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The role of the writer
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Secret Window, Secret Garden The Secret Window “Books and movies are like apples and oranges. They both are fruit, but taste completely different” (Stephen King). The following Steven King quotes, relates to Kings driller Secret Window, Secret Garden and Koepp’s movie The Secret Window. In both medias, both artists establish a story about a delusional writer, yet each composer has their own way of executing the story. In the gothic novella, Secret Window, Secret Garden by Stephen King, the author constructs a believable story about a writer who loses touch with reality. In the film version of The Secret Window, directed by David Koepp, the author recreates the story and modifies the original plot of the novella, which causes the film to be less authentic and gripping. …show more content…
In the written version, King ends the story with a spectacle. Both Amy and Evan are uncertain of Shooters existence and as a result they both awake from “ dreams in which a man in a round crowned black hat looked at them” (King 480). King forms suspense by letting the reader determine the ending. Therefore, the reader feels more engrossed and involved with the overall story. However, Koepp decides to alter the plot and in the film, Mort successfully kills Amy and continues to wonder around Tashmore Lake. Additionally, the movie ends with a policeman accusing Mort of all his crimes but not arresting him (Koepp). The conclusion of the film is less drastic and dramatic thus, making the audience feel less satisfied with the
“You can’t Judge a book by its cover,” but you can judge it by its content. In the two stories: “Charles” which was written by Shirley Jackson, an American writer, who’s prominence was in the late 1940’s through the early 60’s and “The Open Window” which was written by H. H. Munro, also known as “Saki,” who was born in the United Kingdom and made his mark in the early 1900’s, took fairly different approaches to establishing a similar suspense and ending to their stories. This could possibly be attributed to the era in which the stores were written or may be variations in the author’s personalities or even geographical location, but at final conclusion Charles was the better story. The story Charles
This is quite a literal example of closure in a movie. The endings of films in classical Hollywood almost always seems inevitable. The audience’s expectations and desires that they have had since the start of the film are fulfilled and given
Jeanette Walls’ memoir The Glass Castle and Marshall Bruce Mathers’ “Mockingbird” both contextually illustrate the undying love and compassion between a father figure and his offspring. In the memoir The Glass Castle, Jeannette anxiously believes that there is a monster under her bed. This results in her father, Rex Walls, taking her with him to try and find the monster under her bed so that they could face such a frightening beast together. They then check all over the house and end up going outside and Rex is bravely yelling and calling out this monster and Jeannette ends up joining him too. Eventually, after a lengthy period of time yelling at the monster, they ultimately decide that the monster is just a figment of Jeanette’s imagination. By calling out the monsters name, it is blandly obvious that Rex wanted to show Jeannette how to face her fears and confront them. Rex and Jeanette sit down and Rex explains to her “That [is] the thing to remember about all the monsters, Dad said: They love to frighten people, but the minute you stare them down, they turn tail and run. All you have to do, Mountain Goat, is show old Demon that you’re not afraid” (Walls 36). This quotation emphasizes the fact that the monsters that Jeanette perceives and the fear that she experiences, while lying in bed, is only a delusion created in the confines of her mind. In doing this, Rex Walls demonstrates the characteristics of an excellent father by demonstrating the compassion and love that he has for his child. Rex establishes this notion by teaching her life lessons, such as facing her fears, which prove to be helpful later on in the novel, as they assist Jeanette when she is in an anxiety provoking situations. The persona of a great father figure ...
Children these days have a variety of needs, often being surrounded by the ideas of freedom and security. While some people seek complete freedom from society’s rules, others seek the comforts of security that a normal life provides. Children’s preferences on freedom and security are reflected from their Mom and Dad’s parenting style. In The Glass Castle, by Jeannette Walls, the characters Brian, Lori, and Jeannette show that while growing they would rather have security over freedom because they repeatedly find themselves in a state of danger due to their parent’s lack of security. For example, if Jeannette’s parents were accountable while Jeanette was in proximity to fire she would not have been traumatized and severely burnt. Another reason the children want security is Rex is an excessive alcoholic who is very dangerous to be around while he is under the influence of hard liquor, they would rather a father that responsibly handled alcohol. Rex’s surplus of expenses on booze led the family into poverty because instead of using the family’s rare profit to pay off bills Rex uses it to buy alcohol and items that were not a necessity to their survival. Therefore, their parents struggled to give even the simplest things for them such as food and clothes.
On December 10, 1950, in Stockholm, Sweden, one of the greatest literary minds of the twentieth century, William Faulkner, presented his acceptance speech for the Nobel Prize. If one reads in between the lines of this acceptance speech, they can detect a certain message – more of a cry or plead – aimed directly to adolescent authors and writers, and that message is to be the voice of your own generation; write about things with true importance. This also means that authors should include heart, soul, spirit, and raw, truthful emotion into their writing. “Love and honor and pity and pride and compassion and sacrifice” (Faulkner) should all be frequently embraced – it is the duty of authors to do so. If these young and adolescent authors ignore this message and duty, the already endangered state of literature will continue to diminish until its unfortunate extinction.
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
In "Our Secret" by Susan Griffin, the essay uses fragments throughout the essay to symbolize all the topics and people that are involved. The fragments in the essay tie together insides and outsides, human nature, everything affected by past, secrets, cause and effect, and development with the content. These subjects and the fragments are also similar with her life stories and her interviewees that all go together. The author also uses her own memories mixed in with what she heard from the interviewees. Her recollection of her memory is not fully told, but with missing parts and added feelings. Her interviewee's words are told to her and brought to the paper with added information. She tells throughout the book about these recollections.
Suspense is a 1913 film that portrays the story of a tramp intruding into a family’s home, where a mother takes care of her child while her husband is away. The plot is a common one that had been used previous times before the film’s release, such as in The Lonely Villa (1909). However, through taking advantage of the single frame shot, the filmmakers were able to create a masterful aesthetic of two separate stories that turn a basic plot into a complex story. The film created an inventive way of illustrating stories within cinema by allowing the audience the chance to consume more narrative in less time within just one take.
The Secret Garden is a film based on Frances Hodgson Burnett's classic children's book bearing the same title. This movie is about a young girl who is literally shipped off to her uncle's English castle after her parents are killed in an earthquake. The main character, Mary, is played by Kate Maberly. She is tossed into a world where sunlight and cheerful discourse seem as rare as the attention she receives from the sour-pussed housekeeper Medlock, played by Maggie Smith. She helps her crippled cousin to see past his hypochondria and into the wonders of a long forgotten garden hidden beyond the confines of Misselthwaite Manor. While one critic dislikes the slight deviations from the book, another is content to relish in the imagery and scenery of The Secret Garden.
Secret Window, released in 2004, is a film based on Stephen King's novel Secret Window, Secret Garden. The film follows increasingly disturbing events around a character called Mort Rainey, who is portrayed by Johnny Depp & John Turturro. This character appears to suffer from Dissociative Identity Disorder (DID). Rainey is a middle-aged novelist recently estranged from his wife; as a result, he has isolated himself at his cottage. As the story progresses, it becomes clear that Rainey has another personality called Shooter, and Rainey himself comes to the realisation that Shooter is an identity that he has created to protect himself from the pain of his marital breakdown. Shooter takes over Rainey’s mind one last time to murder his wife and the man she cheated with. After his vengeance is carried out, Rainey seems at ease and jovial, and as the film ends, Rainey seems to be in a positive emotional state. This is an ambiguous ending that leaves the viewer unsure of Rainey’s mental health status.
Mary Wroth alludes to mythology in her sonnet “In This Strange Labyrinth” to describe a woman’s confused struggle with love. The speaker of the poem is a woman stuck in a labyrinth, alluding to the original myth of Theseus and the Minotaur. The suggestion that love is not perfect and in fact painful was a revolutionary thing for a woman to write about in the Renaissance. Wroth uses the poem’s title and its relation to the myth, symbolism and poem structure to communicate her message about the tortures of love.
The book uses fictional documents, such as book excerpts, news reports, and hearing transcripts, to frame the story of Carietta "Carrie" White, a 17-year-old girl from Chamberlain, Maine. Carrie's mother, Margaret, a fanatical Christian fundamentalist, has a vindictive and unstable personality, and over the years has ruled Carrie with an iron rod and repeated threats of damnation, as well as occasional physical abuse. Carrie does not fare much better at her school where her frumpy looks, lack of friends and lack of popularity with boys make her the butt of ridicule, embarrassment, and public humiliation by her fellow teenage peers.
The Dark Tower – Stephen King The Dark Tower is a series of stories that follow the main character, Roland "The Last Gunslinger", as he travels across a harsh desert on a mission to find the "man in black". His mission is to make it safely to the Tower in order to save himself and the very existence of the universe. The entire series revolves around the tower and how essential it is. The tower is a central point where different planes of existence merge and if Roland doesn't make it there before it gets destroyed then everything else will be destroyed along with it.
...s the movie ends with the sun coming out over the rainy gate, one cannot help but to feel as confused and lost as the characters at the opening lines of the film when they intoned their total incomprehension of the situation. Although the woodcutter seems to redeem himself of the perfidy of (possibly) stealing the dagger by adopting a baby left under the gate, the movie is never resolved. While faith is restored that men can also be good (a central question throughout the film) we are never any the wiser as to what was real. That is the whole point of the movie; we are never shown what is real because we will never know.
Time is one of the basic components of life that one does not often stop to dwell upon. Each second marks a transition in an individual’s life, but it is rare for someone to consider the true magic of this small measure of history. In Tom’s Midnight Garden, Philippa Pearce examines the concept of time in a truly unique manner as she tells the story of a child who comes to terms with time in an extraordinary manner. As Pearce crafts this beautiful yet simply written novel, she intertwines both a moving plot and universal ideas in order to reveal more than meets the eye in terms of the power of time. The novel revolves around a young boy by the name of Tom Long who, in an adverse situation is shipped away from his home to live with his childless Uncle and Aunt for the summer. While Tom is disgruntled by the notion, he comes to adjust his views when he discovers a magical garden that opens his eyes to new experiences and feelings. With the discovery of this mysterious world in the garden, Tom is forced to decipher the power of time, companionship, and imagination and through this journey, he evolves from the childish, inconsiderate young boy he once was into one with a more mature and sensitive outlook on his own life and the world as a whole.