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Gender roles in media examples
Gender roles in media examples
Gender roles in media examples
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Grease, one of the most well known ‘coming of age’ movies, a movie about a new girl who moves to a new country, falls in love with a boy and makes new friends who empower her to embrace her true self and become who she really is. No. Grease is a movie that teaches young girls that it’s okay to change who you are just to grasp the attention of the boy you like, and that you must not be a prude. A movie that is full of sexual innuendos all to make the good girl look bad and have amazing stories to tell friends. That is the real storyline of Grease and how it explains the stereotypes given to teenagers.
The first real insight in Sandy Olsson’s need to change who she is, is during the song “summer loving”, during this number there are two very different portrayals as to how the summer went between Danny Zuko and Sandy, in Danny’s mind the big selling feature was that “she got friendly in the sand” where as in Sandy’s explanation of the summer she was happy when “he got friendly, holding [her] hand”. In Danny’s story it was not good enough for him and Sandy to just be holding hands, he had to tell his friends that they went further, that, more specifically she wanted to go further. This number in Grease is just the first sign that a girl must follow what it is the boy desires in her, not just what she is herself.
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As for a scene that explains for about who Sandy is when she is true to herself.
In this scene Rizzo is comparing Sandy to goody-two-shoes Sandara Dee. Rizzo is known in the film as the bad girl, the one that most men desire, so it is easy for her to judge Sandy for being “lousy with virginity” and that she “won’t go to bed till [she’s] legally wed”. Rizzo is explaining how Sandy is a bore and a prude and this is making it so that she will never be with Danny if she continues to act this way. Sandy is made to feel bad about who she is and decides that she must find a way to change herself. This leads to the final stage of her
change. Finally the movie ends in a seemingly empowering ending were Sandy is made up by her friend Frenchie to look as bad-ass as possible, someone in all leather and big heels, smoking a cigarette and taking the power over Danny. This scene is the most obvious as to showing her changes to be Danny’s “dream girl”. It is seen in this scene the changes she had to ensue in order to be comfortable and happy with herself and to be able to get the guy Sandy had to completely change who she was. Grease is a story that many teenagers can relate to, the underdog striving to fit in and make friends whilst falling in love with a bad boy who creates a desire for the girl to change into someone he could be seen with. Grease is just one of the many movies in popular culture where a girl must change to fit in with the gender stereotypes of her generation. As a society everyone has wanted to change at least one thing about them just to fit in with the social norms and that is exactly what Grease has used to become the film it is today.
Throughout the film of Smoke Signals, the story centers on two characters, Thomas and Victor. Thomas, through his storytelling shows Victor that there's more to life than cynicism and pure anger, while Victor let's Thomas know what it means to be a real Indian. We can see this in the scene where Victor tells Thomas that Indians are not supposed to smile to white people and that Indians always should look mean in order to gain the respect of white folks. However, we can see that after they return to the bus their seats have been taken by two white men and neither did Victor’s mean face and faded smile help him gain their seats back. This scene shows us that those stereotypes about how what an Indian is supposed to act are not in fact true because
Sal’s journey reflects that of a heroine; the journey helps her discover who she really is and she comes home to share what she has learned afterward. Sal explains, “When my mother had been there, I was like a mirror. If she was happy, I was happy. If she was sad, I was sad. For the first few days after she left, I felt numb, non-feeling. I didn’t know how to feel”(Creech 37). When her mother left, Sal had no reflection. She was forced to start experiencing her feelings independently. Sometimes to start feeling again, one needs to leave what is familiar to them. The journey she took healed this numbness she felt. Furthermore, her identity and feelings were given context through Phoebe’s story and shaped by her own reflections of the
"Girls, this isn’t the beach," is the first thing Lengel says to the girls when he sees them (Updike 1028). Queenie explains that her mother sent her to pick up some herring snacks, implying that since her mother sent her it is perfectly fine for her to be in the store with only a bathing suit on. While Lengel and Queenie are arguing, Sammy visualizes himself at Queenie’s house during a party. In his imagination he sees, "her father and the other men were standing around in ice-cream coats and bow ties and the women were in sandals picking up herring snacks on toothpicks off a big glass plate and they were all holding drinks the color of water with olives and sprigs of mint in them" (Updike 1028).
She says “forget the ballet, we never go anywhere together.” She wants less predictability and more time to experience new things. When he reminds her that they went to a football game recently, she screams at him that she did not even want to go. She feels as though he is always controlling what they do, and that she always has to give up her own wants to please him. Instead of compromising and participating in activities that they both want to do, she feels that they always do whatever they want.
The plot of the story deals with three girls who come into the store dressed only in bathing suits. They make their entrance in the very first sentence, and they complicate Sammy's life. At first, Sammy, his older friend Stokesie, and McMahon the butcher all look at the girls lustfully. But of them all, only Sammy enjoys the entertainment the girls bring. The other shoppers crash their carts, look stunned, and are suddenly jarred out of their everyday routine. Sammy, who seems bored with his job, finds the change amusing. He even begins to feel sorry for the girls when everyone else stares at them lustfully. The plot's major conflict occurs late in the story when Lengel, the manager, comes in and scolds the girls. Sammy knows that they are on their way out of the store, but Lengel has to yell at them and make them feel bad.
It is often the case that media and more specifically, film, perpetuates the stereotypes of black men. These stereotypes include not showing emotion, being physically aggressive, embrace violence, supposed criminality, associated with drug use, lack a father figure, sexually exploit women, and others. In the film, Boyz n the Hood, Tre’s father, Furious Styles, encourages Tre to demonstrate loyalty to other people in relationships, resist aggressive behavior, and foster and exhibit sexual responsibility. Thus, throughout the film, Tre challenges the society’s stereotyped norms of black masculinity and what it means to be a black man.
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
He leaves, with a clean consciousness, but the burden of not knowing what the future has in store. This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they wear, seem to be his only observations.
He showed that the girls distracted him from his job, disregarded store policy of A&P, and in the end he showed regret which can be questioned. Sammy was describing, specifically, about the girl’s body parts and bathing suits, which causes mistakes in while working and making people unsatisfied. He was admiring the girls so much he ignored store policy and was believing Lengel having a Sunday teacher moment. In the end, he was looking back in the window feeling sympathy for leaving, Lengel taking his place. He only cared about the girls because of their beauty, not because of their
The Sammy opens the first paragraph after the break in the story by saying, “Now here comes the sad part of the story, at least my family says it’s sad, but I don’t think it’s so sad myself.” (Updike, 150). He then goes on to say things such as, “Then everybody’s luck begins to run out” (Updike, 151). These quotes from the text lead up to the confrontation between Mr. Lengel and the girls. They stress the idea that there is tension leading up to that point and suggest to the reader that the relaxation and friendliness in the store from the beginning have now shifted into tension and hostility. This shows the reader that Sammy is still human, and that his emotions can be affected by things around him.
In the movie “crash” people from different racial group crash in to each other and at least two of the characters come to recognize how their prejudice and stereotyping is based on their accidental encounter with members of other social groups.
Sammy then has an internal dialogue that takes sides with the girls and in a rebellion against the “policy” Lengel mentioned, regardless if the girls really had the same sort of rebellious spirit of Sammy or if they just stopped in to or from a beach and trying to avoid confrontation and hoping to leave soon. As the girls leave the convenience store Sammy yells “I quit” as if the girls symbolized freedom from his boring dead-end job, hoping that the girls will take him with them and help him run away from the day to day “cash register watcher” routine; feeling that he was too young to work that hard, too young to die that fast. While Sammy was preparing to leave the store “Lengel sighs and begins to look very patient and old and gray. He’s been a friend of my parents for years. ‘Sammy you don’t want to do this to your mom and dad,’ he tells me. It’s true, I don’t. But it seems to me that once you start a gesture, it’s fatal not to go through with it. I fold the apron, ‘Sammy’ stitched on the red pocket, and put it on the counter, and drop the bow tie on top of it.” (pg. 432) at this point Sammy is threatened by Lengel’s blackmail, but isn’t faced by it and proceeds to drop his uniform, symbolizing his growth from the small convenience store. As Sammy walks through the door of the A & P he turns around and sees Lengel’s face, “His face was dark gray
In today 's society, gender stereotyping of men and women has influenced the society’s actions and how it has reflected in recent years. Everyday stereotype is being used whether if it’s on movies, workplaces, playgrounds, homes, or even magazines. There is gender diversity in the movie Grease which took place in 1978. This movie focuses on several different types of stereotyping throughout the movie. Two specific characters in which we are able to use as an example of gender stereotyping are Sandy and Danny. There has always been a specific boundary between a male and a female gender. The femininity side that is shown in the movie Grease of how it is described by the character Sandy of how women were once portrayed back in the day has changed
He notices that he doesn’t want to work at A & P anymore. The manager at A & P comes out to address the girls for obvious reasons. He tells them that the store “isn’t the beach” and so on. They have a small disagreement where the manager tells them that they need to be decently dressed when they come in the store, but the girls feel like they are decent. The manager lets Sammy check them out so that they can hurry and get out of the store, but no one was in as much as a hurry as them. They were rushing to get out because they were embarrassed. This is when Sammy realizes he doesn’t want to work there anymore. He want to be their “unsuspected hero” and he tries to quit fast enough so that they could hear him, but they were already out walking hurrying to get out as fast as they could. Sammy quits because he could feel their embarrassment and he tells his manager that he didn’t have to embarrass them like that. The manager explains himself by saying that they were the ones who embarrassed him. I think Sammy quit because he felt that the girls shouldn’t be looked at sexually in the way they were. He thinks that the manager saw the girls as inappropriate because women are not supposed to wear these types of things outside of where they are acceptable like at home and at the pool. Sammy feels that the girls should be respected more so he does the honorable thing and quits his job. He tries to hurry and do
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...