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Stereotypes depicted by media
Stereotypes depicted by media
Stereotypes depicted by media
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Hollywood has created many ideas on life during Manifest Destiny, many of which are based on mainly modern stereotypes and very few accurate facts. In the video clip from “Little House on the Prairie”, many stereotypes are clear. This video is an advertisement for the television show, now on DVD, and is obviously supposed to make you want to buy the DVD version. The clothing the characters wear is a major example of this. Styles such as bonnets, aprons, cowboy hats, and suspenders were all in the video. Society seems to have painted this picture that, no matter the exact time period, females in history always wore bonnets and aprons. This is interesting, because while mainly true, this is also a major stereotype that people seem to imagine. …show more content…
Meanwhile, cowboy hats are seen in a snippet of the clip, and cowboy hats seem to give off a “Wild West” vibe today.
Combined with suspenders, which are part of the stereotypical miner’s outfit, this definitely is a hodgepodge of stereotypes put on the male characters of “Little House on the Prairie” to fit today’s expectations. Another example of stereotypes seen in this video is how the setting is consistently wide open spaces filled with tall grass, and a log cabin which conveniently have a large attic for the children to sleep in. The open fields of grassland is the typical idea of a prairie to a person, which is a given considering the title of the show is “Little House on the Prairie”. The log cabin is what society would often picture a family living in during Manifest Destiny, when in reality people typically lived in houses made of buffalo chips (buffalo dung that has been burnt and dried). The large attic is also strange, considering the size of the house, but that will be later expanded on. The next stereotype is sort of miscellaneous, however equally important. The main characters seem to have a mild obsession with the idea of “home”, which eventually will cause some people to …show more content…
raise an eyebrow. This stereotype is one easily inflicted upon pioneers in Manifest Destiny, considering they were walking hundreds to thousands of miles through lands they knew practically nothing about to find a “better life”, which gives the stereotype a tad of truth, but it is mostly just overstating that idea, like others. The second video used was the trailer for the movie “Wild Wild West”. This movie is a breeding ground of stereotypes, from the costumes, to the sets, the props, everything is built off of the idea of this unruly society with sheriffs, bandits, and cowboys. The setting is highly stereotypical, with balloons, trains, and a rustic looking town in the desert. When the average person pictures the West during Manifest Destiny, they would most likely picture a saloon made from an old barn, surrounded by deserts sands with a tumbleweed rolling by: which is practically what this movie seems to do, at least with the setting, only with a much faster pace. The town also seems to have a habit of shooting guns randomly into the air, with no effect whatsoever. While it is plausible that this happened occasionally, the people who moved to these towns were people, and most likely were aware that if you shoot a bullet into the sky, it will come down and hit something, or worse, someone. One would hope that a majority the people expanding the United States of America were much more logical than that. The role of females in this movie was more than a tad sexist, as seen with the skimpy outfits, and consistent hoop skirts, if there was any dress at all. People were much more modest than today in the 19th century, so this is quite unrealistic. While men and women were far from treated equally, women were not simply pretty little objects in a low cut dress and a hoop skirt to be ogled at, as this movie seems to believe happened. The outfits of men were stereotypical as well, though not nearly as offensive and objectifying. The typical fedora and sweatvest combination was seen many times in the clips from the film. Detectives are often associated with the West, and fedoras with detectives, so obviously, film making companies would combine fedoras and the west to feed the media's preborn stereotypes. The music in the trailer was also very upbeat and peppy, with consistent vocalizing and repetition of phrases. Altogether, the trailer from the movie “Wild Wild West” is purely made of stereotypes, and no historical research. The third trailer used was from the movie “The Revenant”, which seemed to focus on Mountain Men. It obviously had more research than “Wild Wild West”, although the outfits and characters had some flaws. The Mountain Men were dressed in all animal skins and pelts, which considering the snowy mountainous region made sense, however seemed to mostly make the well known “Manly Man” stereotype stand out even more. This, paired with the frequent usage of shotguns, made the movie seem very dark and violent. The lead’s motive was his dead son, who was killed in an accident that probably had happened to many people before and after him, because the mountains are known as dangerous for a reason. The characters all seemed to be quite angry past this point, and be trying to escape the mountains. This trailer was sort of difficult to follow, because it was very fast paced and included a lot of middle aged men yelling at each other. Speaking of which, the cast was practically all white, middle aged men wearing brown fur. Some may argue that this is for “historical accuracy”, but this is hogwash because females are not like cellphones, and only invented in the 1970s. In reality Native American women who took of a role similar to Sacagawea could have influenced the plot, or one of the characters could have brought along his wife, but once again gender stereotypes strike in a movie chop full of other stereotypes. “The Revenant” had a trailer that hard to follow, sexist, and had so many stereotypes that it could not possibly be as historically accurate as it claims. Many things in the trailer of “The Lone Ranger” can be criticized, however the most prominent details can be clearly selected.
At the beginning of the list would be the casting choices, particularly Johnny Depp, a white American male, playing a Native American, despite him having no Native heritage himself. This is something that has been questioned regularly by people watching the movie, and it honestly boils down to that racism still exists today, and the whitewashing of films, while less frequent, still happens. Native Americans were slaughtered in Manifest Destiny in cases like the Trail of Tears, with a myriad of other tragedies enforced by the United States Government. Having a white person playing a Native American can help reinforce the stereotypes, mainly because the actor will be less aware of the unintentional harm that they are inflicting. “The Lone Ranger” also has the issue of guns randomly being shot off in the middle of a town, not dissimilar to “Wild Wild West”. As previously stated, it isn’t likely that a successful society was started by people who don’t even understand gravity. The typical tools were used, such as handguns with rotating bullets for accuracy. While the randomly shooting guns are probably supposed to give an exciting and uncontrollable edge to the movie, it really is just stereotypical and expected at a certain point. The older looking town, salons, environment, and setting in general were also very similar to “Wild Wild West”.
However, in a couple of shorter scenes trains are featured, and from what it seems have been hijacked. The hijacked train plot line has been in thousands of films, and has gotten a tad old. These are the most obvious mistakes and stereotypes made in “The Lone Ranger”, most of which could have been easily corrected. Each of the portrayals of Manifest Destiny in each movie had its own flaws. “Little House on the Prairie” had an unnatural obsession with home and family, which is presumably not all that people during this time period talked about. The fact that the family lives in the middle of a grassland in a log cabin is also sort of strange, because grasslands typically don’t have a large number of trees, which are required to build log cabins. A majority of the time, pioneers lived it houses made of burnt buffalo dung. Most likely, the film companies changed the dung house to make the show more appealing. Meanwhile, in “Wild Wild West” the acting seemed to be alright, if a tad dramatic, but generally the portayls seemed to fit the characters. Meanwhile, “The Lone Ranger”, the previously stated Johnny Depp issue is still relevant. It shares the drama of “Wild Wild West”, with the touch of overacting. Finally, “The Revenant” was mostly middle aged men yelling and screaming, so the portrayal of mountain men most likely wasn’t as accurate, considering their day to day life was probably much more calm. The people behind these movies all had to motive to make lots of money, so conforming to the stereotypes of Manifest Destiny and the West and giving society what it wants is more likely to achieve that goal. Obviously, the portrayal and ideas displayed in the movies will try to grab people attention, so that they want to see the movie, and the companies automatically make money, whatever their opinion. Casting famous people is also likely to sway critics in your direction, because if they are well known as a good actor, people will have previous bias towards them that will give you a higher chance of drawing people to the theatre, and the companies making more money. The conforming to the stereotypes is probably done to help people understand who is who, what is what, and better understand what is going on in the film. A way that the productions could be changed to make them more accurate is maybe to diversify the casting, with a larger mix of male and female roles, and people playing the actual race of the character. Something “Little House on the Prairie” could do is maybe change the dialogue, and talk less about home, but more what they are doing, and maybe have more individual goals that can be seen. “The Revenant” could include less screaming, and more trying to figure out what to do in the situation. “The Lone Ranger” would have been better off using less stereotypes, and also casting and actual Native American instead of Johnny Depp, to avoid the discriminative undertones. “Wild Wild West” could include some actual historical facts, instead of a schormasboard of stereotypes thrown together with a stimulating plot to make a movie. And all the movies could have used less randomly shooting guns into the air, because that trope seemed to be going off every ten seconds in some of the trailers. In summary, Hollywood has some unique interpretations of life during Manifest Destiny, most of which could stand to get their historical facts checked, and not just be considered fact with a high box office success.
Throughout the history of history of television, the creators of the show are trying to always portray certain people a certain way. In television show “Tyler Perry’s House of Payne” Curtis Payne, the father, and Ella Payne, the mother are portrayed based on their negative racial stereotypes of African Americans, the traditional gender roles, as well as the time period when the show takes place.
When their journey began in 1846, the members of the Donner and Reed families had high hopes of reaching California, and they would settle at nothing less. Their dream of making a new life for themselves represented great determination. When their packed wagons rolled out of Springfield, Missouri, they thought of their future lives in California. The Reed family’s two-story wagon was actually called the “pioneer palace car”, because it was full of everything imaginable including an iron stove and cushioned seats and bunks for sleeping. They didn’t want to leave their materialistic way of life at home.
Many westerns contain some of the same elements. For instance, almost every western ever made involves a sheriff. He is usually the peace-keeper of a small town overrun by outlaws and cowboys, which he eventually chases out of town or kills. Another element of westerns is a gunslinger. A gunslinger is usually a young man who makes his living shooting other men in showdowns, a classic example is Billy the Kid. Railroads are also a recurring image in westerns. Since the railroad was the major mode of transportation in the old west, it is always present in westerns. Finally, westerns always have a villain. The villain, usually a man, dresses very slick and will stop at nothing in his quest for power. In addition, the villain usually has a gang to carry out his dastardly deeds. The gang is usually full of incompetent, but loyal thugs, who would love to destroy a small town just for the pleasure of wanton destruction. The elements of a western are very simple, but easily manipulated into a very interesting plot.
Eye witness accounts of events are not always accurate. The accounts depicted by depend on how witnesses read the situation. The same is true when interpreting the depiction of race and/or ethnicity in media productions. Because situations gain meaning through the process of social construction (the interpretation of a situation based on one’s knowledge), the same event can be viewed and internalized by witnesses who render opposing viewpoints. This analysis will compare the depiction and rejection of socially constructed stereotypes relative to race and ethnicity in three situation comedies: All in the Family, The Jefferson’s and The Cosby Show.
Children’s literature of the Nineteenth Century is notoriously known for its projection of expected Victorian gender roles upon its young readers. Male and female characters were often given specific duties, reactions, and characteristics that reflected society’s particular attitudes and moral beliefs onto the upcoming citizens of the empire. These embedded concepts helped to encourage nationality and guide children towards their specific gender roles which would ensure the kingdom’s future success. Even in class situations where the demanding gender roles were unreasonable to fulfill, the pressure to conform to the Victorian beliefs was still prevalent.
The culture and society of the American South can be categorized into a variety of groups through stereotypes from outsiders, politicians, music and among other things. To help depict the American South, literature and films that we have watched in class such as Mandingo, Gone with the Wind, To Kill a Mockingbird, Cat on a Hot Tin Roof, The Color Purple, Gods Little Acre, Tomorrow, Jezebel, The Littlest Rebel and with special focus on O Brother Where Art Thou will help capture and reflect southern culture to those not accustomed to the ways of southern society.
Perpetuation of Native American Stereotypes in Children's Literature Caution should be used when selecting books including Native Americans, due to the lasting images that books and pictures provide to children. This paper will examine the portrayal of Native Americans in children's literature. I will discuss specific stereotypes that are present and should be avoided, as well as positive examples. I will also highlight evaluative criteria that will be useful in selecting appropriate materials for children and provide examples of good and bad books. Children will read many books as they grow up.
The film presents the stereotypical behavior of gay men that is evident in our society. Many of the costumes are designed to highlight the characters and the way they live. For example, Bernadette wears long flowing clothes usually white or an off cream. ‘She’ is an older ‘women’ and dresses to look like one with flowing skirts and tops with her hair done up simply.
The popular concept of the “American dream” is normally portrayed as having economic capital, a convenient house and a “ordinary” family. However, is this fantasy really achievable? Little Miss Sunshine faces and destroys these stereotypes by presenting a dysfunctional American family composed by a workaholic father, an “unusual” type of mother, a drug-addicted grandfather, a suicidal oncle, a depressed son and a little girl who wants to win a beauty pageant despite the fact that she does not resemble a Barbie doll. Each of these characters represent possible cultural agents of society, each of them trying to accomplish their personal “American dream”. Therefore, this paper will analyze different stereotypes in relation with this hegemonic
Waller, Altina. "Two Words in the Tennessee Mountains: Exploring the Origins of Appalachian Stereotypes." Journal of Social History 32 (1999): 963.
The theme of racial portrayal as animalistic, that has been seen in several previous readings, as well as the tomboyish aspects of our main character continues in the Little House on the Prairie. On page 123, Laura asks (as she has asked several times in the book) “Pa, when are we going to see a papoose?” to which her mother replies “Goodness! What do you want to see an Indian baby for? Put on your sunbonnet, now, and forget such nonsense.” Ma reaction to Laura wanting to see a baby Indian comes across as horrified, while Laura sees it as a source of entertainment. She treats the Indians as if they are animals at the zoo, something for her to observe as entertainment. When she see Indians for the first time as they enter the house, she hides
New experiences shock and captivate readers consequently prompting a reassessment of their perceptions of respect, truth and friendship. Tim Wintons short story “Neighbours” confronts individual stereotypes through exploring the multicultural context in which the story is set. Winton explores the transition of a “young couple” into a new phase of life by describing their move to a lower socio economic suburb full of “European migrants”. The composer does not name the characters, rather calls them the “Macedonian Family” and the “Polish man”, in order to show their cultural differences and highlight multiculturalism. Through the development of the short story, Winton shows how the young couple transition and develop their societal perspectives
Little House on the Prairie was first challenged in 1993 by parents of students at Lafourche Parish elementary schools in Thibodaux, Louisiana. They were requesting the novel be removed on the grounds of it being "offensive to Indians." Parents recited excerpts from the book supporting their objections as follows: "naked wild men", "terrible men", and "glittering black eyes". A phrase repeated several times the Ingalls neighbor, Mrs. Scott, was also cited, "The only good Indian is a dead Indian." Further, another quote was given to the school board from when Ma and the girls were alone in the cabin since Pa was gone hunting. Two men from the Osage tribe visited the cabin in which Laura describes them as, "Those Indians were dirty and scowling and mean. They acted as if the house belonged to them." Wilder then goes on to describe how the Indians went through their cupboards and began to take food and tobacco and fur that was to be traded for plows and seeds until the Indian's companion stopped him. The school board denied the request and the book was retained. In 1994, the book was banned from elementary schools in Sturgis, South Dakota again on the grounds that "it contains statements that are considered derogatory to Native Americans." The objection presented to the Sturgis School Board were mainly cited in the Lafourche Parish challenge, and Sturgis evidenced significantly greater public support for the ban.
The folk tale of “Little Red Riding Hood” has numerous variations and interpretations depending on what recorded version is being read or analyzed. “Little Red Cap,” by the Grimm Brothers, and “The Grandmother,” as collected by Achille Millien, are different in numerous ways: the depth of the narrative structure, characters involved, length – yet, the moral lesson is largely unchanged between the two versions. One of the more glaring differences between the two versions is the way that the narrator and the actions of the characters are used to describe the young girl, female, and the wolf, male. Being either female or male are matters of biological makeup. The characteristics of femininity and masculinity that are associated with being female or male, however, are socially and culturally defined. How do these different descriptions inform gender construction, and more specifically, how do gender constructions help to naturalize stereotypes within the collective conscience of society?
For the past 30 years Fox’s hit show The Simpsons has been running on televisions in every home across the world. Although viewership of the show has declined considerably since it first aired in 1989, The Simpsons still holds an influence on society to this day. The show takes place in fictional city Springfield and revolves around the main character, Homer Simpson, and his family which includes his wife and three children. The sitcom is full of characters that portray stereotypes for their race, gender, or sex. Popular character Apu Nahasapeemapetilon, voiced by white actor Hank Azaria, is an Indian immigrant that graduated college with a computer science degree, but works at the local Kwik-E-Mart to pay his student loans (Fatoba). Forced