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Gender and violence in the media
Portrayal of women in film
Gender and violence in the media
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Since the beginning of time there has been stereotypes of what the purpose of a woman really is. Women in history and today are characterized, sexualized and are told what is and what is not acceptable for them to do. The female body was intended to be a sacred and beautiful thing until it was turned into a way to define the woman as a whole. The way women are visually portrayed makes a statement that women’s bodies are the “window to the soul “and men can define a woman’s character by the way she is visually presented in art, in film and in the real world.
During lecture when we spoke of Sofonisba Anguissola’s self-portrait. This portrait shows a woman in a sitting position playing piano with a simple expression. It was noted that she is
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As a class, we watched a video during week twelve that was called “You watch that”. It was about how men still enjoy watching violence against women because they are able to sexualize it and use it as porn. This visual of the nude woman body portraying weakness while the man remains dominant. Kira Cochrane expresses her opinion on violence against women in film when she states, “it’s the violence against women that is the most troubling, because it is here that sex and extreme violence collide” (Week 12, slide 27). She goes on to discuss how the female characters identities are always defined by sexualizing her and in this case rape and then death. Male viewers enjoy the sight of the struggling woman and disregard the fact that she would be fighting for her life, but instead enjoy the fact that she is visually exposed to the audience and they are able to watch while she is taken advantage of sexually. In many films and in the real-world women that have been sexually active are viewed as “un pure” no matter the circumstance. If a woman is resorting to prostitution because it is the only way to feed her children, she is still viewed as un pure. If she is being raped in a film that is still looked passed and instead of the male viewers feeling sorry for that character they enjoy the sight of sexuality. Similar to violence in porn, these women in the videos are actually being violated and men still choose to watch that and endorse the abuse of women all because her naked body is exposed. Men do not enjoy watching the violence against women when she is fully clothed or if she is not being raped. Men also do not enjoy watching violence towards women if the female fights back and wins. They simply enjoy the dominance and vulnerability and watching the woman suffer for her sexual
The Latina women, even throughout the era resistance cinema, have not been able to make much progress in overcoming the degrading stereotypes that Hollywood has created for them. Despite the many advances that minorities have made in the cinema in recent years, Latina actresses still take on the roles of the "dark skinned lady" and other such stereotypes with strong sexual connotations. It is often debatable whether or not the role of the Latina has undergone dramatic changes since the days of Dolores Del Rio and Carmen Miranda dancing with the fruit baskets on top of their heads. However, in recent years there has been an emphasis by various Latinas in the film industry to combat such stereotypical roles and redefine themselves through the film medium, especially by means of documentaries. It is hopeful that the existing portrayals of Latina women as the sex object and desirable mate will gave way to a range of opportunities in cinema with roles of a more powerful and influential nature.
An example of the media degrading and objectifying women is Laura Mulvey’s ‘Male Gaze’ theory. In Laura Mulvey’s essay ‘visual pleasure and narrative cinema’; she discusses the term ‘Male gaze’. In film, the male gaze occurs when the audience is put into the perspective of a heterosexual man, for example, a scene may focus with specific conventions such as slow motion or deliberate camera movements on a sexual aspect of a woman’s body, forcibly putting you as the viewer in the eyes of a male. This theory suggests that the male gaze denies women human identity, manipulating them to the standard of manifest objects to be appreciated solely for their physical appearance. The theory implies women can more often than not only watch a film from
In most movies all around the world, men should the ones protecting women not be afraid of them or running from them, like projected in this movie. He couldn’t continue the wedding he told her what he really felt and she punched him in the face infront of everyone. Filmmakers are trying to say that they accept a person’s exuality but others won’t, which causes a vicious cycle since these movies are watched by society and causes them to think that it’s not normal for us to feel uncomfortable around people with a sexual preference than
Cross-cultural research has shown that rape is most common in cultures that are dominated by males and violence. This means cultures in which males dominate the political decisions and cultures adhering to the male ideology of toughness, interpersonal violence and war (Groth 7). In a culture of people with more traditional or sexist gender role, attitudes are more tolerant of rape than are people with more nontraditional attitudes. Traditional men are more likely to report that they would commit rape if they knew they would not be caught; some researchers have found that a traditional man is much more likely to commit a rape than a nontraditional man is. Many attitudes in our culture perpetuate rape, for example: A husband is entitled to have sex with his wife," "A 'real man' never passes up a chance to have sex," and, "A women who 'leads a man on' deserves what she gets (Growth 7). “ Some media depictions may promote rape. Many movies make violence appear attractive and some movies convey myths about rape. Such as slasher films that make violence seem exciting, or movies suggesting that women like to be forced to have sex or that women's only value...
The documentary demonstrates the connection between violence and social standards of masculinity by showing how masculinity is portrayed in the media. The media, as stated in the documentary,
One stereotype of men is the hypermasculine, gritty action star who is very muscular, has a large build, tall and rather intimidating as they are often the protagonist in action films who plots to save the world or his kidnapped love interest. Another stereotype found is the Father Figure who is often middle aged, has a beautiful young wife who does housework and has a couple of children who wait for him to come home before bedtime and read them a story. This common stereotype in film (for example: Mad Men, which is set in the 1960s-1970s) is (and was) a trope that is still true to reality and is a lot more common in domestic households than we think. This stereotype unfortunately on film is often prone to domestic abuse and violent tendencies
For example, when the documentary showed the band members and how they were symbolizing women. The band members had the woman against the wall with either no clothes or just undergarments on and throwing slices of meat at her. A lot of films and music portray this message that women are just a piece of meat and that they are only good for sexual experiences. Another example was Snoop Dog’s lyrics in his film, Diary of a Pimp, “you gotta break these hoes for Snoop” learning the lifestyle of a rapper and a pimp illustrating prostitution of women. Dreamworlds documentary also mentioned this when talking about the lives of women when a man is not present in their life. It illustrated scenes of sadness and loneliness. Women are not creatures who desire sex all the time and the purpose of the film was to teach us that how women are presented in music videos is not right. Women are more than just their bodies and do not need to continue to be objectified. Every media production should follow the Bechdel Test in communication of women and their actions. Women in music and films should not always be talking about men or living their life under the control of a man. Media acts as if women can’t be independent. If media continues to show women getting treating as objects and knowing that media influences society, then in society people will continue to think as if treating a woman as such is acceptable. Treating women as objects is not acceptable at all. However, what we see from media shows
Throughout time, women in movies and other similar texts are shown to be generally focused on men. This might make sense if every movie ever made was set in a time where women had absolutely no rights but of course, that is not the case. Older and more modern depictions of women in media, both show women whose lives revolve around men. Even movies that market their female characters as strong and powerful are still shown to be dependent on the male leads and puts them first. Also, since women in movies have more of a focus on men, female to female relationships suffer in the same films. There are very few exceptions to this unfortunate truth.
Men perpetrate 90% of the violence in our society. In Tough Guise, the documentary looks at where this violence could be stemming from. Many don’t realize that as a society we push or expect guys to be “manly” meaning that have to be a certain way in order to be a man. Movies, are portraying violence with glory and drives the roots deeper that masculine violence is acceptable. Society can’t get past the old ideals and it’s shown throughout our culture.
"For most of history, anonymous was a woman", quotes Virginia Woolf. (1) Throughout history, women’s lives were restricted to domesticity and family, and they were left oppressed and without political voice. Over the decades the roles of women have dramatically changed from chattels belonging to their husbands to gaining independence. Women became famous activists, thinkers, writers, and artists, like Frida Kahlo who was an important figure for women’s independence. The price women paid in their fight for equality was to die or be imprisoned along with men, and they were largely forgotten in written history. However, the roles they took on were wide-ranging which included working in factories, tending the troops, taking care of children and working at home. Frida Kahlo was a talented artist whose pride and self-determination has inspired feminists and many others. She was an important figure in the women’s movement not because she fought for women’s rights in an organized way, but because of the way she lived her life. “I suffered two grave accidents in my life. One in which a street car knocked me down, the other accident is Diego” (2), says Frida Kahlo. She was in a turbulent relationship with her husband Diego Rivera, but she claimed her independence from him. The experiences in her life shared with her nature and strength made her famous and well-known worldwide as a woman of independence, courage and nonconformity. Women like Frida Kahlo have fought for their independence and contrasting the modern-day women to the women in 1900s, we can see that their roles have changed and in return they received their independence. After centuries of conforming to female stereotypes, women are gradually taking control of their own image of...
The feminist porn wars and sex wars throughout the 1980s and 1990s ignited the debate of whether pornography was a form of empowerment for women in the form of sexual liberation or a form of oppression spearheaded by men. Throughout the era, there were different types of feminists: those who critiqued pornography and advocated for its censorship and those who advocated for production that was sex positive, or consensual for all parties (Bakehorn, 11/17/16). Individuals who were in favor of pornography but wanted to withdrawal from the damaging representations of men and women portrayed in the mainstream industry sought to create a new genre, feminist pornography. This alternative style of porn functions as a form of activism in terms
The most common way in which men participate in rape culture is slut-shaming. There is a double standard in society concerning men and women. Men can have as much sex as they like, but will still not be shamed for it like women are. Men have complete body autonomy and reserve the right to do whatever they wish with their sex lives with no fear of judgment. Women do not have such privileges. They are called sluts for doing anything that society (see: men) deems inappropriate. An account from Jessica Valenti, a famous feminist blogger explains that “It seems the word slut can be applied to any activity that doesn 't include knitting, praying, or sitting perfectly still lest any sudden movements be deemed whorish.” Albeit being a hyperbole, Valenti’s observations are quite accurate. Calling women sluts essentially dehumanizes them. It strips their humanity and leaves behind a husk of a human, made up only of forced presumptions and accusations. This dehumanization leads to rape in that it makes rapists no longer care about the consent of their victims. Why would a person need consent from a husk? This lack of empathy is at the core of rape mentalities and rape
The female body is the site of extensive theoretical discourse and intense political struggle; it has become the expressions of culture but also has become a site for social and political control. Through history the female body has been the site of discrimination, exploitation, abuse and oppression. She has also occupied a dominant position in the discourse of beauty; its imagery being pervasive and manipulated throughout literature, visual arts and religions and also the site of scientific and psychological investigation. Through historically male dominated fields of expertise and political power, the female body has become the subject to conscious and unconscious patriarchal influences.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
By situating American film within specific genres and cycles, and assessing the modifications such narratives have undergone, a greater understanding of the way in which films have adapted presentations of black sex and gender roles, especially as a way of building and maintaining spectatorship, and constructing racial meaning becomes visible. Theorist Thomas Cripps argues that taking a genre approach to film study creates a dynamic exchange between the film, the film industry, and the film audience. Acknowledgement of this relationship and its influence is held to be key to the meaning made of the film as “films bridge the gap between producer and mass audience, not through shared arcane tastes but because a team of filmmakers shares a knowledge