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Loss and disparity of Auden's poetry
Loss and disparity of Auden's poetry
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Stop Everyone and Mourn a Death Literary devices are used in poems to help readers better understand the actual theme the author is writing about. The speaker in a poem conveys his/her own tone, figurative language, and symbols. The tone is the attitude that the speaker expresses toward the poem’s subject. Figurative language, such as metaphors, are indirect comparisons of one thing to another and symbols are objects that represent something greater than themselves. Given the definition of these three literary devices, W.H. Auden in “[Stop all the clocks, cut off the telephone]” uses tone, metaphors, and symbols to construct the theme of depression in an elegy poem. Auden writes this poem in a tone of sadness and gloom, due to the passing …show more content…
Auden uses a certain tone throughout the poem to highlight the melancholy sadness of the speaker’s life. The first and second lines of the poem express the immense grief the speaker is struggling with. In lines 1 and 2 Auden commands the whole audience to “stop all the clocks, cut off the telephone/ Prevent the dog from barking with a juicy bone.” Easily recognized from the start, the tone and quatrain writing in iambic pentameter demonstrates an unstable person. Auden is writing using this type of form and meter to portray an elegy or a poem of a dead person. The speaker is trying to get the audience to do that which is impossible. The tone refers to the hopelessness the speaker feels because he cannot accept that death overcomes every human. Additionally, the first three lines of the poem contain verbs that represent the overall depression of the speaker. Auden pleads with the audience to stop all of the disturbances in the world, such as clocks ticking, telephones ringing, dogs barking, and pianos playing, and focus on mourning the death of his loved one (Lines 1,2, 3). The three lines express more of the gloomy tone that causes the speaker to not be able to accept the death of a loved one; however, each sentence following hints the speaker is allowing proceedings to happen. The tone and form of writing being used by the author reiterates his depression and sadness which develops the theme of uncertainty of love and life lasting …show more content…
The importance of the passed man and the speaker is defined best by metaphors in the first two lines of the third stanza. Auden indicates “He was my North, my South, my East and West” (line 9). He was also his week and weekend company. These lines proves the loving relationship between the two men. The speaker names his loved one by the directional points on the globe and like every day of the week. The speaker describes these items by way of another thing which makes the lines metaphors. Either unknowingly or unbelievingly, the author could not grasp that life is not finite. More metaphors are used to show how the speaker lost the person that makes up his everyday life, which does not last forever. The speaker implies the man was his everyday, voice, and song. Line 12 states “I thought that love would last forever: I was wrong.” These lines seem to have metaphors that note the dead man brought conversation and happiness into the speaker’s life. He also filled every hour of the speaker’s day. Line 12, on the other hand, is demanding because the speaker says all people will die, love does not last, and people will lie awakened at night from the death of their loved one. The speaker being unaccepting to death promotes the use of the previous metaphorical devices. Each hyperbolic word is used as a metaphor to insure the importance of
All eight stanzas Lee wrote combine to inform readers his experience of grief and how it went from beginning to end. In the beginning, Lee opens readers with his vision of life, which is everyone are circuit boards, who absorb the electricity of life. In other words, Lee is explaining how every person’s life goes, but it always comes to an end at some point. From Lee’s life, he has lost a friend as stated before named Stephen. “Pass On” then looks back at the memories of Stephen such as, how he enjoyed dribbling the basketball or singing his favorite songs. However, Lee begins to realize he should not mourn over his loss nor grieve as he looks back at memories, but instead find Stephen. Near the end of “Pass On” and Lee’s journey concluding, he believes that Stephen and everyone else who is not physically alive are in the breeze of the wind. More specifically, whenever someone feels a strong breeze of wind, a loved one of theirs is most likely right beside them. Furthermore, Stephen and everyone else dead are not only in the wind, but indirectly in people you see every day. With Lee, after nine years of searching for Stephen he has found him in Wilt Chamberlain, who plays basketball, his voice in a musical young boy who sings, and his smile in a young girl’s shinning teeth. With Lee’s beliefs and his own
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly. His outside actions of touching the wall and looking at all the names are causing him to react internally. He is remembering the past and is attempting to suppress the emotions that are rising within him.
In this stanza the emphasis is on elderly people, " Old age" (line 2). Even elderly people, his father in particular, must not just accept the coming of death gently, but they should still fight it. Also note the contrast between "night" and "light", the rhyme words in stanza 1. Man is entering the night and leaving the light.
Perhaps some people’s first impression on Mona Van Duyn’s “Letters from a Father” is that its topic a cliché; since poems about death are not rare at all. However, Van Duyn’s unique interpretations and attitude towards her writing style, which are apart from other poets, shall also be discovered if one dwells on her poem. In the poem “Letters from a father”, it mainly portrays the daily life of a father, a mother and those feeders (birds). Throughout the poem, it may seem that it emphasizes the process of characters’ acceptance of birds and understanding on their daughter. Nevertheless, if we look deeper into the change in tones, repetitions and words use developed in the poem, it is arguable that the parent’s changes in acceptance of birds are in fact implying a mental process of bestirring from illnesses, which is most readers do not see. This is believed as an important interpretation since it reveals the poet’s attitude towards death, which underlie beneath the literal meaning of the poem.
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
...d one of the greatest modern poems, you can probably tell why, it has such meaning behind all of its curtains, with messages spilling out. A plethora of them are shown, but the main being, that people of his day need to regain their faith so instead of just scarecrows of straw they actually mean something with their soul intact, another being the complete worthlessness that has bestowed upon the people of this earth they are more concerned with material things instead of who they are as a person, and finally how just a small child’s nursery rhyme can hit home and foreshadow for the future if there is not change coming. The world is a terrible conniving place but the afterlife is where everything matters, the position you put yourself in life, is the position you will stay in death. And nobody wants to be in the middle.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
The songs lyrics have had many different interpretations over the years. For the purpose of this essay, I will simply explain the song the way I interpreted it. The song describes a man, the narrator, dealing with the death of his lover. The man has snuck into the cemetery where she is buried and begins to have a drink next to her mausoleum. The
The use of irony, word choice, and powerful images, all. create the sense of atmosphere in each stanza. The contrast of mood and tone is used in the first and second stanzas. which creates a change in mood. In the first stanza words like "ghastly" and phrases like, "saddening like a hymn", are used by Owen to create a dull and depressing mood. Which represents the mans present life in which he is stuck.
Loss of life is often seen as a dark and uncomfortable idea. Emily Dickinson’s poem, “Because I Could Not Stop For Death” flips that idea on its head. In this poem, Dickinson’s use of diction, personification, and capitalization illuminates the speaker’s pleasant relationship with death. The literary devices in “Because I Could Not Stop For Death” are a monumental help in showing the agreeable view the speaker has on death.
The speaker in the poem has a regretful tone, which allows readers to connect this to Frost’s real life experiences. However, Frost intended the reader to focus on the speaker’s regretful tone, to show it was a satire of Edward Thomas’s indecisiveness. The Poem is written in four stanzas with five lines each. The rhyme scheme is ABAAB throughout the entire poem. The meter is loose iambic meter, however most of the
Dickinson begins with an optimistic, appreciative tone, creating a tranquil atmosphere with "no haste". Dickinson’s calm and relaxed tone then becomes reminiscent through her use of anaphora as "we passed" different stages of life. A drastic change in tone is observed in Stanzas 4 and 5 which express uncertainty and fear as the speaker reaches her grave that has a "scarcely" visible Roof. Nonetheless, a tone of acceptance and peace is revealed in the final stanza as the serene atmosphere of eternal life is depicted. Auden’s Funeral Blues starts off with a strong imperative voice in a direct, forceful tone to portray the struggle of coping with grief.
In this piece, the narrator shows that death is not always such a negative thing. In the poem, the narrator states, “because I could not stop for Death, he kindly stopped for me” (Dickinson). In this statement, it is implied that ‘Death’, in a personified form, is a gentleman of sorts. This brings forth the notion that death does not take lives for singularly selfish or negative purposes. Death’s stopping for the narrator shows that death is kind and considerate of the deceased.
“And the verse falls to the soul like dew to the pasture (Line 14),” shows a simile between the lines he writes, the verse they produce falls into his heart’s soul just like how raindrops dew into the pasture. “What does it matter that my love could not keep her (Line 15),” expresses his frustration that his love was not able to keep her with him. “The night is starry and she is not with me (Line 16),” states that the night is still starry even though she is not with the speaker. Line
Toward the end of the poem, Auden begins to use hyperboles to demonstrate how his world feels diminished after the passing of his lover. For instance, when Auden writes, “I thought that love would last for ever,” he is using a hyperbole because at some point we all die so therefore, by logical reason, it is impossible for a love to truly last forever. When Auden later writes, “Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood,” he is expressing how his physical world too may as well be over because he has lost his one true love. In some aspects, he wants nature to heed his grief; “He wants the world to reflect the emptiness within him.” Auden has successfully incorporated the use of hyperboles throughout his poem Funeral Blues to further prove the harsh reality of how it feels for the love of your life to die and to be left with nothing but