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Betrayal in “The Story of an Hour” leads to Mrs. Mallard being better off alone, as her own person. Mrs. Mallard commits a treacherous act by thinking of the good in her husband's passing. “And yet she loved him- sometimes. Often she had not...’Free! Body and Soul free!’” (“The Story of an Hour” 13). Chopin is using irony to make a paradox in this quote. She loves her husband on the outside but deep down she knows she will be more fulfilled with her life alone without him. In the passing of her husband, she is looking forward to her new life ahead.
In the story, “The Storm”, Chopin also uses betrayal in the female character's personality. “Calixa, on the gallery, watched Alcee ride away. He turned and smiled at her with a beaming face; and she lifted her pretty chin in the air and laughed aloud” (“The Storm” 35). Calixa is showing that she has no regrets and she obviously has an affair with Alcee. She is laughing and she knows that she is better off with him but she has a husband that is out. Calixa is happy at this time and she is acting carefree. She knows what she did was not right but it is all about what makes her happy. Chopin is using enlightening words to show the reader
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that Calixa has feelings for someone other than her husband. Chopin uses irony in both of her stories.
In the beginning it mentions that Mrs. Mallard has a heart disease. “When the doctors came they said she has died of a heart disease- of the joy that kills” (“The Story of an Hour”). Chopin starts and ends with the same characters. When she says, “the joy that kills”, it’s a paradox because she dies of disappointment. Mrs. Mallard is grieving because of the passing of her husband but when she is alone in the room she starts to realize that she shouldn’t grieve. She realizes that she does love him but she wants to be free from him in a sense. Maybe she didn’t feel secure around him or with him. She is so over come of happiness because she thinks that she is free and alone now, that when she see’s her husband still alive she passes away in
shock. Kate Chopin grew up in a house dominated by women: her mother, great-grandmother and the female slaves her mother owned (Kate Chopin Biography). This shows in both of her stories, “The Story of an Hour” and in “The Storm”. Chopin shows how strong the females feelings are towards the men. “And when he possessed her, they seemed to swoon together at the very borderline of life’s mystery” (The Storm”). She is showing how passionate and mysterious Calixta and Alcee are acting. She is letting this happen while her husband is out getting her favorite shrimp. Calixta is going behind her husbands back because of what their marriage lacks. She is just trying to satisfy herself.
In 102 Minutes, Chapter 7, authors Dwyer and Flynn use ethos, logos, and pathos to appeal to the readers’ consciences, minds and hearts regarding what happened to the people inside the Twin Towers on 9/11. Of particular interest are the following uses of the three appeals.
Mrs. Mallard in 'The story of an hour', is a woman that has had to live her life composed and in control as the wife of her husband, Brently Mallard. Chopin details Mrs. Mallard's reaction to the news of her husband's death with convolted emotions that were considered appropraite and yet horrifying to the reader. At the end of the story, her death came as no surprise.
Kate Chopin’s story, "The Story of an Hour," may seem to be about Mrs. Mallard’s unexpected and ironic reactions to the news of her husband’s untimely death due to a railroad disaster. At least that’s what I thought when I read the story. It seemed to me that she led a normal life with a normal marriage. She had a stable home life with a kind, loving husband who cared for her. She seemed to love him, sometimes. She had some kind of "heart trouble" (Chopin 25) that didn’t really affect her physically, until the very end. I thought Mrs. Mallard would have been saddened and filled with grief for an adequate period of time after her spouse died, but her grief passed quickly, and she embraced a new life that she seemed to be content with. Therefore I believe there is good evidence that Mrs. Mallard was an ungrateful woman who did not appreciate her husband or his love for her. That evidence is found in her selfish behavior after the death of her husband, Brently Mallard.
In “The Story of an Hour,” Kate Chopin shows the reader Mrs. Mallard’s monstrous joy towards her husband’s death. After receiving the news of her husband, Brently Mallard’s, death she wept, but was also overwhelmed with a certain sense of freedom. Suddenly, Mrs. Mallard dies of heart disease, the joy that kills, but is then revealed that Brently is still alive. In “The Story of an Hour,” Chopin reveals the character of Mrs. Mallard through the use of diction, detail, and irony.
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
Chopin displays a need for more independent women in this piece, suggesting that wronged womanhood is the simple fact that society didn’t allow them to be on the same level with men. Mrs. Mallard realizes a “possession of self-assertion which she suddenly recognized as the strongest impulse of her being.” This suggests a dying will for independence. Mrs. Mallard realizes that she can now rely upon her self for everything and it will become her number one driving factor in life. After she realizes this, Chopin says Mrs. Mallard thinks “spring days, and summer days, and all sorts of days that would be her own.” When she has days to herself, she will have no one to tell her what to do, as this line suggests her husband used to.
...sease - of joy that kills" (Chopin 215). While all of the characters in the story think that Mrs. Mallard died of joy, the reader of the story knows otherwise. Mrs. Mallard actually died because she was heart-broken and shocked at the reality of her husband being alive. With the news of him being alive, her plans for a free, self-sufficient future are dashed.
“When the doctors came they said she had died of heart disease--of the joy that kills.” This is the most ironic and final line in Story of an Hour by Kate Chopin. Story of an Hour tells the story of Mrs. Mallard, a woman who recently found her husband died in a train accident, final hour alive. After hearing the news of her husband death, Mrs. Mallard goes to her bedroom to grieve, but realizes the freedom she now has from his death. This new found freedom is shortly lived when she finally realizes her husband is not actually dead. I am going to demonstrate the literary devices irony and symbolism is used in this story.
"'Free! Body and soul free!'", Mrs. Mallard kept whispering. One person's ultimate freedom may be seen as a tragedy to another. Kate Chopin illustrates this idea in "The Story of an Hour." The story is set in the nineteenth century. Chopin uses the death of Mr. Mallard to show the reader Mrs. Mallard's deep feelings. In the story, Josephine and Mrs. Mallard are sisters. Although the women come from the same background, live in the same city, and outwardly appear to be satisfied with their lives, their attitudes are very different. Chopin uses these two women as foil characters in the story. The differences in the women are seen in their reactions to Mr. Mallard's death. Although both women are expected to maintain a certain role in society, Mrs Mallard, unlike Josephine, is not satisfied with her life due to the societal restrictions. At the end of the story, Josephine and Mrs. Mallard respond very differently to Mr. Mallard's coming home.
Mallard is alive and breathing, yet very much dead. Mrs. Mallard carrying “herself unwittingly like a goddess of Victory” after hearing of what should have been the biggest upset of her life is sickening (Chopin 13). To have a “feverish triumph in her eyes” when looking forward to a future without her husband, confirms that she feels as if she has won through the loss of her husband (Chopin 14). Her heart did not beat with love and respect for her husband, as it should have. Rather her “pulse beat fast, and the coursing blood warmed and relaxed every inch of her body” at the chance to live without him (Chopin 14). She does not know that being “free, free, free” without him is not living at all (Chopin 14). Laughing, submitting to, and loving her husband deeply, that is living. The moment Mrs. Mallard chose to see marriage as a binding contract rather than a gift from God is the moment Mrs. Mallard should have been handed a death certificate. Seeing a death as freedom, thinking “there would be no one to live for during those coming years; she would live for herself,” gives a peek into her calloused heart (Chopin 14). A human living a selfish life, always wishing for something better, loses the life they are so bent on finding. Living is more than merely breathing. Living is seeking God to make the most of each day He gives you and to make the most out of the marriage He gave you. Mrs. Mallard looking at the coming years without her husband, and relishing in the fact
In the short story, “The Story of An Hour”, Kate Chopin emphasizes the freedom that one woman in the late 1800s found in the midst of a portrayal of her husband being dead. This woman, Louise Mallard, cannot stop dreaming of freedom once she finds out that her husband is dead. This leads on to her dreaming about all the things that she could do in the absence of her husband from her life and the beginning of her new life as a widow. The overall tone of this passage is one of freedom and this tone is supported by the use of imagery of spring, detail, and diction.
Women in the 1800s and 1900s have been oppressed by the stereotypes of what it is they are supposed to be. They are to marry young and have children with their husband. They are to take care of the young and perform household chores. They are supposed to love their spouse unconditionally. Kate Chopin challenges this view often in her writing. One of her short stories, “The Story of an Hour” sends a message that women should seek individuality as much as men through her use of rhetorical devices.
She didn’t want to continue her life as it was with her husband being in it, Mrs. Mallard was miserable and unhappy. The doctors arrived at the house and said, “she died of a heart disease- of joy that kills” (544). As Xuemei Wan has noted, “From this point of view, maybe the doctors’ diagnosis is right that Mrs. Mallard did die of joy, but the delight is not from the good news that her husband is still alive, but from the death in which she acquires an immortal freedom. All the conventional conflicts are deconstructed and are not existent for her any longer” (169). Xuemei means that Mrs. Mallard dies because she knows that she will be at peace and
Mallard. Her self-assertion surpassed the years they were married and the love she had for him. She is beginning to realize she can now live for and focus on herself. The text insists “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.” (Chopin 477.) Finally she can live freely and no longer worry about being confined in her marriage and inside her own home. She has come to realization that she is now independent and can think freely and achieves happiness and freedom. She is no longer held down or back by her marriage. She will no longer be someone’s possession she will be free and respected. Her husband Brently returns and he is alive the happiness and freedom she once possessed briefly with the mere image of her deceased husband were quickly torn away. “When the doctors came they said she died of heart disease of joy that kills” (Chopin 477). She was free but still confined without the knowledge of her husband who wasn’t dead. Chopin illustrates at the end that she was free because joy killed her. She was joyous because she was finally set free but she is now once again confined by the grief knowing her husband was not killed
Looking into different aspects of independence, The Story of an Hour, which focuses on freedom, relays back to the central theme of the pursuit of independence. Mrs. Mallard had been living a life which she no longer wanted. Wanting to be free of her constraints under marriage, she was relieved to find out her own husband was dead. The truth behind her happiness lies in this falsehood that marriage will help fix your problems. She discovered that this deception has caused this disillusion of happiness and security. Chopin puts a spin on the story, giving it a refreshing take on societal norms. For example, she relays the feelings of Mrs. Mallard towards her husband, very different than what a grieving woman would respond. Mrs. Mallard even says, “Free! Body and soul free!” This is said a