by remaking the classic Pump up the Jam by Technotronic, to tell the customers about the
The film Friday Night Lights, directed by Peter Berg explains a story about a small town in Odessa, Texas that is obsessed to their high school football team (Permian Panthers) to the point where it’s strange. Boobie Miles (Derek Luke) is an cocky, star tailback who tore his ACL in the first game of the season and everyone in the town just became hopeless cause their star isn’t playing for a long time. The townspeople have to now rely on the new coach Gary Gaines (Billy Bob Thornton), to motivate the other team members to be able to respect, step up their game, and improve quickly. During this process, racism has made it harder to have a success and be happy and the team has to overcome them as a family.
Maasik, Sonia and Jack Solomon. “Brought to You B(u)y: The Signs of Advertising.” Signs of Life in the USA: Readings on Popular Culture for Writers. Boston; Bedford, 1997. 172. Print. 10 Mar 2014.
Today’s commercials cloud the viewers’ brains with meaningless ritzy camera angles and beautiful models to divert viewers from the true meaning of the commercials. The advertisers just want consumers to spend all of their hard-earned money on their brand of products. The “Pepsi” and “Heineken” commercials are perfect examples of what Dave Barry is trying to point out in his essay, “Red, White and Beer.” He emphasizes that commercial advertisements need to make viewers think that by choosing their brands of products, viewers are helping out American society. As Rita Dove’s essay “Loose Ends” argues, people prefer this fantasy of television to the reality of their own lives. Because viewers prefer fantasy to reality, they become fixated on the fantasy, and according to Marie Winn in “Television Addiction,” this can ultimately lead to a serious addiction to television. But, one must admit that the clever tactics of the commercial advertisers are beyond compare. Who would have thought the half naked-blondes holding soda cans and American men refusing commitment would have caught viewers’ attention?
How do I begin to describe the cuteness and wonderfulness of Goodbye Stranger with its beautiful friendships and discussions about life, betrayals, forgiveness, and inequality? It’s a book that needs to be read by everyone! Everyone!
“A Cultural Approach to Television Genre Theory” argues that the application of film and literary genre theory do not fully translate when analyzing television, because of “the specific industry and audience practices unique to television, or for the mixture of fictional and nonfictional programming that constitutes the lineup on nearly every TV channel. 2” The goal of media genre studies, Mittell asserts, is to understand how media is arranged within the contexts of production and reception, and how media work to create our vision of the world.
Contrastingly, in the 1950s Tide Print Ad, the target audience was young newly-wed middle-class women who were white and had a young family. This was connotated by the advertisement as it uses a white woman, and by having men’s and children’s clothing on the washing line. Correspondingly, due to the era, there is a significant lack of diversity and representation in the advertisement, as only white middle-class women are being targeted. The advert is aiming to portray the “perfect lifestyle” and only shows women of the white race, connotating that the product isn’t suited towards women of colour. Since the advert shows no representation to any other race or class of women and only presents one kind, it creates this stigma around white, middle-class women being the best and exclusively having the “perfect lifestyle” with Tide. In the 2018 Super Bowl Tide Commercial, using the TV actor David Harbour from the popular Netflix Original Series, Stranger Things was intentional, as the largest age demographics for Stranger Things and Tide are very similar, with 31% of people aged between 18-29 having watched every episode of Stranger Things and 23% of people aged between 30-44, compared to Tide’s target demographic which is
When it comes to companies around the world, they market their brands through different channels such as television programs, performances and movies in order to expose their brands (Keegan & Green, 2015, p. 473). This essay will cover why product placement is involved with movies, whether they increase product awareness and appeal to consumers and lastly how movies become placed around the globe.
After the use of Reese’s Pieces in the movie E.T. product placement has risen to extreme heights. Some ask the question if product placement was around before the popular use of it in E.T. Research has proven that this form of advertisement has been around and used since the beginning of cinema, Ben Kozary states “the first reported product placement occurred in 1896, with the deliberate integration of Sunlight Soap by Unilever into several Lumière films” (2) from his paper “The Influence of Product Placement Prominence on Consumer Attitudes and Intentions: A Theoretical Framework.” This makes product placement one of the longest running uses of advertisement around. Product placement in movies and television shows, while unethical in some situations, is the most preferred and effective form of advertisement today.
How could a person not care about a single event in his or her life? How could a person fail to respond to different situations? How could one man be so apathetic towards all aspects of his life? How could a man not care about the death of his mother? Would anyone believe the story of the man who simply did not care about life? Albert Camus’s existentialist character, Mersault, demonstrates complete apathy towards almost every aspect of life. On page 115 of Albert Camus’s The Stranger, there is a passage in which the theme of the theme of the novel could clearly be observed. The theme of the novel is that existence is the only meaning of life. This theme is supported by the use of diction in the passage, which includes irony, structure, and tone.
Television has always been an industry whose profit has always been gained through ads. But in chapter 2 of Jason Mittell’s book, Television and American Culture, Mittell argues that the rise of the profit-driven advertising television model can be traced back through American television history, and that the rise of the profit-driven advertising model of television actually helped to mold American culture both from a historical standpoint and from a social standpoint.
Ever heard a bump in the night, or a whisper calling your name when you’re all alone? “The human mind makes up forces and tricks you into certain things” some say… But others think it’s something more , such as the paranormal? There are tons of different dimensions, who knows what’s out there that humans do not know about.
In her 2003 article “Reality-based television programming and the psychology of its appeal”, U.C. Santa Barbara communications, Prof. Robin Nabi provided a comprehensive definition of the genre.
In Mark Twains, the mysterious stranger, he tells a very enticing story that has you at the edge of your seat. He tells a story that incorporates morality, war, religion, and cruelty. Those are just a few for example. What caught my eye was his great use of religion in the book. It truly makes you think or rethink some things of how you may feel about your religion. Although I’m sure, his intentions are never to change someone preference of their religion, more of making them think. It made me have to think critically, and it challenged me.
...bout the “real” real world.” Psychology of Popular Media Culture, Vol 2(4). Oct 2013. 237-250. PsychARTICLES. 29 Nov 2013
Pop culture is a reflection of social change, not a cause of social change” (John Podhoretz). It encompasses the advertisements we see on T.V, the clothes we wear, the music we listen too, and it’s the reason Leonardo DiCaprio has not won an Oscar yet. It defines and dictates the desires and fears of the mainstream members of society; and it is so ingrained into our lives that it has become as natural as breathing. Moreover, adults never even bat an eyelash at all the pop culture and advertising that surrounds them since it has become just another part of everyday life. Pop culture is still somewhat seen as entertainment enjoyed by the lower class members of society; but pop culture standards change over time. A notable example of this is the sixteenth century author, William Shakespeare, since his works were considered pop culture, entertainment that could be enjoyed by everyone, but now they are considered literary classics. While pop culture encompasses most aspects of our lives, its influence is most obvious through each generations reaction to media,