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Character analysis essay story of an hour
Symbolic meaning of the story of an hour
Symbolic meaning of the story of an hour
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To pray without a hopeful heart is not praying at all. Breathing, yet not truly living today because of wishing for tomorrow, is not living at all. Alive, yet dead in spirit, Mrs. Mallard believes to have found her life after hearing that the life of her husband has presumably ended. From a bolted door to an open window, Mrs. Mallard perceives her husband’s apparent death as a release from the chains of marriage. In “The Story of an Hour,” Kate Chopin breathes a glimmer of life into Mrs. Mallard through death. Although Mrs. Mallard is physically alive and breathing, by analyzing both her triumphant cries for freedom and the vivid descriptions of her fantasies, we sense Mrs. Mallard has a beating heart yet a dead spirit. Mrs. Mallard wallows …show more content…
Mallard, with “a fair, calm face, paired with a “dull stare in her eyes” as her deliberations and eyes fix on “the tops of trees that were all aquiver with new spring life,” splatters an image of Mrs. Mallard’s soul (Chopin 13). Mrs. Mallard has a calm face, despite receiving the news that her husband has died unexpectedly. Instead of being stricken with pain and grief as most would, she is dully gazing out of the window, numb to pain and her inhumane ways. Her dull gaze is not absent-minded. “It was not a glance of reflection, but rather indicated a suspension of intelligent thought” (Chopin 13). Consciously fantasizing her future while beholding the “patches of blue sky” (Chopin 13). No longer seeing the blue hues as sky, but as freedom. Desperately trying to escape the burdens of her present life, Mrs. Mallard is mentally receiving a future that is radiant with patches of new life to come. Mrs. Mallard is desensitized to her husband’s death. Rather that dealing with the present moment and grieving the death of her life-partner, Chopin brushstrokes a discontent soul brimming with hope for what is to come. Chopin, crafting the image of Mrs. Mallard seeing through her open window “the clouds that had met and piled one above the other,” immediately paints a vivid parallel with Mrs. Mallard’s life (Chopin 13). Mrs. Mallard is fixated on the blue skies and freedom ahead and desires that are rooted in discontentment. She is not …show more content…
Mallard is alive and breathing, yet very much dead. Mrs. Mallard carrying “herself unwittingly like a goddess of Victory” after hearing of what should have been the biggest upset of her life is sickening (Chopin 13). To have a “feverish triumph in her eyes” when looking forward to a future without her husband, confirms that she feels as if she has won through the loss of her husband (Chopin 14). Her heart did not beat with love and respect for her husband, as it should have. Rather her “pulse beat fast, and the coursing blood warmed and relaxed every inch of her body” at the chance to live without him (Chopin 14). She does not know that being “free, free, free” without him is not living at all (Chopin 14). Laughing, submitting to, and loving her husband deeply, that is living. The moment Mrs. Mallard chose to see marriage as a binding contract rather than a gift from God is the moment Mrs. Mallard should have been handed a death certificate. Seeing a death as freedom, thinking “there would be no one to live for during those coming years; she would live for herself,” gives a peek into her calloused heart (Chopin 14). A human living a selfish life, always wishing for something better, loses the life they are so bent on finding. Living is more than merely breathing. Living is seeking God to make the most of each day He gives you and to make the most out of the marriage He gave you. Mrs. Mallard looking at the coming years without her husband, and relishing in the fact
In "the story of an hour" Chopin discuss how getting married can lead you to live a life of anguish. In the beginning of the short story Mrs. Mallard revives terrible news that her husband has been recently killed, she "Wept at once, with sudden, wild abandonment." This intense reaction is how society would expect her to act if your husband dies. Mrs. Mallard then goes into her bedroom to grieve alone: "She could see in the open square before her house the tops of the trees that were all aquiver with the new spring life." Seeing the open square makes her crave freedom, something she doesn't remembering having. The new spring life will eventually represent her new-found freedom and happiness. As she stares outside the window she thinks, but "It was not a glance of reflection, but rather indicated a suspension of intelligent thought." She is critically thinking of what will come and what has just happened, she has not ever has to think for herself, her husband always did that for her. This is the first time her feelings start to stir, she tries to process the information more to figure out what they mean.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
Chopin depicts marriage as a prison institution that confines women to life. In the story, there is no possibility of divorce and death seems to be the only way out. Evidently, since marriage is dictated by society, women do not seem bothered by their lack of freedom since they feel it is their obligation to run their homes without complaining. From the story, Mrs. Mallard does not seem perturbed by her present situation until she gets a taste of freedom after receiving the news about her husband's death. Precisely, we are told that she was beginning to recognize this thing that was approaching her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been.
Chopin displays a need for more independent women in this piece, suggesting that wronged womanhood is the simple fact that society didn’t allow them to be on the same level with men. Mrs. Mallard realizes a “possession of self-assertion which she suddenly recognized as the strongest impulse of her being.” This suggests a dying will for independence. Mrs. Mallard realizes that she can now rely upon her self for everything and it will become her number one driving factor in life. After she realizes this, Chopin says Mrs. Mallard thinks “spring days, and summer days, and all sorts of days that would be her own.” When she has days to herself, she will have no one to tell her what to do, as this line suggests her husband used to.
As the title puts it, “The Story of an Hour” takes place in the span of an hour. The title of the story also shows the possibility of occurrences within a single hour. This story is mostly centered around one woman, Louis Mallard. In conventional circumstances, death brings sorrow, grief, seclusion, guilt, regrets, along with other feeling depending on the cause of death. In “The Story of an Hour”, sorrow and grief are a product of the recent happenings, however, these feelings are coupled with joy and independence. Kate Chopin uses this story to convey death as a joyful circumstance whereas conventionally it is portrayed as sorrowful.
In Kate Chopin's "Story of an Hour" the author portrays patriarchal oppression in the institution of marriage by telling the story of one fateful hour in the life of a married woman. Analyzing the work through feminist criticism, one can see the implications of masculine discourse.
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
Mallard at the end of the story stands for the suffrage of women during this time to be free. She would rather die than lose her newfound freedom. Chopin’s biography before the story states “[t]he loss of her husband, however, led to her assuming responsibilities…Eventually devoting herself entirely to writing” (30). Her success was found only after she was free from her marriage; Chopin herself could have been hinting to the fact the she would have rather died than lose her own freedom. Chopin also uses the heart condition to kill Mrs. Mallard. She writes “the doctors…said she had died of a heart disease—of the joy that kills” (32). The metaphor of the heart condition standing for the weakness put on women returns with her husband. She is no longer strong and free; she is weak and trapped by her marriage. Chopin uses this purposely to show that women are weak in marriage and need to be set
Another example of how Mrs. Mallard was more uplifted than brought down by the news of her husband?s death is the description of the window. As Mrs. Mallard looks out, Chopin explains?she could see in the open square before her house the tops of trees that were all a quiver with new life?. This is telling the reader about the new life that Mrs. Mallard can see in the distance, that symbolizes the new life she saw that lay ahead of her now that she was free of her husband. This thought was supported by Hicks in saying "The revelation of freedom occurs in the bedroom"
Kate Chopin’s “The Story of An Hour” focuses on a woman named Louise Mallard and her reaction to finding out about her husband’s death. The descriptions that the author uses in the story have significance in the plot because they foreshadow the ending.
The mysteries of love, hate, and compassion are all part of marriage. The mysteries of the heart are felt in the short story, The Story of an Hour by Kate Chopin (Clugston, 2010, sec 2.1). This story pulls you in with the suspense of Mrs. Mallard’s heart condition and the idea of her husband’s death. When you first begin to read this story you get a feeling of compassion for Mrs. Mallard having a heart condition. As the reader you receive sadness within you to know the revealing of her husband’s death may harm her in some way, only to find out that love isn’t that simple and maybe it was the news of her husband being alive that killed her.
Mallard. Her self-assertion surpassed the years they were married and the love she had for him. She is beginning to realize she can now live for and focus on herself. The text insists “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.” (Chopin 477.) Finally she can live freely and no longer worry about being confined in her marriage and inside her own home. She has come to realization that she is now independent and can think freely and achieves happiness and freedom. She is no longer held down or back by her marriage. She will no longer be someone’s possession she will be free and respected. Her husband Brently returns and he is alive the happiness and freedom she once possessed briefly with the mere image of her deceased husband were quickly torn away. “When the doctors came they said she died of heart disease of joy that kills” (Chopin 477). She was free but still confined without the knowledge of her husband who wasn’t dead. Chopin illustrates at the end that she was free because joy killed her. She was joyous because she was finally set free but she is now once again confined by the grief knowing her husband was not killed
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion